Chapter Fifteen
I blew out a breath, then nodded. “I think
so. There were some odd handprints on the ceiling, and footprints
on the floor.”
“And surely no human could leave handprints and
footprints.”
“The handprints, possibly, but the footprints
appeared right in front of me, while I was watching. No one else
was around to leave them. And earlier today Dog and I had a rather
interesting encounter with a guy in a mirror. I’ll spare you the
details.”
There was a moment of silence.
“They say ghosts don’t like their surroundings
disturbed,” said Luz.
“Maybe it really could be . . . you
know . . . something slightly more prosaic.”
“Like . . . ?”
“Do you think someone could want me to think
there are spirits haunting my job site?”
“Why would anyone want you to think that? Other
than your ex-husband, that is. I wouldn’t put it past him.”
I smiled. Luz made it a practice to lay all manner
of sin at the door of my ex-husband.
“I can’t imagine he’d bother to arrange such an
elaborate hoax,” I replied. “But neighbors always hate the noise
and mess of construction projects. I thought at first maybe it was
that weird guy from across the street,
but . . .”
“But what?”
“He was found dead yesterday morning.”
Another pause.
“Please tell me it wasn’t death by nail gun
like the last time.”
I shook my head. “No, but it looks like a homicide
for sure. The police are investigating. In fact, Dad found the
body. I’m afraid he might even be a suspect.”
“You didn’t tell me any of this last night.”
“It was a birthday party. Not the place for talking
about ghosts and murder.”
“It’s starting up again, isn’t it?” One of the many
things I appreciated about Luz was that although she initially
thought my previous ghost sighting might have been the result of
emotional trauma, she believed me when I told her the whole story.
Like me, she didn’t understand it, but she believed me. In fact,
she had asked me to check out her apartment to be sure it was
“phantom-free”—because one of the few things that scared her was
ghosts. And clowns. A ghostly clown might just send her round the
bend.
“Is this guy following you around now?” she
added.
“Who?”
“The dead guy. Isn’t that what happened last
time?”
“What a horrible thought.” I was surprised it
hadn’t occurred to me. I couldn’t imagine having Emile Blunt, of
all people, dogging my footsteps. Something like that might just
send me round the bend.
“I haven’t seen anything yet.”
“Good. Let’s hope it stays that way.”
All this talk of being followed around by spirits
made me nervous, so I gathered up our trash, unwrapped the
paintbrush, and started in on trim. The standard base paint for
gold gilt is red oxide, a deep earthy color that looks a lot like
blood. It made me think of poor grumpy old Emile Blunt, lying in a
pool of blood in his upholstery shop. Though I hadn’t actually seen
it, my unruly imagination had taken a stab at re-creating the
scene.
“So,” Luz said, all innocence, “aren’t we going to
talk about Graham?”
“What about him?”
“‘What about him?’” Luz mimicked. “How about the
fact that he showed up to Stan’s party with a woman on his arm and
you spent the rest of the night moping?”
I blew out a frustrated breath. “I’m beginning to
think he went to Europe just to get away from me.”
“That’s ridiculous. You’d both been in the city for
years and hadn’t seen each other. Why would he have to leave the
country to avoid you? Seems to me he does a fine job avoiding you
when he’s right here.”
I grunted.
“You never slept with him . . . did
you?”
“What? No, of course not.”
She lifted one eyebrow. “I would have slept
with him.”
“Okay, it’s not like I didn’t think about it. But
no. We were barely in contact for a few days, and if you’ll recall,
they were very busy days.”
“I’m just saying . . . you could
have fit in some romance if you’d really wanted to. No wonder he
found another girlfriend.”
“Yes, thanks, Luz. You’re always so loyal. It warms
my heart.”
She laughed. “I’m just saying. With a man like
Graham, there’s not a lot of waiting around. One of these days you
might just figure out that you miss male companionship, despite
whatever shenanigans Daniel pulled, and he’ll stop calling the
shots.”
“Daniel doesn’t call the shots.” My voice sounded
defensive even to my own ears.
“Sure about that? You’re making decisions shaped at
least in part by the way Daniel treated you. I’d say there’s a lot
of shot-calling still going on.”
