Terdell giggled and spit.

". . . Marsh killed his little girl’s cat, and I called him on it .... I left him at his house on Friday afternoon, alive and well .... That’s the last I ever saw of him."

"Street say your gun was in the hotel room."

"Somebody mugged me that afternoon. Took cash and the gun .... I was never in the hotel room and never even met . . . the girl he was with."

"I’m supposed to believe that?"

“If you’re smart."

"Why?"

“Because if you’re right, if I did kill Marsh and take the coke, I’d sure as hell . . . have planned it better and cleaner. And I would have had twenty-four hours to come up . . . with a better story than this."

Braxley slapped the barrel of the Colt lovingly in the palm of his off hand. "Mon, you know what that stuff worth, street value out in the ’burbs?"

"Where the users can get it without risking a drive into . . . the wrong parts of the city?"

"You got it. Two-fifty easy, maybe three, if Marsh know his customers and step on it different for each."

"Why is that your problem? . . . You can get another delivery boy up there, can’t you?"

Braxley fumed. "It is my problem—shit, Terdell, hit this mon another one."

I wasn’t near ready. I stumbled on the way up, and took a solid thump just at the tricep-shoulder intersection on the right side. It spun me around, with Terdell thrusting to my stomach as I squared up with him again. I dropped to all fours, quelling the shudders I felt starting inside me.

"Like I was saying, it is my problem because I give Marsh the credit. I ought to kill you now, letting you hear that, damage it would do to my reputation, word gets out. But Marsh, even with all his shit, he been steady for two, three years, which is a long time in this business, and the one time he step out of line, Terdell, he put Marsh in the hospital and Marsh, he learn his lesson. So when Marsh tell me he going through the divorce shit, and ask me for credit, I get the dumbs and let him have the stuff without the buy-money. Now I don’t have the stuff which I have paid for, and I don’t have Marsh’s buy-money. I have suppliers that expect me to take on more stuff next week, and I was counting on Marsh to pull me through." Braxley recocked the Colt and pointed it at me. "Now I’m counting on you."

"I don’t have the stuff . . . and I don’t know who does."

"You still got it wrong, mon. I don’t have the stuff and I expect you to get it for me."

"Somebody ransacked Marsh’s house .... "

"Stuff wasn’t there. Video case he carry it around in gone, too."

That didn’t sound right. "What about the camera?"

"Terdell?"

I braced myself, but Terdell just talked. "I was looking for the case, but I don’t remember seeing no camera, neither."

J .J. said, "Detective mon, you blowing smoke. That camera case was with Marsh when I seen him Monday before he got done. He put my stuff in it, like always. I didn’t see no camera with him."

"What about a suitcase?"

"Suitcase?"

"Yeah. Cops said one of the hotel people . . . saw Marsh come in with a suitcase that night."

"They did, be the first time anybody ever check into the Barry with luggage." J.J . and Terdell laughed.

Then J .J . said, "Terdell, I’m going up to the car for a toot. Then we going to find out just how much more he know. Give this mon another tap, hold him while I’m gone."

Braxley holstered his piece while I tried to straighten up and parry. Terdell was already over me, this time using the wood just to push me onto my back. Then he put the end of the two-by-four squarely in the center of my chest and leaned into it. My breastbone bowed with the pressure, and I thought crazily about biology class and how the butterfly must feel when the needle is going in. Then Terdell eased off, suddenly driving the end of the wood to my jaw. I almost lost consciousness, and the stink from his being so close wasn’t helping any.

I heard Braxley open and close the car door above us. Terdell said, "Honkie, you make it through this here, and somebody ask you what the closest you ever come to dying, you tell ’em about tonight, huh?"

Lifting my head was the best I could manage, but through the parade-rest space between Terdell’s legs I saw a mirage. Or better, a hallucination. A short, skinny man shot out of the pipe mouth behind Terdell, approaching in silence despite his legs chuming at insect speed. He held a snub-nosed revolver, and rapped the butt just to the rear of Terde1l’s right ear. The big man let out a breath, but no noise, sinking to his knees as he reflexively held onto the wood. The little man sapped him again, and Terdell fell flat forward, breaking his nose on the edge of the two-by-four that preceded him to the ground.

The little man whispered, "Can you walk?" His Spanish accent was so thick it came out, "Khan jew wok?"

I said, "With some help."

He got me up, tugged my arm around his shoulder, as if I had a leg wound, and hustled and dragged me into the concrete pipe. He shifted and adjusted my weight, and we hopped and scraped through the pipe, then took a junction to the right and one to the left, after which I stopped noticing or caring.
 

