A SCIENTIST’S CASE FOR THE AFTERLIFE

Thousands of people have had near-death experiences, but scientists have argued that they are impossible. Dr. Eben Alexander was one of those scientists. A highly trained neurosurgeon, Alexander knew that NDEs feel real, but are simply fantasies produced by brains under extreme stress.

Then, Dr. Alexander’s own brain was attacked by a rare illness. The part of the brain that controls thought and emotion—and in essence makes us human—shut down completely. For seven days he lay in a coma. Then, as his doctors considered stopping treatment, Alexander’s eyes popped open. He had come back.

Alexander’s recovery is a medical miracle. But the real miracle of his story lies elsewhere. While his body lay in coma, Alexander journeyed beyond this world and encountered an angelic being who guided him into the deepest realms of super-physical existence. There he met, and spoke with, the Divine source of the universe itself.

Alexander’s story is not a fantasy. Before he underwent his journey, he could not reconcile his knowledge of neuroscience with any belief in heaven, God, or the soul. Today Alexander is a doctor who believes that true health can be achieved only when we realize that God and the soul are real and that death is not the end of personal existence but only a transition.

This story would be remarkable no matter who it happened to. That it happened to Dr. Alexander makes it revolutionary. No scientist or person of faith will be able to ignore it. Reading it will change your life.

"Day 167 – New Year's Day – Tuesday 1st January 2002 – 6.00 pm

I miss my wife, I miss my family and I miss my friends. But the only enemy I have to contend with is boredom and it's a killer. For many prisoners, it is the time when they first experiment with drugs. To begin with, offered by the dealers for nothing, and when they want more, in exchange for a phone card and an ounce of tobacco. Finally, when they're hooked, they'll give anything for a fix – including their life."

Jeffrey Archer's final volume of prison diaries covers the period of his transfer from Wayland to his eventual release on parole in July 2003. It includes a shocking account of the traumatic time he spent in the notorious Lincoln jail and the events that led to his incarceration there – it also throws light on a system that is close to breaking point.

Told with humour, compassion and honesty, the diary closes with a thought-provoking manifesto that should be applauded by the Establishment and prison population alike.

Jeffrey Archer was sentenced to four years' imprisonment at 12.07pm on Thursday 19th July 2001. Within six hours, Prisoner FF8282, as he is now known, was on suicide watch in the medical wing of Belmarsh top security prison in south London. This, he discovered, is standard procedure for first-time offenders on their first night in jail. By 6.00am the next morning, Archer had resolved to write a daily diary of everything he experienced while incarcerated, because "I have a feeling that being allowed to write in this hellhole may turn out to be the one salvation that will keep me sane". Jeffrey Archer's diary of his first three weeks imprisonment is a raw account of life in a top-security jail in Britain. It is also an indictment of the British penal system. The tales of his fellow inmates – many of whom are in for life – are often moving stories of hopelessness. But there are those, too, who, no matter what their previous histories, attempt to live their prison lives with dignity and integrity. Returning favours, Archer comments, is far more commonplace in prison than outside. The diary should be of interest to anyone concerned with the improvement of our penal system, whether they are concerned citizens, politicians or workers in the prison service.

The No 1. Bestseller and storyteller continues his forceful account of life inside the British penal system. On Thursday 19 July 2001, after a perjury trial lasting seven weeks, Jeffrey Archer was sentenced to four years in jail. In this second installment of his diaries, Jeffrey Archer recounts the time he spent in Wayland Prison.

Svetlana Aleksievici s-a născut la 31 mai 1948 la Ivano-Frankivsk (fost Stanislav), în vestul Ucrainei. După ce tatăl ei a fost demobilizat din armată, familia – tatăl bielorus si mama ucraineancă – s-a stabilit în Bielorusia, unde părinţii au lucrat ca profesori la sat. A studiat jurnalismul la Minsk, considerând facultatea de profil drept lucrul „cel mai apropiat de o şcoală de scriere”. După absolvire, a lucrat în redacţii din provincie şi apoi din capitală. Prima ei carte, compusă din mărturiile unor oameni care şi-au părăsit locurile natale, a fost retrasă din librării de autorităţi. Următoarea apariţie, Războiul nu are chip de femeie (1985), publicată simultan la Moscova şi la Minsk, are la bază interviuri cu femeile care au luptat în Armata Roşie în al Doilea Război Mondial şi a reprezentat o ieşire din cadrele mitologiei sovietice din epocă. Titlul cărţii a fost folosit de Mihail Gorbaciov într-un discurs oficial. Băieţii din zinc (1990) cuprinde mărturii ale militarilor sovietici care au participat la războiul dus de URSS în Afganistan (1979-1989). În 1997 a publicat Dezastrul de la Cernobîl. Mărturii ale supravieţuitorilor, rezultat al unei documentări începute în 1986, imediat după accidentul nuclear din Ucraina. La începutul anilor 2000 a plecat din Bielorusia, atât în semn de protest faţă de dictatura lui Aleksandr Lukaşenko, cât şi pentru a se putea dedica plenar scrisului. După perioade petrecute în Italia, Germania, Spania şi Suedia, a revenit, în 2011, la Minsk.

