While in Japan to observe the filming of one of her novels, Pearl Buck was informed that her husband had died. This book is the deeply affecting story of the period that immediately followed — the grief, fears, doubts, and readjustments that a woman must make before crossing the bridge that spans marriage and widowhood.

Sarah Bakewells Buch ist ein Geniestreich: Auf höchst elegante und unterhaltsame Weise erzählt sie das Leben Montaignes und beantwortet zugleich unsere Fragen nach einem guten Leben. Authentischer und aktueller wurde noch nie über den großen Philosophen und Essayisten geschrieben. Das Buch wurde in den USA mit dem „National Book Critics Circle Award for Biography“ und in Großbritannien mit dem „Duff Cooper Prize for Non-Fiction“ ausgezeichnet und stand auf den Shortlists des „Costa Biographie Award“ und des „Marsh Biography Award“.

Lies viel, vergiss das meiste wieder, und sei schwer von Begriff! — Habe ein Hinterzimmer in deinem Geschäft! — Tu etwas, was noch nie zuvor jemand getan hat! — Mach deinen Job gut, aber nicht zu gut! — Philosophiere nur zufällig! — Bedenke alles, bereue nichts! — Mit diesen und anderen Antworten auf die Frage „Wie soll ich leben?“ führt Sarah Bakewell durch das ungewöhnliche Leben des Weingutbesitzers, Liebhabers, Essayisten, Bürgermeisters und Reisenden Michel de Montaigne. Dabei gelingt ihr das Kunststück, ihn ganz im 16. Jahrhundert, im Zeitalter der Religionskriege, zu verorten und gerade dadurch für unsere Zeit verständlich zu machen. Wie soll man Montaigne lesen? Nicht wie ein Kind, um sich zu amüsieren, und nicht wie die Ehrgeizigen, um sich zu belehren. „Nein. Lesen sie ihn, um zu leben!“, empfahl der große Flaubert.

„Eine bezaubernde Einführung in Leben und Denken Montaignes und ein großes Lesevergnügen. Hier ist eine Autorin, deren Liebe zu ihrem Gegenstand ansteckend ist.“

„Eine Mischung aus Biographie und Alain-de-Bottonesker Lebensphilosophie, … die erfreulichste Einführung in Montaigne in englischer Sprache, … eine überzeugende Verbindung von Literatur und Leben.“

„Montaigne hat hier die Biographie, die er verdient, und hätte seine Freude an ihrem unkonventionellen Aufbau.“

„Eine wunderbar souveräne und klare Einführung … Man kann Sarah Bakewell nur dazu gratulieren, dass sie den Lesern einen so reizvollen Zugang zu Montaigne eröffnet.“

„Glänzend konzipiert und vorzüglich geschrieben. … Sarah Bakewell bringt eine neue Generation dazu, sich in Montaigne zu verlieben …, enorm fesselnd …, rühmenswert.“

„Das Buch schöpft gekonnt eine Lebenskunst aus dem breiten Strom der Montaigne'schen Prosa. … Eine überragende, begnadete Einführung in den Meister!“

When Nicholson Baker, one of the most linguistically talented writers in America, set out to write a book about John Updike, the result was no ordinary biography. Instead Baker's account of his relationship with his hero is a hilarious story of ambition, obsession, talent and neurosis, alternately self-deprecating and self-aggrandizing. More memoir than literary criticism, Baker is excruciatingly honest, and U & I reveals at least as much about Baker himself as it does about his idol. Written twenty years before Updike's death in 2009, is a very smart and extremely funny exploration of the debts we owe our heroes.

At the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized−and wholly isolated.

In this stunning critical assessment, John Berger−one of this century's most insightful cultural historians−trains his penetrating gaze upon this most prodigious and enigmatic painter and on the Spanish landscape and very particular culture that shpaed his life and work. Writing with a novelist's sensuous evocation of character and detail, and drawing on an erudition that embraces history, politics, and art, Berger follows Picasso from his childhood in Malaga to the Blue Period and Cubism, from the creation of to the pained etchings of his final years. He gives us the full measure of Picasso's triumphs and an unsparing reckoning of their cost−in exile, in loneliness, and in a desolation that drove him, in his last works, into an old man's furious and desperate frenzy at the beauty of what he could no longer create.