FOURTEEN
-♦-

Dios mio, man, you a fucken mess."

The numbness from Terdell’s stick work was melding into that throbbing pain that says it’s bruised, but not broken. I rolled my head slowly and watched my savior drive. The lights we passed by and under flickered strobe-like over his face, which belonged on an olive-skinned twelve-year-old. He had short, kinky hair and delicate features, smudged here and there with grime and sweat. On his right hand near the knuckles were two homemade tattoos, faded blue crosses with the initials "H.R."

After we had wound through the maze of pipes, he had led me back out into the night, across a deserted road to his car. He’d helped me into the conservative white Oldsmobile 98, and I was dripping mostly mud and a little blood onto the white leather upholstery.

“I’m gonna be three days with the Armor-all, you know it?"

"Sorry. And thanks for getting me out of there."

"Oh, man, you with turdball Terdell for like an hour, was the only human thing to do."

"Mind me asking how you came to be in that pipe?"

"Long story, man. I call you office, but you not around, and I couldn’t leave no number for you ’cause I was covering my territory, and I don’t believe in no phone in the car like some fucken bloods think they exec-u-tives fooling the people watch them go by, you know? So, I stake out you house, wait for you, and I see J .J. and the Godzilla setting something up. I figure, lay chilly, see what happen. When they put the grab on you, I just follow along."

"I had a message from a Hector Rodriguez."

"That’s me." He extended his hand. "But you ever got to find me on the street, you ask for Nino, huh?"

We shook. "You pimped for the dead girl."

He returned his hand to the wheel, frequently checking side and rearview mirrors. "Oh, harsh word, man. More like a broker. You gotta win the ladies’ respect but let them keep some of it. No rough stuff, no dom-i-na-tion shit from me."

"You seemed to dominate Terdell pretty well back there."

"That was different. Coming out the pipes, it was like being back in the Nam." He looked at me, judging something. "You over there?"

We were winding down some of the same streets Terdell had used on the way in. "For a while."

"Thought so. You got the look. Who you with?"

"MPs. Mostly street patrol."

"Combat?"

"Some."

"You there for Tet?"

"Yeah."

"Bad shit."

"It was."

  "I was before that. Iron Triangle with the Hundred Seventy-third Airborne. You a Cubano grunt and come in at five-five and maybe one twenty-five with ammo, they call you Nino and make you a tunnel rat. You ever go in one?"

"Not till tonight."

"Oh, walk in the park compared to the dinks underground. They dig miles of tunnels, man, they fucken lived in the tunnels. It was like that movie, you know it? Science fiction thing with the foxy Yvette chick?"

"The Time Machine?"

"Yeah, yeah, it was like that. We was the beautiful people, the boo-coo beautiful American soldiers, man. But we was living on top of all these ugly dinks, digging their way to Saigon."

"Last I heard, they made it."

"Not while I was there, man." Nino warmed to it.

"One of the bro’s, he’d hear digging, see? It’d happen like that, you be taking live, next thing you know, it’s like the fucken earth itching itself inside. The bro’ would call me over, we wait it out, then punch through into the tunnel. We short on time, we just frag it. Took us months to see that didn’t do no good. Fucken tunnels stronger than iron, man, after that gook gunk bake in the fucken sun."

He seemed to want to talk about it. "What if you had more time?"

"Oh, if we long on time and heavy on equipment, we blow some smoke into it, see what happens. We long on time, but short on equipment, I go in."

"With a forty-five?"

"Shit, no, man. Too much noise, fuck up you ears. I had a thirty-eight, some guys even go down to a twenty-two, but that was too fucken small for me."

“You wear a flak jacket or what?"

"Neg-a-tive. Too hot. You take off anything that clinks, leave you in the tee shirt, fatigue pants, and boots. Then you take the thirty-eight, a flashlight, and a stick. You tie the light to the stick with some commo wire or det cord, let you hold it out from you, trick the dink into shooting first where you ain’t. Then you take the knife so you can feel around in front of you, find the booby traps before they find you."

I said without inflection, "Sounds great."

“Man, it was . . . it was like going back inside you mama, you know it? You move real slow, hands and knees, ’cause the dinks, they wasn’t building no indoor tracks. The tunnels maybe a yard by a yard and a half, max, unless you got into one of the chambers."

"Chambers?"

"Yeah, you wouldn’t believe it, you didn’t see it. Some of the tunnels go down into dormitories, hospitals. I even heard some guys in the Big Red One found some kinda stage thing, like a theater, down one of their holes."

"How the hell did you keep track of where you were?"

