The Boarded Window
In 1830, only a few miles away from what is now
the great city of Cincinnati, lay an immense and almost unbroken
forest. The whole region was sparsely settled by people of the
frontier—restless souls who no sooner had hewn fairly habitable
homes out of the wilderness and attained to that degree of
prosperity which to-day we should call indigence than impelled by
some mysterious impulse of their nature they abandoned all and
pushed farther westward, to encounter new perils and privations in
the effort to regain the meagre comforts which they had voluntarily
renounced. Many of them had already forsaken that region for the
remoter settlements, but among those remaining was one who had been
of those first arriving. He lived alone in a house of logs
surrounded on all sides by the great forest, of whose gloom and
silence he seemed a part, for no one had ever known him to smile
nor speak a needless word. His simple wants were supplied by the
sale or barter of skins of wild animals in the river town, for not
a thing did he grow upon the land which, if needful, he might have
claimed by right of undisturbed possession. There were evidences of
“improvement”—a few acres of ground immediately about the house had
once been cleared of its trees, the decayed stumps of which were
half concealed by the new growth that had been suffered to repair
the ravage wrought by the ax. Apparently the man’s zeal for
agriculture had burned with a failing flame, expiring in
penitential ashes.
The little log house, with its chimney of sticks,
its roof of warping clapboards weighted with traversing poles and
its “chinking” of clay, had a single door and, directly opposite, a
window. The latter, however, was boarded up—nobody could remember a
time when it was not. And none knew why it was so closed; certainly
not because of the occupant’s dislike of light and air, for on
those rare occasions when a hunter had passed that lonely spot the
recluse had commonly been seen sunning himself on his doorstep if
heaven had provided sunshine for his need. I fancy there are few
persons living to-day who ever knew the secret of that window, but
I am one, as you shall see.
The man’s name was said to be Murlock. He was
apparently seventy years old, actually about fifty. Something
besides years had had a hand in his aging. His hair and long, full
beard were white, his gray, lustreless eyes sunken, his face
singularly seamed with wrinkles which appeared to belong to two
intersecting systems. In figure he was tall and spare, with a stoop
of the shoulders—a burden bearer. I never saw him; these
particulars I learned from my grandfather, from whom also I got the
man’s story when I was a lad. He had known him when living near by
in that early day.
One day Murlock was found in his cabin, dead. It
was not a time and place for coroners and newspapers, and I suppose
it was agreed that he had died from natural causes or I should have
been told, and should remember. I know only that with what was
probably a sense of the fitness of things the body was buried near
the cabin, alongside the grave of his wife, who had preceded him by
so many years that local tradition had retained hardly a hint of
her existence. That closes the final chapter of this true
story—excepting, indeed, the circumstance that many years
afterward, in company with an equally intrepid spirit, I penetrated
to the place and ventured near enough to the ruined cabin to throw
a stone against it, and ran away to avoid the ghost which every
well-informed boy thereabout knew haunted the spot. But there is an
earlier chapter—that supplied by my grandfather.
When Murlock built his cabin and began laying
sturdily about with his ax to hew out a farm—the rifle, meanwhile,
his means of support—he was young, strong and full of hope. In that
eastern country whence he came he had married, as was the fashion,
a young woman in all ways worthy of his honest devotion, who shared
the dangers and privations of his lot with a willing spirit and
light heart. There is no known record of her name; of her charms of
mind and person tradition is silent and the doubter is at liberty
to entertain his doubt; but God forbid that I should share it! Of
their affection and happiness there is abundant assurance in every
added day of the man’s widowed life; for what but the magnetism of
a blessed memory could have chained that venturesome spirit to a
lot like that?
One day Murlock returned from gunning in a distant
part of the forest to find his wife prostrate with fever, and
delirious. There was no physician within miles, no neighbor; nor
was she in a condition to be left, to summon help. So he set about
the task of nursing her back to health, but at the end of the third
day she fell into unconsciousness and so passed away, apparently,
with never a gleam of returning reason.