În 2015 i s-a decernat Premiul Nobel pentru Literatură, pentru „scrierile sale polifonice, un monument dedicat suferinţei şi curajului în zilele noastre”. A devenit astfel unul dintre puţinii scriitori distinşi pentru nonficţiune. Vremuri second-hand (2013), cea mai recentă carte a sa, întregeşte seria „Vocile Utopiei”, consacrată de autoare celor care s-au aflat timp de aproape un secol sub semnul ideologiei comuniste.

SUMMARY: The Roses met at an auction on Cape Cod. Oliver had just bought a Staffordshire figurine-one of a pair-but Barbara outbid him for its mate. The figurines belonged together, and so did the Roses. Now the two objets d'art sat together on a shelf in the Roses' home-symbols of the passion their owners shared. A passion that united them and now was about to tear them apart . Sharing, for Oliver and Barbara Rose, was a way of life. Living in the mansion they had restored together, with the antiques they had collected together, their rare wines, their orchids, and their children-all the beautiful things they owned-they were happy. Their latest project had been the kitchen, which was to be the core of Barbara's new-found career as a caterer of gourmet foods. Though Oliver was a busy and successful attorney, he had shared all the planning chores with her. The tripping point occurred when Oliver collapsed with what seemed to be a heart attack, and Barbara, as he had expected, did not rush to his side. Her indifference to his fate was both galling and an eye-opener about the truth of their marriage, a truth based more on materialism than mutual sharing and love. The War of the Roses is a timeless novel. Yet, this is a story uniquely of our own time, where more and more people measure their happiness and success in terms of the things they possess. This is the book that inspired one of the most famous movies about divorce ever produced. Shown somewhere in the world every week, the movie is an excellent adaptation of the book that has been translated in almost every language on the planet. The impact of both the book and the movie have made them both classics and brought the title The War of the Roses into the accepted jargon of divorce, describing the terrible hatred and cruelty engendered in the process. A Major Motion Picture starring Michael Douglas and Kathleen Turner released by Twentieth Century Fox.

SUMMARY: Neal Asher takes on first contact, Polity style. This original novel recounts the first contact between the aggressive Prador aliens, and the Polity Collective as it is forced to retool its society to a war footing. The overwhelming brute force of the Prador dreadnaughts causes several worlds and space stations to be overrun. Prador Moon follows the initial Polity defeats, to the first draws, and culminates in what might be the first Polity victory, told from the point of view of two unlikely heroes.

SUMMARY: Raised to adulthood during the end of the war between the human Polity and the vicious arthropoid race, the Prador, Ian Cormac is haunted by childhood memories of a sinister scorpion-shaped war drone and the burden of losses he doesn't remember. In the years following the war, he signs up with Earth Central Security, and is sent out to help either restore or simply maintain order on worlds devastated by Prador bombardment. There he discovers that though the old enemy remains as murderous as ever, it is not anywhere near as perfidious or dangerous as some of his fellow humans, some of them closer to him than he would like. Amidst the ruins left by wartime genocides, he discovers in himself a cold capacity for violence, learns some horrible truths about his own past and, set upon a course of vengeance, tries merely to stay alive.