"You fucken counted, man, counted and mem-o-rized like the teachers in second grade want you to, ’cause you forget how you come in, you ain’t coming out next to your squad. You maybe coming out into some other outfit, who sees this little guy covered with dirt and sweat and shit. They see what looks like a dink coming out of a hole they didn’t see a GI go into, they fucken open up on you, don’t give you no chance to show ’em you speak the English with a nice Cubano edge on it."

"You actually see many enemy in the tunnels?"

"You don’t see that much, man. Mostly you hear and you smell. Madrén, you think Terdell not nice to be near, you try some of the holes the dinks live in for months. I hit a tunnel had some rotten rice once, thought I was gonna die. Mostly you listen, though. You hear something, you stop everything, moving, sweating, breathing. Usually be some fucken animal, like a snake. Shit, you got so you could hear centipedes and spiders, it was so quiet and they was so big."

"And if it wasn’t an animal?"

“Turns out to be a dink, man, you try to take him with the knife first, so maybe you get another one without the other one getting you. Sometimes it’s a cold hole, no dinks, but you hit the jackpot, on weapons, medicals, all that good shit. Man, you think you a king, the king of the fucken tunnel rats. Other times you crawl three fucken miles and don’t find nothing."

Nino stopped and took a breath. "Ain’t talked about those days in a long fucken time."

"Some of them are hard to forget."

He looked over at me, confidingly, hands lying easy and capable on the wheel of the Olds. "You always be what you was then, you know it? You had the cojones, the balls, then, you got ’em now. You chickenshit then, you the same now."

"What did you want to talk with me about?"

“Huh?"

"When you called me. What did you want?"

"Oh, yeah, right. The Angel, she was a good worker, man. She free-lance a lot, but that’s the way I run my ladies. Nobody got a slave collar on her."

"You the one introduced her to Marsh?"

"No. The ladies, they pick up the free-lance dudes on their own. She make me good money, though, and I looking for a little re-im-burse-ment."

"I didn’t kill her. Or Marsh."

"Man, I believe it. I check you out. You so straight, the nuns take you back right now, no questions asked."

"So what’s your angle?"

"Marsh have some of J.J.’s shit on him when he cooled. I could do some things with that stuff, move it somewhere it don’t wreck no school kids while I make my profit."

"If I didn’t kill Marsh, I don’t know what happened to the cocaine."

"Yeah, but you per-sis-tent, man. Word is you a fucken bulldog."

"Meaning?"

"Meaning, I think you gonna find the stuff, but it might take a while, and I can’t follow you ’round every day."

"So you get me away from Terdell and J.J ., hoping I’ll tell you if I find it before they do."

"Hey, man, I figure you owe me a favor for pulling you dick out of the fire." He took a card from his pocket and handed it to me. Just his name and a telephone number. "So maybe you pay me back with a little tip when the time come."

"To make up for you losing Angel."

"Fucken A."

"My friend, I’m not about to tip you about any drug stash. I’m just interested in finding out who killed Marsh and the Angel so I can get off the hook."

"Hey, so maybe I can help you there. You want to talk with some of my other ladies, maybe they can tell you things about the Angel."

I thought about it. Couldn’t hurt. "When?"

"As they say in the Hollywood, let’s do lunch."

"Jesus."

"Tomorrow. Say late, ’round one-thirty."

"Okay. Where?"

"I got a favorite place. La Flor. On Sommer off Appleton."

"South End?"

"You got it." Nino looked at me again. "You talk with her girlfriend yet?"

"Girlfriend?"

"The Angel, she like to see all the life can offer, man. She have this butch chick, name of Goldberg, Reena Goldberg."

"How do I find her?"

"South End. Just a coupla blocks from La Flor. She in the book."

"Thanks."

Nino scratched under his chin. "You didn’t know about the girlfriend, you ain’t seen the Angel’s place yet either."

"That’s right. The cops aren’t exactly sharing notes with me."

He started to say something else, then stopped and said, “I got a key. To her apartment. You wanna see it?"

"Yeah."

"Tomorrow night, maybe. We talk about it at lunch."

He pulled up two blocks from my building, saying, "Sorry about the service, but if J.J. watching you place again, I don’t want Terdell making me as the one who put him down."

"Your secret’s safe. And thanks."

I got out of the car gingerly, then left my door open.

"You looked pretty professional, sapping Terdell tonight."

“Man, you small as me, you gotta learn how to stop guys like him. Without killing them, I mean."

"Mind telling me where you were when I got hit Monday afternoon?"

He laughed and nailed the gas, using his acceleration to close the door as he moved out.

* * *

I walked toward the condominium building slowly, partly because of my aching body and partly because of watching for J.J . and Terdell. Aside from a couple walking hand in hand, I didn’t see anybody.

