SNOW CRASH
length of the harbor. They aren’t there to look cool. They are there to confuse heat-seeking missiles.
From where he’s standing, he can’t see the roof of the hotel, because he’s looking straight up at it. But he has the feeling that Gurov must be waiting there, on top of the tallest building in Port Sherman, waiting for a dawn evacuation to carry him away into the porcelain sky, carry him away to the Raft.
Question: Why is he being evacuated? And why are they worned about heat.seeking missiles? Hiro realizes, belatedly, that some heavy shit is going on.
If he still had the bike, he could ride it right up the fire stairs and find out what’s happening. But he doesn’t have the bike.
A deep thump sounds from the roof of a building on his right. It’s an old building, one of the original pioneer structures from a hundred years ago. Hiro’s knees buckle, his mouth comes open, shoulders hunch involuntarily, he looks toward the sound. And something catches his eye, something small and dark, darting away from the building and up into the air like a sparrow. But when it’s a hundred yards out over the water, the sparrow catches fire, coughs out a great cloud of sticky yellow smoke, turns into a white fireball, and springs forward. It keeps getting faster and faster, tearing down the center of the harbor, until it passes all the way through the little chopper, in through the windshield and out the back. The chopper turns into a cloud of flame shedding dark bits of scrap metal, like a phoenix breaking out of its shell.
Apparently, Hiro’s not the only guy in town who hates Gurov. Now Gurov has to come downstairs and get on a boat.
The lobby of the Spectrum 2000 is an armed camp, full of beards with guns. They’re still putting their defense together; more soldiers are dragging themselves out of their coin lockers, pulling on their jackets, grabbing their guns. A swarthy guy, probably a Tatar sergeant left over from the Red Army, is running around the lobby in a modified Soviet Marines uniform, screaming at people, shoving them this way and that.
Gurov may be a holy man, but he can’t walk on water. He’ll have to come out to the waterfront street, make his way two blocks down to the gate that admits him to the secured pier, and get on board the Kodiak Queen, which is waiting for him, black