Don’t miss the next book in Juliet Blackwell’s
Witchcraft Mystery series,
In a Witch’s Wardrobe
Coming in July 2012 from Obsidian.
I’m not a necromancer, so I can’t see
ghosts. Normally.
But tonight felt like a different story. The
brightly lit streets of downtown Oakland were host to women
seemingly from another era, in beaded flapper dresses, glamorous
1930s-era gowns, and vibrant swing costumes. Accompanying the
feathered-and-spangled partygoers were men clad in tuxedos with
tails, white bow ties, and shiny black shoes.
A black Model T Ford, polished and gleaming,
glided to a stop in front of the magnificent Paramount Theatre, and
the couple that emerged could have stepped out of the pages of
The Great Gatsby.
Among these apparent spirits-from-another-time
was a sprinkling of witches.
“The top hat is wrong,” murmured Aidan Rhodes,
one such witch. His blue-eyed gaze flickered over the formally
attired man who opened the theater door and welcomed us to the Art
Deco Ball.
“Top hats are elegant,” I replied. “They’re
never not right.”
“But it’s not authentic. Top hats were already
out of style by the twenties. And, my dear Lily, you of all people
should know: the devil’s in the details.”
“I hope you don’t mean that litera—”
I was shoved from behind. Aidan’s strong arms
caught me before I toppled off my unfamiliar high heels and plunged
down a short flight of stone steps.
“Oh! I’m so sorry!” exclaimed a young woman as
she steadied herself. “It’s these dang shoes!”
“Miriam, you okay?” asked her gray-haired escort
as he wrapped a beefy arm around her shoulders.
“Fine. Just clumsy. I’m more of a barefoot
gal.”
The woman named Miriam had hazel eyes that echoed
the sea foam shade of her dress, and her honey-colored hair was
covered by a glittery beaded cap. Unlike many of tonight’s guests,
who had clearly modified or sewn their dresses, this young woman’s
gauzy number was authentic. It was a diaphanous flapper dress;
beaded and fishtailed, it hung loose on her creamy shoulders. My
vintage-clothes-dealer sensibilities kicked into high gear, leaving
me wondering where she had found such an incredible gown in mint
condition.
“I know the feeling,” I commiserated. “No harm
done. I have to say, your dress is beautiful.”
“Thank you. Yours, too.” She smiled. Her
expression was warm, but strangely . . . vacant. Off-kilter. Though
undeniably pretty, her face appeared flushed but pinched, as though
she were feverish.
And from her vibrations I could sense . . .
something was wrong.
Wrong, and yet familiar. Had we met before? I
hadn’t sold her the dress she was wearing—I would have remembered
such an exquisite antique gown.
Unfortunately, when the young woman stumbled into
me, I had been distracted by the touch of Aidan’s warm hands; they
had, as usual, sent an annoying yet intriguing zing of
electricity through me. So whether the disturbing vibrations I
noticed emanated from Miriam’s garment or from the woman herself, I
couldn’t know unless I touched her again.
As she turned to continue up the steps, I reached
toward her bare shoulder.
“Leave it,” Aidan whispered, resting a
white-gloved hand on my arm. “It’s not that kind of night.”
I hesitated, and lost my chance. The young woman
and her escort disappeared into the crowd.
“I suppose you wouldn’t offer to help her
until you’d run a credit check on her,” I said, miffed at his
interference.
Aidan sold his magical services. Many talented
witches did. We’re human—we need to eat and pay rent just like
everyone else. Still, it galled me. It seemed so crass to cash in
on our special abilities. I prefer to keep my talents separate from
money, which is one of the many reasons I opened Aunt Cora’s
Closet, my vintage clothes store, where I earn a legitimate living
the old-fashioned way, just like every nonwitchy merchant on Haight
Street.
Usually. I might utilize my witchy wiles from
time to time to gain an edge in the cutthroat vintage clothing
business . . . but I tried to keep it to a minimum. It seemed only
sporting.
Aidan, unfazed, smiled as he led me into the
grand lobby of Oakland’s Paramount Theatre. The 1920s Art Deco
extravaganza was the ideal locale for the annual Art Deco
Preservation Ball.