Subjuguée par l’intelligence de son époux, elle se définit comme « la présidente de son fan-club ». Elle dit ne jamais l’influencer mais se contenter de « l’accompagner »… Pourtant, nul ne doute que, pour Emmanuel Macron, Brigitte est bien plus que ce qu’elle prétend. Depuis leur rencontre au lycée de la Providence jusqu’au perron de l’Élysée, elle n’a cessé de l’inspirer et de le guider. « Emmanuel a eu trois maîtres à penser : Paul Ricoeur, Michel Rocard et Brigitte » explique un proche. Jusqu’à lui attribuer, depuis son passage à Bercy, un rôle de collaboratrice. « Il ne fait rien sans elle », dit-on dans l’entourage présidentiel, avec quelques grincements de dents. Mais qui est vraiment cette première dame d’un genre nouveau, First Lady à la française qui intrigue les médias du monde entier ? Comment supporte-t-elle les rumeurs et polémiques que son couple génère ? Au-delà de leur relation de couple et de ses tenues très commentées, l’auteur suit les traces d’une femme qui, en dépit de son âge, apparaît parfois comme l’atout jeunesse du Président, « plus transgressive » que lui de l’avis de leurs proches. Une femme qui a déjà plusieurs vies, un destin indéniablement romanesque.

Topf and Sons designed and built the crematoria at the concentration camps at Auschwitz-Birkenau, Buchenwald, Belzec, Dachau, Mauthausen and Gusen. At its height sixty-six Topf triple muffle ovens were in operation – forty-six of which were at Auschwitz. In five years the gas chambers and crematoria of Auschwitz had been the engine of the holocaust, facilitating the murder and incineration of more than one million people, most of them Jews. Yet such a spectacularly evil feat of engineering was designed not by the Nazi SS, but by a small respectable firm of German engineers: the owners and engineers of J. A. Topf and Sons. These were not Nazi sadists, but men who were playboys and the sons of train drivers. They were driven not by ideology, but by love affairs, personal ambition and bitter personal rivalries to create the ultimate human killing and disposal machines – even at the same time as their company sheltered Nazi enemies from the death camps. The intense conflagration of their very ordinary motives created work that surpassed in its inhumanity even the demands of the SS. In order to fulfil their own ‘dreams’ they created the ultimate human nightmare.

In this riveting account of one of the most notorious spy cases in Cold War history, Rodney Barker, the author of The Broken Circle and The Hiroshima Maidens, uncovers startling new facts about the head-line-making sex-for-secrets marine spy scandal at the American embassy in Moscow. This is a nonfiction book that reads with all the excitement of an espionage novel. Although national security issues made the case an instant sensation—at one point government officials were calling it “the most serious espionage case of the century”—the human element gave it an unusual pathos, for it was not just secret documents that were at issue, but love, sex, marine pride, and race It began when a Native American marine sergeant named Clayton Lonetree, who was serving as a marine security guard at the American embassy in Moscow, fell in love with a Russian woman, who then recruited him as a spy for the KGB. Soon the story expanded to involve the CIA, diplomats on both sides of the Iron Curtain, and the United States Navy’s own investigative service, and before it was over a witch hunt would implicate more marines and ruin many reputations and careers. In the end, charges were dropped against everyone except Lonetree, who after a long and dramatic court-martial was sentenced to thirty years in prison. But so many questions were left unanswered that the scandal would be thought of as one of the great unsolved mysteries of the Cold War. Not any longer. In the process of researching his book, investigative writer Rodney Barker gained access to all the principal characters in this story. He interviewed key U.S. military and intelligence personnel, many of whom were unhappy with the public records and trial, and spoke out with astonishing candor. He traveled to Russia to track down and interview KGB officers involved in the operation, including the beautiful and enigmatic Violetta Seina, who lured Lonetree into the “honey-trap”—only to fall in love with him. And he succeeded in penetrating the wall of silence that has surrounded Clayton Lonetree since his arrest and reports the sergeant’s innermost thoughts. A provocative aspect of this story that Barker explores in depth is whether justice was served in Lonetree’s court-martial—or whether he was used as a face-saving scapegoat after a majority security failure, or doomed by conflicts within his defense team, between his military attorney and his civilian lawyer William Kunstler, or victimized by an elaborate and devious KGB attempt to cover the traces of a far more significant spy: Aldrich Ames, the “mole” at the very heart of the CIA. Above all, this is a book about Clayton Lonetree, one man trapped by his own impulses and his upbringing, in the final spasms of the Cold War, a curiously touching, complex, and ultimately sympathetic figure who did, in fact, sacrifice everything for love.