SUMMARY:
Gridlinked is a science fiction adventure in the classic, fast-paced, action-packed tradition of Harry Harrison and Poul Anderson, with a dash of cyberpunk and a splash of Ian Fleming added to spice the mix. Cormac is a legendary Earth Central Security agent, the James Bond of a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in an eye blink throughout the settled worlds of the Polity. Unfortunately Cormac is nearly burnt out, "gridlinked" to the AI net so long that his humanity has begun to drain away. He has to take the cold-turkey cure and shake his addiction to having his brain on the net.Now he must do without just as he’s sent to investigate the unique runcible disaster that's wiped out the entire human colony on planet Samarkand in a thirty-megaton explosion. With the runcible out, Cormac must get there by ship, but he has incurred the wrath of a vicious psychopath called Arian Pelter, who now follows him across the galaxy with a terrifying psychotic killer android in tow. And deep beneath Samarkand's surface there are buried mysteries, fiercely guarded. This is fast-moving, edge-of-the-seat entertainment, and a great introduction to the work of one of the most exciting new SF talents in years.

SUMMARY: From the Philip K. Dick Award nominee author of Cowl, an adrenaline-powered new SF adventure: Brass Man. Neal Asher returns to his trademark Polity future setting, in a sequel to Gridlinked, which SFRevu.com called "brilliant and audacious work, chock-full of cutting-edge ideas." Ian Cormac, a legendary Earth Central Security agent, the James Bond of a wealthy future, is hunting an interstellar dragon, little knowing that, far away, his competition has resurrected an horrific killing machine named "Mr. Crane" to assist in a similar hunt, ecompassing whole star systems. Mr. Crane, the insane indestructible artificial man now in a new metal body, seeks to escape a bloody past he can neither forget nor truly remember. And he is on a collision course with Ian Cormac.

SUMMARY: The Polity is under attack from a 'melded' AI entity with control of the lethal Jain technology, yet the attack seems to have no coherence. When one of Erebus' worm ships kills millions on the world of Klurhammon, a high-tech agricultural world of no real tactical significance, agent Ian Cormac is sent to investigate, though he is secretly struggling to control a new ability no human being should possess...and beginning to question the motives of his AI masters.Further attacks and seemingly indiscriminate slaughter ensue, but only serve to bring some of the most dangerous individuals in the Polity into the war. Mr Crane, the indefatigable brass killing machine sets out for vengeance, while Orlandine, a vastly-augmented haiman who herself controls Jain technology, seeks a weapon of appalling power and finds allies from an ancient war. Meanwhile Mika, scientist and Dragon expert, is again kidnapped by that unfathomable alien entity and dragged into the heart of things: to wake the makers of Jain technology from their five-million-year slumber. But Erebus' attacks are not so indiscriminate, after all, and could very well herald the end of the Polity itself...

SUMMARY: To the remote planet Spatterjay come three travellers with very different missions. Janer is directed there by the hornet Hive-mind; Erlin comes to find the sea captain who can teach her to live; and Keech - dead for seven hundred years - has unfinished business with a notorious criminal. Spatterjay is a watery world where the human population inhabits the safety of the Dome and only the quasi-immortal hoopers are safe outside amidst a fearful range of voracious life-forms. Somewhere out there is Spatterjay Hoop himself, and monitor Keech cannot rest until he can bring this legendary renegade to justice for atrocious crimes committed centuries ago during the Prador Wars. Keech does not realise that Hoop's body is running free on an island wilderness, while his living head is confined in a box on an Old Captain's ships. Nor does he know that the most brutal Prador of all is about to pay a visit, intent on wiping out all evidence of his wartime atrocities. Which means major hell is about to erupt in this chaotic waterscape.

SUMMARY: Sable Keech is a walking dead man, and the only one to have been resurrected by nanochanger. Did he succeed because he was infected by the Spatterjay virus or because he came late to resurrection in a tank of seawater? Tracing the mans last-known seaborne journey, Taylor Bloc wants to know the truth. He also wants so much moreadulation, power, controland will go to any lengths to achieve them. An ancient hive mind, almost incomprehensible to the human race, has sent an agent to this uncertain world. Does it simply want to obtain the poison sprine that is crucial to immortality. If so, maybe Janer must find it and stop it. Meanwhile, still faced with the ennui of immortality, Erlin has her solitude rudely interrupted by a very angry whelkus titanicus and begins the strangest of journeys. Deep in the ocean the Spatterjay virus has wrought a terrible change that will affect them all. Something dormant for ten years is breaking free, and once again the aftershocks of an ancient war will focus on this watery world. And Sniper, for ten years the Warden of Spatterjay, finally takes delivery of his new drone shell. Its much better than his old one: powerful engines, more lethal weapons, thicker armour. Hes going to need them.