I paused, taking it all in. The massive carved
glass “Fountain of Light,” over thirty feet tall, dominated the
entrance, casting a rich amber glow throughout. Overhead a vitreous
green panel was bordered by labyrinthine fretwork and
diamond-shaped gold patterns. Flanking these were vermilion piers,
bas-relief sculptures, white-veined black marble trimmed in silver
gilt, a plush red carpet, and accents of burnished gold
throughout.
They sure didn’t make movie theaters like this
anymore.
In one corner a man with slicked-back hair stood
near a grand piano, singing a lilting tune from the twenties. And
the crowd was, to a person, dressed to the nines in outfits from
the heyday of the Art Deco movement.
It didn’t take a wild imagination to feel as
though we had just stepped into a ghostly reenactment of a
high-society soiree from days gone by.
“Do me a favor?” Aidan asked.
“Hmm. That depends. . . .” With a powerful witch
like Aidan, an offhand promise could lead to something one didn’t
intend: a life of servitude, for example. It paid to be a little
paranoid.
“Relax and enjoy yourself tonight? As a woman,
not as a witch.”
I laughed. “I’ll try. The woman part I’ve got
down. It’s the dancing bit that’s making me jittery.”
“Surely you’ve been to a formal dance before.
What about senior prom?”
“Closest I came was a hootenanny, when I was
eight.” That was before the good people in my hometown decided to
shun me.
“Well then, this is a special occasion.
Chin up, my dear. You’re making a grand entrance.”
“I’m as nervous as a long-tailed cat in a roomful
of rockers.”
“You shouldn’t be. You look stunning,” he
whispered. “Just look.”
I scoffed but followed his gaze, glancing at my
reflection in the mirrored wall.
Land sakes. I did look nice. I don’t know
why I was so surprised. I often tell my customers that when their
clothes change, they change. No reason this transformation
wouldn’t apply equally to me.
I had chosen the dress carefully . . . or perhaps
it had chosen me. I had been planning to wear a peacock blue
cocktail gown from the 1930s, but when I received a call from an
elderly woman in Bernal Heights with two generations’ worth of fine
formal garments hidden away in her crammed walk-in closet, my
options increased exponentially. The moment I picked up the
tea-stained silk chiffon, I knew I had found my dress. The fabric
was embossed with beads and flat gold-leaf sequins in a
twisting-vine pattern. Simple spaghetti straps led to a deep
V-neck, and the bottom was trimmed in a sassy beaded ruffle. Two
handmade silk roses sat on the drop waist, along with a velvet
sash.
Perhaps most important, something about the
vibrations of the garment gave me courage, the fine fabrics
brushing against my legs as I moved, making me aware of my skin.
The dress had been altered so that it fit perfectly: it was loose,
as any flapper dress should be, but made the most of my
figure.
My friends Bronwyn and Maya had tortured my
straight hair into a wavy Marcel style, then gathered it into a
chignon at the nape of my neck and decorated it with a glittery
beaded hairnet. My lipstick was a brilliant red, and I wore matte
makeup and eyeliner.
My only complaint was my shoes. Bronwyn and Maya
had nixed my usual comfy footwear, insisting the shoes be
appropriate to the event. Thus I wore reproduction heels that made
me miss my Keds with each uncomfortable step.
Still, the reflection showed that all the effort
had been worth it. I fit in here, with these other would-be spirits
from the roaring twenties, and elegant thirties, and swinging
forties. . . .
Until I saw something in the mirror, something
besides me and the crowd.
A frisson of . . . something passed over
me. I’m not a sensitive, and have no special gift of sight. Even my
premonitions are vague and generally useless, arriving as they do
only seconds before something happens.
But this time, I could have sworn I saw the image
of a woman sleeping amidst vines and briars and roses. As I watched
she reached out to me. . . . I raised my hand to the mirror. . .
.
“Lily?” For the second time that evening, Aidan
laid his hand upon my arm to stop me. His voice was low, but
adamant. “What are you doing? You should know better than to place
your palm against a mirror. Especially in a theater.”