On April 30, 1945, Hitler committed suicide in his bunker as the Red Army closed in on Berlin. Within four days the Soviets had recovered his body. But the truth about what the Russian secret services found was hidden from history, when, three months later, Stalin officially declared to Truman and Churchill that Hitler was still alive and had escaped abroad. Reckless rumors about what really happened to Hitler began to spread like wildfire and, even today, they have not been put to rest. Until now. In 2017, after two years of painstaking negotiations with the Russian authorities, award-winning investigative journalists Jean-Christophe Brisard and Lana Parshina gained access to confidential Soviet files that finally revealed the truth behind the incredible hunt for Hitler’s body. Their investigation includes new eyewitness accounts of Hitler’s final days, exclusive photographic evidence and interrogation records, and exhaustive research into the power struggle that ensued between Soviet, British, and American intelligence services. And for the first time since the end of World War II, official, cutting-edge forensic tests have been completed on the human remains recovered from the bunker graves--a piece of skull with traces of a lethal bullet, a fragment of bone, and teeth. In The Death of Hitler—written as thrillingly as any spy novel—Brisard and Parshina debunk all previous conspiracy theories about the death of the Führer. With breathtaking precision and immediacy they penetrate one of the most powerful and controversial secret services to take readers inside Hitler’s bunker in its last hours—and solve the most notorious cold case in history.

One day in 2009, twenty-four-year-old Susannah Cahalan woke up alone in a strange hospital room, strapped to her bed, under guard, and unable to move or speak. A wristband marked her as a “flight risk,” and her medical records—chronicling a monthlong hospital stay of which she had no memory at all—showed hallucinations, violence, and dangerous instability. Only weeks earlier, Susannah had been on the threshold of a new, adult life: a healthy, ambitious college grad a few months into her first serious relationship and a promising career as a cub reporter at a major New York newspaper. Who was the stranger who had taken over her body? What was happening to her mind?

In this swift and breathtaking narrative, Susannah tells the astonishing true story of her inexplicable descent into madness and the brilliant, lifesaving diagnosis that nearly didn’t happen. A team of doctors would spend a month—and more than a million dollars—trying desperately to pin down a medical explanation for what had gone wrong. Meanwhile, as the days passed and her family, boyfriend, and friends helplessly stood watch by her bed, she began to move inexorably through psychosis into catatonia and, ultimately, toward death. Yet even as this period nearly tore her family apart, it offered an extraordinary testament to their faith in Susannah and their refusal to let her go.

Then, at the last minute, celebrated neurologist Souhel Najjar joined her team and, with the help of a lucky, ingenious test, saved her life. He recognized the symptoms of a newly discovered autoimmune disorder in which the body attacks the brain, a disease now thought to be tied to both schizophrenia and autism, and perhaps the root of “demonic possessions” throughout history.

Far more than simply a riveting read and a crackling medical mystery, is the powerful account of one woman’s struggle to recapture her identity and to rediscover herself among the fragments left behind. Using all her considerable journalistic skills, and building from hospital records and surveillance video, interviews with family and friends, and excerpts from the deeply moving journal her father kept during her illness, Susannah pieces together the story of her “lost month” to write an unforgettable memoir about memory and identity, faith and love. It is an important, profoundly compelling tale of survival and perseverance that is destined to become a classic.

Prion’s internationally bestselling Sex Lives series presents lighthearted accounts of the sexual escapades of major figures in history, politics, religion, the arts, and film. Irreverent and gossipy, the books are packed with carnal tidbits and eye-opening revelations. Power corrupts—absolute power is even more fun. is a look at the bedroom antics of the most powerful, and some of the most evil, men in history. Napoleon said “Not tonight, Josephine,” but only because he was busy entertaining other women. Lenin returned to Russia in the closed train in 1917 with his wife and two mistresses, and Benito serenaded his conquests with a violin. And Hitler? Well, as you would expect, he was just plain weird. Five of his lovers committed suicide because of his questionable practices.

An historical biography of the last Tsar of Russia — not Nicholas II, but his brother Michael — Emperor Michael II — who succeeded to the throne when Nicholas abdicated in March 1917. Michael, married to a double divorcée, Natasha, the daughter of a Moscow lawyer, was the first Romanov murdered by the Bolsheviks, five weeks before the other mass killings, and because he was the Romanov who posed the greatest threat to them. However, they never admitted responsibility for his murder, pretending instead that he had escaped.