When I reached the front stoop, a shadow began to move in the shrubbery. I registered a black face and started before I recognized him.

"Sergeant," I said.

Dawkins nodded. "You looking a little ragged, Cuddy."

I brushed at some of the mud, now caking dry here and there. "Want to come up?"

"That’s what I’m here for."

He climbed the outside and inside stairs behind me, waiting patiently as I fumbled with the keys at each door. I motioned him into the living room. "I’m going to change before I sit on my landlord’s furniture. Help yourself to the refrigerator if you want."

I went into the bedroom and eased out of the clothes I was wearing. I found some loose-fitting sweats and carried them into the bathroom.

I had a purple bruise swirled with red at each place where Terdell pasted me with the two-by-four. The skin under my chin from his last shot was broken, but closing over already in that regenerating, reassuring way skin has. I killed the light and went into the living room.

Dawkins was sitting back in a deep, comfortable chair, legs stretched out straight, arms spread-eagled, with a bottle of Molson’s in his right hand. He was wearing a silk dress shirt and silk suit, sleeves pushed up to his elbows.

I sat on the couch, leaned back, and closed my eyes.

After about two minutes, Dawkins said, "Murphy said you a cool one."

"Look, it’s been a long day, and I hurt like hell. What do you want?"

"Picked up a ripple that J.J. and his man Terdell out to talk with a guy tonight. Looks like you not their idea of good conversation."

"Word travels fast."

"Like the wind, babe. Like the wind."

"Just get to it, okay‘?"

"Okay. Marsh’s stuff hasn’t hit the street yet."

"How do you know?"

"J.J. deals in smallish quantity, but high quality. If shit that good appeared in somebody else’s merchandise, I’d know about it."

"Couldn’t a big dealer kind of hide it in his volume?"

"Yeah, and if he stepped on it enough times, nobody’d know the difference. But a major player ain’t likely to deal with whoever did Marsh."

"Couldn’t a major player have taken out Marsh himself?"

"Not the way it was done. Just be three holes in the head behind a building somewheres. No need to send him through the window and mess things up with the Angel."

"You said a major player wouldn’t have dealt with the killer. Why?"

"Too much risk and no need. The big guys, they have import and distribution networks make Toyota go green with envy. Besides, if it did go down that way, we don’t hear about it, ’less we bust the player with some goods, and the player roll over and give us the hitter to go easy on the drug charge."

"So where does that leave you?"

"Pawing the ground. A minor player, he’d have a hard time sitting on the stuff, follow?"

"Not exactly."

"Small fry does Marsh and the Angel, he must have need of money real bad. Maybe ’cause of a rip-off, maybe partial to the dog races and into a shy’, whatever. Little guy can’t afford to just sit on the stuff. He’d have to move it, or at least put out some feelers to the other small ones, who are sniffing around for the stuff anyway."

"And nobody’s smelled anything."

"Right."

I stopped for a minute, thinking.

Dawkins said, "Now I bet you wondering why I been so forthcoming here tonight."

"After our session with Holt, that’s exactly what I was wondering."

"Holt don’t know about this little visit. And he ain’t gonna."

"Because you’re not going to tell him and I’m not going to tell him."

"That’s right. This little visit is my own idea. I understand from Murphy that you just done him a favor."

"More like a return favor."

"Don’t matter. He thought he trusted you, now he not so sure."

"I don’t see Murphy sending me messages through you."

"He ain’t. Like I said, I’m here on my own."

Dawkins came forward, setting his now empty bottle down deliberately. "Now you listen up. You ask Murphy to run a guy down. He runs him down with me. Then the guy turns up dead, your gun at the scene. You got a fairy tale for it stinks worse than Terdell’s asshole, and all of a sudden some white cops at our level start slipping the word to some white cops above us that maybe the Murphy and the Dawkins pulling something cute."

I thought about it. "Especially when Dawkins, the narc who knows everybody, can’t account for why Marsh’s goods haven’t hit the street yet."

Dawkins barely moved his head up and down. "You think you smart, Cuddy. I hope to God you smart enough to follow this. Murphy got to be a lieutenant by being smart and straight. I made sergeant by just being smart. Him and me draw good salaries, benefits, I even got this next weekend off. We got too much into the department to get shoved into the shit by whatever it is you think you’re doing."

"Meaning?"

"Meaning you got a file on you now, boy. File marked ‘Narcotics.' You fuck up the Murphy and me in this, we may be out of the department, but before I go, I see to it that you found with dealer-weight snow in your absolute possession and control. And then you a long time gone to Walpole."