Sometimes it was a drag that my best friend was a
mental health professional. A brutally honest mental health
professional.
“I don’t get what Graham sees in her.”
She raised one eyebrow. “Oh, don’t tell me you
didn’t check out that perfect hourglass body. She doesn’t have to
have a scintillating personality when she’s got a booty like
that.”
“What about my booty?”
“Your booty’s darling, but you don’t swing it like
she does, is all I’m saying.”
“In my profession, you swing your booty too
enthusiastically and you might get something taken off with a power
tool.” I laid a bit more paint onto the trim, taking extra care in
the corners. “Anyway, I guess I thought the man might be deeper
than that, character-wise.”
“You know what they say: When you can’t figure out
why a couple’s together, it’s probably due to what goes on behind
closed doors.”
“I don’t want that visual! Why do I talk to you
about these things? Now it’s worse than before.”
“So make a move on him already and stop whining. It
doesn’t suit you.”
“I’m not whining,” I whined. “Anyway, I
missed my chance. He’s got a girlfriend.”
“Was there a ring on her finger?”
“No.”
“Then he’s still up for grabs.”
“I don’t know,” I said, stroking on the red paint
with a sure hand. “Sounds like work for a professional, and I’m
strictly amateur hour. Not even that, when it comes right down to
it. I think I should stick to dealing with ghosts at this
juncture—I think my odds are better.”
“Hey, how come you can paint so fast? It would take
me all day to do that much trim, and you didn’t even use blue
tape!”
“I never use blue tape. It’s way too expensive. I
haven’t kept Turner Construction in the black for two years by
overspending on frivolous supplies.” Good lord, I was
beginning to sound like my father. Next thing I knew I’d join the
NRA and start watching football. “Besides, blue tape lulls you into
a false sense of security with your edges.”
“I like feeling as though my edges are
secure. We don’t all have your hand-eye control, you know.”
“You know what blue tape’s excellent for? Sealing
up cabinets when you’re sanding. Keeps the dust out. Right tool for
the job. Hey, will you go on a ghost hunt with me tonight?”
“Uh, no.” Luz looked aghast. “I told you,
ghosts scare me.”
“It’s not like there will be real ghosts there.
It’s just a tourist thing. I think.”
“Then why are you going? Besides, I thought you
were trying to stay away from ghosts, not hunt them down.”
“I don’t quite know who to talk to. I need to sort
out this ghost situation at Cheshire House. I’m hoping the ghost
tour guide might be legitimate. Matt knows him, says he’s a good
guy.”
“Matt? Now there’s a sound judge of
character.”
“Plus, the local ghost society referred me to
him.”
“There’s something called a ‘ghost society’?”
“Believe it or not.” I nodded. “Interestingly,
though, they’re more about documenting ghosts than running them
out.”
She started applying blue tape to the bottom edge
of the egg-and-dart trim.
“I guess it takes all types. Anyway, you know I’m
there for you when you think you’re crazy or want to discuss your
love life—or lack thereof. But ghosts, mi
amiga . . . ?” She shook her head. “You’ll
have to find another playmate for that.”
“All right then, how about going with me to talk to
someone at a botanica?” I was willing to try just about anything at
this point.
“Why?”
“In case they speak Spanish.”
“It’s good for you to practice.”
“I don’t want to miss anything. And I don’t want to
go alone. Do you ever use botanicas?”
“Do I look like I frequent botanicas?”
“I have no idea what someone who goes to botanicas
looks like. Come with me tomorrow, and I’ll buy you lunch in the
Mission.”
“It better be a good lunch.”
“Have I ever failed you?”
While I was out in the Avenues, I thought I might
as well chase the lead from a Craigslist ad for molded iron
fire-back plates. A fellow named Nelson claimed to have fireplace
equipment from the era that Cheshire House was built.
When I talked to Nelson by phone, he had the
quailing voice of an elderly man, which was a good sign. Old-timers
were by far the best resources for this sort of thing. When I
pulled up to the ramshackle house out near San Francisco State
University, I wasn’t disappointed. The porch and yard were crowded
with the sorts of items some people refer to as junk, while others
consider them treasures.