As soon as we returned to our table, Susan
grabbed my hand, saying, “We have to go powder our noses—girl
talk!” to the men, and pulled me along with her.
“I adore the belowstairs ladies’ lounge. Let’s go
to that one. Isn’t this place incredible? It was built back when
people really knew how to design things.” Susan often spoke without
requiring a response. But instead of being annoyed, I found her
enthusiasm charming. “Back then, a restroom was a place one could
actually rest in, to escape the menfolk, and to gossip, I
suppose. Speaking of which . . . are you and Aidan an item
now?”
“Of course not,” I said, noting the
breathlessness in my voice. I held the rail as I descended the
great sweep of stairs, worried about my heels and distracted by the
gowns surrounding me.
Attending the Art Deco Ball was not an easy gig
for someone in my line of business. I was beginning to feel like I
had Vintage Clothes–Related Attention Deficit Disorder.
“Check this out,” said Susan when we
reached the bottom of the stairs and entered the ladies’ lounge.
The outer chamber was encircled by gilt-framed mirrors, each with a
narrow glass shelf and delicate iron chairs in which to sit and
apply makeup. In each corner was a pair of upholstered armchairs,
and there was a brocade chaise longue set in the back. The interior
chamber was the actual lavatory, with stalls made of marble, hung
with mahogany doors.
There was a line for the toilets, so I sat down
before a mirror to fuss with my hair. I brought my comb out of my
vintage Whiting-Davis mesh purse before realizing that the
complicated chignon made combing my hair impossible.
“Excuse me. Hello, again. Would it be too much to
ask if I could borrow that?”
It was the young woman I had met on the front
steps, Miriam. Her honey-colored tresses had escaped their pins and
had half tumbled to her shoulders.
“Oh, of course. Here, let me help you.”
I caught her hair up in the comb as best I could,
but I was clumsy—I wasn’t the kind of child who grew up practicing
“day at the hairdresser” with friends. I did what I could with the
heavy mass, twisting and gathering. As I fussed with the long
silken locks, I took the opportunity to concentrate on Miriam’s
vibrations. They felt chaotic, as if they were detached from their
source. Decidedly odd. She seemed displaced, her expression still
vacant. And again, I had a strong sensation of familiarity.
“Are you feeling all right?” I asked.
She met my eyes in the mirror. “Of course.” But
her words rang hollow, and her eyes were too shiny.
“You’re Miriam, right?” I asked.
She hesitated, then nodded.
“I’m Lily Ivory. You seem so familiar—have we met
before?”
“I don’t think so. . . . Oh wait! On the stairs
earlier?”
“Yes. I meant another time, maybe?”
She shook her head. “Thanks for the help.”
“You’re welcome.” As I slipped the comb into my
bag, I noticed a few strands of her hair were entangled in the
teeth. Just then a stall opened up, so I grabbed it.
A few minutes later, as I washed my hands, I
overheard women speaking in the outer lounge.
“Now that’s what I call using the
restroom.”
“She’s lounging, all right. Too much
champagne, maybe?”
“Hey, are you okay?”
I rushed out to the lounge.
Miriam lay upon the chaise longue, eyes closed,
sea foam silk fanned out around her. She had the odd stillness of
one who wasn’t merely sleeping.
“Wake up, sweetheart.” An elderly woman gently
shook Miriam’s shoulder. “Are you okay? Want us to find your
escort?”
They all stood back when I approached, as though
I were a physician who would know what to do.
I knelt beside her. “Miriam?”
My heart caught in my throat. Bright red flags of
color on her cheeks stood out against an unnatural ashen pallor. I
placed a hand on her brow, and felt her neck for a pulse. It was
weak, thready. But it was there.
“Call nine-one-one,” I said over my
shoulder.
The orchid corsage pinned to Miriam’s collar
caught my eye. Lovely pale pink flowers tinged in violet formed a
perfect contrast to the sea green of her dress. A few
trumpet-shaped flowers formed a pale background. But as I looked
closer, I spied beneath the foliage a bit of black ribbon, the
glint of needles, and an ugly tangle of black thread. And I smelled
. . . cigarettes?
This was no normal corsage.