"I thought the Corrections Department called it ‘Cedar Junction’ now."

"A rose by any other name, babe." Dawkins stood and walked to the door. "There’s something real hinky here. If you straight, you just might find Marsh’s stuff yourself. That happens, I’d best be the first man you call."

He closed the door behind him. I thought about J.J ., Nino, and now Dawkins. If I ever did find Marsh’s stuff, I’d better have a roll of dimes on me for the phone.
 

FIFTEEN
-♦-

After Dawkins left, I marched ice over the bruised areas, then went to bed. I slept until nearly nine the next morning, the hours washing away some of the pain but replacing it two for one with stiffness. I tried to limber up a little, running or any other real exercise being out of the question. I found Reena Goldberg in the White Pages. Her street in the South End was walking distance from me, but I remembered the block as being nothing but abandoned, burned-out factories and warehouses. I dialed her number. After five rings, a strong female voice said, "Hello?"

“Reena Goldberg?"

"Yes?"

"Ms. Goldberg, I’m investigating the death of Roy Marsh and—"

"Oh, please! I’ve already told you guys everything I know. Twice."

Riding the cops’ coattails, I said, "I’ll be over to you in an hour. Unless this afternoon would be easier for you?"

She exhaled loudly. "All right. An hour. You know the address." She hung up before I could ask her what apartment number, but you can’t have everything. I chose a short-sleeved sports shirt and some running pants with pockets and elastic waist to spare the need for a belt. For ten minutes, I watched out my windows, front and side. My car looked the way I left it, and I couldn’t see anyone I didn’t want to meet. I hobbled down the stairs and out the door.

After three blocks, the walking began to loosen up my injured parts. I felt nearly good by the time I hit Copley Place, an extravagant hotel-shopping mall complex that helps demarcate established Back Bay from the transitional South End. Just inside the Westin Hotel entrance is a magnificent fountain area, with contrived twin waterfalls that delicately and perpetually drop shimmering walls of wetness into the retaining pool below. As I got on the escalator that splits the waterfalls, I saw a man with torn, rolled-up pants carefully place the last layer of stained outerwear on the edge of the pool. He waded in, scooping up the coins that the tourists had tossed in, presumably while making their own wishes.

A middle-aged woman in designer clothes was standing in front of me on the escalator. Watching the man and wagging her head, she said, "Can you imagine anyone actually doing that?"

I said, "Maybe he hasn’t eaten for a while."

She looked at me as though I’d just accused Ronald Reagan of pedophilia, then turned away and clumped up the steps until she reached the backs of the next highest bunch of people. By the time I reached the top, a security staffer in a golf blazer was calling for backup on a walkie-talkie, and I wasn’t feeling so good anymore.

Goldberg’s block stood basically as I remembered it, though less of it was actually standing since the last time I was there. Her address was a gray brick building with a veneered steel front door someone had tried peeling back without success. Ignoring an old, jammed buzzer, I pushed a bright nickel one. I waited two minutes, then pushed it again. There was a clanking noise, then the door opened. The woman behind it was perspiring and she said, "Don’t be so impatient. I had to come down from the loft, you know."

"If I hadn’t called first, how would you have known who it was?"

"If you hadn’t called first, I wouldn’t have come to the door at all. You want to talk down here or upstairs?"

"Down here" looked like a bombed-out German aircraft plant. "Let’s try upstairs."

She secured things behind me, including a bolt like the one the natives used to keep King Kong on his side of the wall. "Come on then."

We went up a central, industrial-strength spiral staircase for the equivalent of four floors, then through a scalable trapdoor into her loft. The windows, or more accurately, the skylights, angled sixty degrees away from the roof, bathing the huge studio with sunshine. There were a dozen pieces of hewn furniture, in varying stages of completion, scattered around the room. She seemed to specialize in hardwood kitchen and bath cabinets.

Goldberg walked toward a thickly upholstered but gut-sprung armchair that was obscured by a nearly finished floor cabinet that must have weighed fifty pounds. She bent over and hoisted the cabinet to chest level.

"Can I give you a hand with that?"

"I can manage." She moved it off to the side without apparent effort and then flopped into the chair. Pushing forty if not past it, she was wearing a plaid shirt with the sleeves unbuttoned and old army camouflage pants. Both were as covered with sawdust as the floor around her. Her hair was short, parted in the center and combed to the sides like an 1890s judge. She said, "Homicide or Narcotics?"

"Neither. My name’s John Cuddy. I’m the guy the cops thought was the killer."

Tugging on an earlobe with her left hand, Goldberg slid her hand down the chair’s fanny cushion. She came up with a survivalist knife about a foot long.