The man who met me at the door looked to be in his
seventies, wearing suspenders that held up stained jeans far too
big for him. He’d either lost weight recently, or he was wearing
someone else’s pants.
“Guess I spoke to you on the phone,” Nelson said.
“You the one who called ’bout the fireplace parts?”
“Yes, I’m Mel Turner. Nice to meet you.”
“C’mon in. That’s Al. He doesn’t get up.”
Al was sitting in a recliner in front of a large
plasma flat screen. True to Nelson’s word, Al held up one hand in
greeting but didn’t take his eyes off the movie on TV. I recognized
the music for The Bridge on the River Kwai. My father loved
that movie, and was probably parked in front of his own massive
television right now, sitting back in his recliner and watching it
for the umpteenth time.
I followed Nelson through the living room and
kitchen, out a back sunporch, and down into a yard that was dotted
with dozens of vintage wood-burning and gas stoves under plastic
sheets, in varying states of repair.
Under the back porch, which was at the level of a
second story, was Nelson’s workshop. As a builder, I salivated at
the view. This was the sort of collection it took a lifetime to
build up—every sort of tool imaginable, vises, cutting tables, and
hardware from antique to shiny new.
“Wow, this is great,” I said. “My father would be
jealous. Heck, I’m jealous.”
“You in the trades?”
“I’m a general contractor.”
“Good for you. Not enough women in the field.” Amen
to that. “Now, where are those fireplace pieces
again . . . ? Oh, right. Over here.”
He pulled back a blue tarp, moved a motorcycle
frame that had been stripped down to the gas tank, and leaned
in.
“They’re a little rusty,” he said with a grunt as
he pulled out a panel and passed it to me. “Need restoration, sure.
Meant to get around to it, but never did. We’re trying to get rid
of stuff if we don’t fix it up within five years. New get-organized
plan.”
I smiled at the idea of this place being organized.
Nelson chuckled.
“This motif, the acanthus leaves surrounding a face
like this . . .” I said, tracing the relief with my
fingers. “There’s something very similar in the house I’m
renovating. In fact . . . I can’t believe how
similar it is.”
“You said the house was built in 1891? That’s the
same era as these. There weren’t all that many foundries casting
this sort of thing, and it was a common motif.”
“I hadn’t seen it before.”
“Probably because most people pulled ’em out later
on. Got more superstitious, maybe, or just didn’t want symbols of
death all over the place. Acanthus leaves themselves are symbols of
death, you know.”
“I thought they were associated with eternal
life.”
“Only in the sense that they symbolize rebirth. The
natural cycle of death in winter and rebirth in spring. But the way
I heard it is that in the early days of Christianity, believers
wanted to shift folks to thinking that they would be reborn in
heaven, not here on earth. So the acanthus leaves—which are thorny
by the way, like the thorny crown of Christ—came to be associated
with earthly death.”
I love old-timers.
“That’s fascinating. I had no idea. And you’re
right: The house I’m working on does have death symbols all over
the place.”
“I’ve got a book. . . . Let me
see. . . .” He ducked into the basement, which,
quite unlike the basement level apartment of the Daleys’ house,
looked like a real basement. Musty, dank, and full of scary-looking
hidden rooms.
“Here it is.” He unearthed a book from a cardboard
box. The pages were yellowed and foxed. The spine cracked as he
opened it, releasing that distinctive smell of must and mildew, as
in used bookstores.
He looked up something in the index, and then
flipped to another page.
“Yup, that’s what I was thinking of,” he said,
tapping the picture and holding the book out to me. It was a line
illustration of a similar motif. On the opposite page was a
paragraph describing the design, and discussing the fascination
with death symbols.
“‘It was common to invite death,’” I read aloud.
“‘To observe it and fear it as one would God.’”
Our gazes met and held.
“As they said back then,” Nelson said, “Life is
uncertain; death is the cure.”
I cleared my throat. “So how much for the book and
the fireplace backs?”
“Fifty for the fireplace pieces, if you take ’em
all and get ’em out of my way.” He snapped the musty book closed
and held it out to me. “And this book is my gift to you. Good
luck.”