This book, based chiefly on original contemporary sources in Russia, tells you what the Soviet Union intended that you should never know. Does that matter now? Very much so, for unlike his brother Nicholas, Michael can serve as the bridge between today’s Russia and Tsarist Russia, a gap which has yet to be closed. As Viktor Yevtukhov, appointed deputy Russian Minister of Justice in February 2011, has said: ‘We should know more about this man and remember him, because this memory can give our society the ethical foundation we need’.

This book will tell you why, after almost a century, that should be so. From the tragedy of the past, a hope for the future…

Gregori Rasputin is probably one of the best known, but least understood of the key figures in the events which ultimately led to the downfall of the Russian Tsars some 90 years ago. His political role as the power behind the throne is as much obscured today, as it was then, by the fascination with his morality and private life. Andrew Cook’s re-investigation of Rasputin’s death will reveal for the first time the real masterminds behind the murder of the “mad monk.”

Here, for the first time in one volume, is J. M. Coetzee's majestic trilogy of fictionalised memoir, and .

As a student of mathematics in Cape Town he readies himself to escape his homeland, travel to Europe and turn himself into an artist. Once in London, however, the reality is dispiriting: he toils as a computer programmer, inhabits a series of damp, dreary flats and is haunted by loneliness and boredom. He is a constitutional outsider. He fails to write.

Decades later, an English biographer researches a book about the late John Coetzee, particularly the period following his return to South Africa from America. Interviewees describe an awkward man still living with his father, a man who insists on performing dull manual labour. His family regard him with suspicion and he is dogged by rumours: that he crossed the authorities in America, that he writes poetry.

Spy, businessman, bon vivant, Nazi Party member, Righteous Gentile. This was Oskar Schindler, the controversial man who saved eleven hundred Jews during the Holocaust but struggled afterwards to rebuild his life and gain international recognition for his wartime deeds.

David Crowe examines every phase of Schindler’s life in this landmark biography, presenting a savior of mythic proportions who was also an opportunist and spy who helped Nazi Germany conquer Poland. Schindler is best known for saving over a thousand Jews by putting them on the famed “Schindler’s List” and then transferring them to his factory in today’s Czech Republic. In reality, Schindler played only a minor role in the creation of the list through no fault of his own. Plagued by local efforts to stop the movement of Jewish workers from his factory in Kraków to his new one in Brünnlitz, and his arrest by the SS who were investigating corruption charges against the infamous Amon Göth, Schindler had little say or control over his famous “List.” The tale of how the “List” was really prepared is one of the most intriguing parts of the Schindler story that Crowe tells here for the first time.

Forced into exile after the war, success continually eluded Schindler and he died in very poor health in 1974. He remained a controversial figure, even in death, particularly after Emilie Schindler, his wife of forty-six years, began to criticize her husband after the appearance of Steven Spielberg’s film in 1993.

In , Crowe steps beyondthe mythology that has grown up around the story of Oskar Schindler and looks at the life and work of this man whom one prominent Schindler Jew described as “an extraordinary man in extraordinary times.”

In the winter of 2009, Rachel Cusk's marriage of ten years came to an end. In the months that followed, life as she had known it came apart, 'like a jigsaw dismantled into a heap of broken-edged pieces'. 'Aftermath' chronicles this perilous journey as the author redefines herself as a single woman.

A French philosopher dies during a savage summer heat wave. Boxes carrying his unpublished papers mysteriously appear in Simon Critchley’s office. Rooting through them, Critchley discovers a brilliant text on the ancient art of memory and a cache of astrological charts predicting the deaths of various philosophers. Among them is a chart for Critchley himself, laying out in great detail the course of his life and eventual demise. While waiting for his friend’s prediction to come through, Critchley receives the missing, final box, which contains a maquette of Giulio Camillo’s sixteenth-century Venetian memory theater, a space supposed to contain the sum of all knowledge. With nothing left to hope for, Critchley devotes himself to one final project before his death — the building of a structure to house his collective memories and document the remnants of his entire life.