"You have another gun, I’m dead. You don’t, you are."

I lowered my rump onto the third rung of a ladder beyond threatening range. "Nice trick, but if you think somebody’s going to try to take you, it’s usually better not to be caught sitting down."

"What do you want?"

"Somebody set me up for the killing. Mugged me beforehand, took my gun and used it. I want to find out who and why."

"The cops still think it was you?"

"Reasonable people seem to differ on that."

She laughed, but the knife didn’t waver. "Like I told you on the phone, I already talked to the cops. Both Homicide and a black guy from Narcotics. They didn’t seem to think I knew anything that mattered."

"Mind answering a few questions for me anyway?"

She brought the knife down to her lap. "Go ahead," without enthusiasm.

"I already talked with a man called Nino. His real name is—"

"I know who he is."

"He’s arranging for me to talk with some of Teri’s . . ." I stopped.

"What’s the matter, you can’t say the words? I can. Some of her ‘hooker friends,' you mean."

"It’s not that. I just realized. All the police and Nino ever told me was her street name. I never heard them use her real name."

Goldberg bit her lower lip. She looked down at the knife and said, "They never bothered to. Not even the cops when they were talking with me. Always just ‘the Angel,' like she was some kind of car model you referred to like that."

I waited. She finally looked up and said quietly, "It was Teri, actually. Or Theresa. Theresa Papangelis. That’s where she got the Angel part from."

"Tomorrow I’ll be seeing some of the other women she knew through Nino. Can you tell me something about her they won’t?"

"I don’t know. We met at . . . this bar for women. Meeting is easier now than when I was younger. Back in high school my mother was always pointing me toward guys, especially the smart ones. But it’s kind of hard to care about the president of the biology club when you have your eye on the captain of the cheerleaders, you know?"

"How long ago did you meet her?"

"About a year. When Teri walked in that night, she was spectacular. Every head in the place turned to watch her. She came right over to me and sat down and said, ‘You have kind eyes.' Just like that. We came home here, and I’d see her maybe every two weeks or so."

She stopped, so I said, "Did she talk much about her life?"

"No. Not if you mean ‘the life.' I didn’t even know . . . No, that’s not fair. She didn’t tell me for a month or so, but I guessed it from her clothes and the fact she would come to see me but I couldn’t come to see her. At first, I thought maybe she was married, but then she finally told me, and I wasn’t surprised?

"Was she thinking about leaving it? Prostitution, I mean."

"Not that she ever said. Just that . . ."

"Yes?"

Goldberg flapped her hand. "Just that she had this dream of becoming an actress. That she thought the life had taught her enough about how to act different than she felt, and that she thought that was better training for the movies than some drama school she’d gotten mail about."

"She ever pursue the acting idea?"

"Not that I know of."

"Nino told me that she was . . . wasn’t involved in anything he’d arranged for the night she was killed. Does that sound consistent to you?"

"Yeah. You were going to say she was ‘free-lancing’, weren’t you?"

"Yes."

"Thanks for trying to spare my feelings, but I did know she was a whore, you know?"

“I know."

"I mean, whether she arranged it or Nino arranged it never changed what she was doing, did it?"

"I guess not."

Goldberg toned down a bit. "She free-lanced a lot. I don’t think Nino really cared about that. He’s not exactly your stereotypical pimp."

"Is that how she met Marsh?"

"I don’t know. I know she was really proud that she wasn’t just a party girl Nino set up with conventioneers. I think she . . . I think she had trouble with the law before she met Nino, and I think she liked the fact that her personal clients now were in banking and insurance and so on. Like it gave her status."

"Ms. Goldb-"

"Reena, please. Don’t you think by this point you could call me Reena?"

"Sure. Reena, Marsh didn’t strike me as the kind of man who would pay for sex. More the kind who’d intimidate for it. I only met him a few days before he died, but I—"

"I know. The cops tried to get me to say I’d heard Teri mention your name, but she didn’t used to do that."

"Do what?"

"Mention the name of her clients. To me, anyway. It was like a professional thing with her. Like confidentiality with a lawyer."

I considered it. "Then how did you know who Marsh was when the cops first contacted you?"

"I didn’t. Till the drugs came into it. Then I knew who they meant."

"How?"

"Teri was into trading, you know? Like, what’s the word for it, one thing for another?"r

"Barter?"

"Yeah, barter. Right. She didn’t have any kind of health plan, obviously, and she wasn’t about to go to this butcher Nino knew, so there was this doctor she used to . . . do things for in exchange for his treating her. Well, I knew she was seeing a guy she got drugs from, cocaine, and when the cops asked me about Marsh, I just matched him up."