From what we know of a nature like his we may
venture to sketch in some of the details of the outline picture
drawn by my grandfather. When convinced that she was dead, Murlock
had sense enough to remember that the dead must be prepared for
burial. In performance of this sacred duty he blundered now and
again, did certain things incorrectly, and others which he did
correctly were done over and over. His occasional failures to
accomplish some simple and ordinary act filled him with
astonishment, like that of a drunken man who wonders at the
suspension of familiar natural laws. He was surprised, too, that he
did not weep—surprised and a little ashamed; surely it is unkind
not to weep for the dead. “To morrow,” he said aloud, “I shall have
to make the coffin and dig the grave; and then I shall miss her,
when she is no longer in sight; but now—she is dead, of course, but
it is all right—it must be all right, somehow. Things cannot
be so bad as they seem.”
He stood over the body in the fading light,
adjusting the hair and putting the finishing touches to the simple
toilet, doing all mechanically, with soulless care. And still
through his consciousness ran an undersense of conviction that all
was right—that he should have her again as before, and everything
explained. He had had no experience in grief; his capacity had not
been enlarged by use. His heart could not contain it all, nor his
imagination rightly conceive it. He did not know he was so hard
struck; that knowledge would come later, and never go. Grief
is an artist of powers as various as the instruments upon which he
plays his dirges for the dead, evoking from some the sharpest,
shrillest notes, from others the low, grave chords that throb
recurrent like the slow beating of a distant drum. Some natures it
startles; some it stupefies. To one it comes like the stroke of an
arrow, stinging all the sensibilities to a keener life; to another
as the blow of a bludgeon, which in crushing benumbs. We may
conceive Murlock to have been that way affected, for (and here we
are upon surer ground than that of conjecture) no sooner had he
finished his pious work than, sinking into a chair by the side of
the table upon which the body lay, and noting how white the profile
showed in the deepening gloom, he laid his arms upon the table’s
edge, and dropped his face into them, tearless yet and unutterably
weary. At that moment came in through the open window a long,
wailing sound like the cry of a lost child in the far deeps of the
darkening wood! But the man did not move. Again, and nearer than
before, sounded that unearthly cry upon his failing sense. Perhaps
it was a wild beast; perhaps it was a dream. For Murlock was
asleep.
Some hours later, as it afterward appeared, this
unfaithful watcher awoke and lifting his head from his arms
intently listened—he knew not why. There in the black darkness by
the side of the dead, recalling all without a shock, he strained
his eyes to see—he knew not what. His senses were all alert, his
breath was suspended, his blood had stilled its tides as if to
assist the silence. Who—what had waked him, and where was it?
Suddenly the table shook beneath his arms, and at
the same moment he heard or fancied that he heard, a light, soft
step—another—sounds as of bare feet upon the floor!
He was terrified beyond the power to cry out or
move. Perforce he waited—waited there in the darkness through
seeming centuries of such dread as one may know, yet live to tell.
He tried vainly to speak the dead woman’s name, vainly to stretch
forth his hand across the table to learn if she were there. His
throat was powerless, his arms and hands were like lead. Then
occurred something most frightful. Some heavy body seemed hurled
against the table with an impetus that pushed it against his breast
so sharply as nearly to overthrow him, and at the same instant he
heard and felt the fall of something upon the floor with so violent
a thump that the whole house was shaken by the impact. A scuffling
ensued, and a confusion of sounds impossible to describe. Murlock
had risen to his feet. Fear had by excess forfeited control of his
faculties. He flung his hands upon the table. Nothing was
there!
There is a point at which terror may turn to
madness; and madness incites to action. With no definite intent,
from no motive but the wayward impulse of a madman, Murlock sprang
to the wall, with a little groping seized his loaded rifle, and
without aim discharged it. By the flash which lit up the room with
a vivid illumination, he saw an enormous panther dragging the dead
woman to-ward the window, its teeth fixed in her throat! Then there
were darkness blacker than before, and silence; and when he
returned to consciousness the sun was high and the wood vocal with
songs of birds.
The body lay near the window, where the beast had
left it when frightened away by the flash and report of the rifle.
The clothing was deranged, the long hair in disorder, the limbs lay
anyhow. From the throat, dreadfully lacerated, had issued a pool of
blood not yet entirely coagulated. The ribbon with which he had
bound the wrists was broken; the hands were tightly clenched.
Between the teeth was a fragment of the animal’s ear.