A work of immense cultural significance and beauty, this long poem became an anthem for the African diaspora and the birth of the Negritude movement. With unusual juxtapositions of object and metaphor, a bouquet of language-play, and deeply resonant rhythms, Césaire considered this work a "break into the forbidden," at once a cry of rebellion and a celebration of black identity.

More praise:

"The greatest living poet in the French language."-

"Martinique poet Aime Cesaire is one of the few pure surrealists alive today. By this I mean that his work has never compromised its wild universe of double meanings, stretched syntax, and unexpected imagery. This long poem was written at the end of World War II and became an anthem for many blacks around the world. Eshleman and Smith have revised their original 1983 translations and given it additional power by presenting Cesaire's unique voice as testament to a world reduced in size by catastrophic events." —

"Through his universal call for the respect of human dignity, consciousness and responsibility, he will remain a symbol of hope for all oppressed peoples." — Nicolas Sarkozy

"Evocative and thoughtful, touching on human aspiration far beyond the scale of its specific concerns with Cesaire's native land — Martinique." —

For the first time, Hillary Rodham Clinton reveals what she was thinking and feeling during one of the most controversial and unpredictable presidential elections in history. Now free from the constraints of running, Hillary takes you inside the intense personal experience of becoming the first woman nominated for president by a major party in an election marked by rage, sexism, exhilarating highs and infuriating lows, stranger-than-fiction twists, Russian interference, and an opponent who broke all the rules. This is her most personal memoir yet.

In these pages, she describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and how she found the strength to pick herself back up afterward. With humor and candor, she tells readers what it took to get back on her feet—the rituals, relationships, and reading that got her through, and what the experience has taught her about life. She speaks about the challenges of being a strong woman in the public eye, the criticism over her voice, age, and appearance, and the double standard confronting women in politics.

She lays out how the 2016 election was marked by an unprecedented assault on our democracy by a foreign adversary. By analyzing the evidence and connecting the dots, Hillary shows just how dangerous the forces are that shaped the outcome, and why Americans need to understand them to protect our values and our democracy in the future.

The election of 2016 was unprecedented and historic. is the story of that campaign and its aftermath—both a deeply intimate account and a cautionary tale for the nation.

Near the beginning of , David Dow lays his cards on the table. “People think that because I am against the death penalty and don’t think people should be executed, that I forgive those people for what they did. Well, it isn’t my place to forgive people, and if it were, I probably wouldn’t. I’m a judgmental and not very forgiving guy. Just ask my wife.”

It this spellbinding true crime narrative, Dow takes us inside of prisons, inside the complicated minds of judges, inside execution-administration chambers, into the lives of death row inmates (some shown to be innocent, others not) and even into his own home—where the toll of working on these gnarled and difficult cases is perhaps inevitably paid. He sheds insight onto unexpected phenomena—how even religious lawyer and justices can evince deep rooted support for putting criminals to death—and makes palpable the suspense that clings to every word and action when human lives hang in the balance.

In an argument against capital punishment, Dow’s capable memoir partially gathers its steam from the emotional toll on all parties involved, especially the overworked legal aid lawyers and their desperate clients. The author, the litigation director of the Texas Defender Service and a professor at the University of Houston Law Center, respects the notion of attorney-client privilege in this handful of real-life legal outcomes, some of them quite tragic, while acknowledging executions are not about the attorneys, but about the victims of murder and sometimes their killers. While trying to maintain a proper balance in his marriage to Katya, a fellow attorney and ballroom dancer, he spells out the maze of legal mumbo-jumbo to get his clients stays or released from confinement in the cases of a hapless Vietnam vet who shot a child, another man who beat his pregnant wife to death and another who killed his wife and children. In the end, Dow’s book is a sobering, gripping and candid look into the death penalty.

With bullets flying, wounded soldiers scream out in pain as the Chinook comes in to land in one of the most dangerous parts of Afghanistan. At the machine’s controls is one man and if he doesn’t stay calm then everyone could die.

That man is Flt Lt Alex ‘Frenchie’ Duncan and he’s been involved in some of the most daring and dangerous missions undertaken by the Chinook force in Afghanistan. In this book he recounts his experiences of life under fire in the dust, heat and bullets of an active war zone.

At 99ft long, the Chinook is a big and valuable target to the Taliban, who will stop at nothing to bring one down. And yet Frenchie and his crew risk everything because they know that the troops on the front line are relying on them. is the true story of the raw determination and courage of men on the front line – and it’s time for their story to be told.