"She ever talk about him? The drug supplier, I mean?"

"No. She really didn’t do that. At least not with me."

I thought about the next question I wanted to ask, because I was afraid that it might end her cooperation.

"Reena, you said before that Teri approached you because you looked kind. She must have confided in somebody about some things."

"Maybe her sister. Teri never told me her name, always just ‘my sister? The family lives in Epton, near Lawrence." Reena stopped, then said, "I don’t think you understand how it was between Teri and me."

"I guess I thought you were lovers."

Reena’s eyes clouded over, but she spoke past them. "I loved her, but she came to me for the same reason clients came to her. To get something they were missing in the rest of their lives. I wish to God I knew what it was."

"Does Teri’s sister still live at home?"

"You mean in Epton?"

“Yes."

"No, I don’t think so. She’s younger than Teri . . . than Teri was. But she’ll be there today, anyway. The funeral was scheduled for this morning." Reena glanced up to a clock, and the tears began to come. "It started . . . ten minutes ago . . . I couldn’t go . . .they’ve been through so much already. It didn’t seem fair . . . to add me to it."

"It takes a pretty strong person to do something like that."

"Oh yeah," she said, rallying a little. "That’s what I’ve always been. Strong, tough even. Well, I’ll tell you, you know some people are tougher than they look?"

"Yes."

"Well, I’m the opposite. I look tougher than I am." I left her wiping a cuff across her eyes.
 

SIXTEEN
-♦-

I was unsteady getting up from the flowers and caught my balance by using her stone.

Too much to drink last night?

"No. Too much Terdell."

As the morning sun skipped over the waves in the harbor below us, I brought her up to date on what had happened.

So what do you think?

"I think I have a sackful of people who knew either Marsh or Teri but so far no connection between them."

How do you mean?

"Well, whoever hit me on Monday knew I’d be a good candidate for the frame. That means that somebody trying to kill Angel would have to know about me and Marsh."

What if just Marsh was the target?

"Then Teri’s side of this is a blind alley. And I’m left with looking for motives for killing Marsh. I think his lawyer Felicia bought drugs from him, his partner Stansfield cashed a quarter-million in key-man insurance, and his wife Hanna believed she’d get both life-policy proceeds and the house."

The nurse’s father hated Marsh, right?

"Yes, but Kelley seemed pretty quick to yield to his daughter’s will when I was with him. Also, she alibis him for Monday night."

The drug pushers are rough enough.

"The problem there is that J .J. would be better off if Marsh had stayed alive. And none of the cops seem interested in anything but themselves or nailing me."

What about this Nino guy?

"Harder to figure. No indication that he even knew Marsh. Nino may have a nose for the stuff himself, or just be looking for indirect compensation for losing Teri. Or . . ."

Or?

"I don’t know. Maybe he really cared for her. Her lover certainly did. And would have had the physical strength to send Marsh out the window."

And shoot the woman she loved in the bargain?

"You’re right. Doesn’t figure that way."

If Marsh didn’t meet Teri through her manager, then maybe you should find out how they did get together.

"I’ve been trying to."

What are you going to do next?

“First, try to talk with Teri’s sister."

Couldn’t that wait?

"I don’t even know her name or where she lives. If I’m going to see her, today at the family’s house is the best bet."

You said first?

"What?"

You said first you were going to talk with the sister. Then what?

"Oh. Then I get to have lunch with Nino and his ladies."

I’d always heard that widowers were corruptible.

"Please."

* * *

The drive to Epton took about an hour. I’d looked up the family name in the telephone book, and it was the only one in town. A stop at a gas station pointed me toward the street, and the center of gravity of the dozen or so cars parked along the road appeared to be the address.

I slowed down. The shallow lawn rose steeply to the stoop. The inner door to the house was open but the outer, screened door was closed, the upper part filled by the broad back of a man in a dark suit. He seemed to be talking to someone, then swiveled sideways to let a young woman in a knee-length black dress edge past him and outside. She clicked down the path in modest heels, face downcast and palms locked onto elbows. An old woman fussedly came halfway out the doorway and yelled something at her in Greek. This one wore black too, only more so: shoes, stockings, long skirt, sweater, even kerchief on her head. The younger woman ignored her, the older one giving a curiously European "good riddance" wave before going back into the house.

I pulled by the younger one. Her features matched the ones I’d seen in Holt’s mug shot of Teri, but plainer and somehow less vital, the way a Xerox of a Xerox used to look.

She reached the sidewalk and turned to walk in the direction I was driving. I accelerated to the first empty stretch of curb and parked. I got out of the car and came around to the passenger side while she was still twenty feet away. Drawing closer, she treated me warily, as though she had just noticed me standing there. I could see her left hand: no engagement or wedding ring.

“Ms. Papangelis?"

"Yes?"

I showed her my ID quickly as I said, "My name’s Cuddy. I’m investigating the death of your sister."

She sighed and closed her eyes. "Again?"

"I’m afraid so."

She opened her eyes and gestured vaguely behind her. "Today?"

"The sooner we get all the information we can, the better our chances of—"

"Okay, okay." She looked up the street. "Would it be all right if we just walked around for a while? I’m kind of tired of the house and all."

"Sure."

We continued on the route she’d started, past the old homes with narrow driveways and detached rear garages that could have been in any blue-collar neighborhood within fifty miles.

"Ask your questions."

"We still don’t know for sure whether the killer was after Marsh or your sister. Can I call her Teri?"

"Theresa. You can call me Sandy or Sandra, I don’t care. But Teri was her . . . the name she used with her customers. I always called her Theresa."

"It might help us focus on who was the target if you can tell me something about her."

"Like what? I mean, I already answered all the questions you guys had the last time."

"Tell me what you haven’t said already. What you think I ought to know."

"God. What you ought to know." She took a breath.

"There were just the two of us, we had a brother, but he died while he was being born. Theresa was five years older than me, and always in trouble. I mean like school trouble, grades and attendance and that kind of thing. I was always the perfect student, skipped two grades, my father scraped and saved to send me through parochial school, you know? He would have done the same for Theresa, but she didn’t care, and probably didn’t have the aptitude to do the work. So she went one way and I went another."

"Which way did you go?"

“Teachers’ college. Framingham State. Got out last year, now I’m teaching in Salem. Salem, New Hampshire, not Massachusetts."

"Did you stay in touch with your sister much?"

"Depends on how you mean. She and Mom don’t . . . didn’t get along too well. When she found out about what Theresa was doing . . ."

"When was that? That your mother found out."

"Not really till all this. I mean, my father suspected, for a long time, I think. But my mom . . . do you know much about Greek families?"

I thought back to what Eleni had told me about the men she hated in Greece. "Not much."

"Well, it’s no disgrace for a man to go see a . . . they’d use the word ‘whore.' The men joke about it in the living room, while the women make believe they can’t hear them from the kitchen. But it’s a real disgrace for your daughter to turn into one. That’s one of the reasons I had to get out of the house just now. I couldn’t stand the hypocritical men standing around trying to console my parents about what Theresa had become while they were probably kicking themselves for never trying to . . . never trying to see her, too."

"Tell me about Theresa personally."

“Personally?"

"Yes. What was she like?"

"Pretty. No, more flashy, like the kind of girl the guys would always be watching. She knew it, too. And she had this great smile and way of talking to you, that made you feel better even though it wasn’t so much what she said as what she let you say." Sandra smiled, but it didn’t make her look happy or pretty. "Maybe that’s why she was good at what she did."

"You ever meet Roy Marsh?"

"No. To be honest, I’d really only see Theresa when she’d come up to the house for family stuff. Dinner once in a while, holidays. She never brought anybody with her. Or invited us down for anything. I don’t think my parents ever even saw her apartment? She broke off, her expression hardening. "You guys decided when I can finally get in there and get her stuff?"

I remembered lunch with Nino and his possibly taking me there. "Not up to me. The one to call is Lieutenant Holt. Try him tomorrow and he’ll probably okay it."

"So long as I can get in by the weekend. I want this all . . . all cleaned up by then."

"I can understand that. Did Theresa ever talk with you about her clients?"

"No. I know she had a guy managing for her. She took up with him after she had the trouble in Salem. And there were a couple of other girls working with her for him. But I don’t remember their names." She half laughed. "Probably only heard their street names anyway."

"You said she got into trouble where you work?"

"Where I . . . oh, no. Not up there. Salem, Massachusetts. She got arrested, for soliciting I guess they call it. But that was a long time ago. I was just, what, maybe thirteen."

"Anything happen from it?"

"I don’t think so, but I was kind of young to really understand, and she didn’t exactly talk about it at the dinner table, you know?"

"She ever talk about leaving, about finding another line of work?"

The half-laugh again. "Not exactly. She always wanted to be a movie star. Even when she did go to school, she never really studied, just came home and read the fan magazines. She thought she looked like a young Natalie Wood. That was how she said it too, ‘a young Natalie Wood.' She kept thinking that somehow she’d be able to get into movies through somebody she’d meet. How she thought that was going to happen for her when she lived here instead of out in California someplace . . ."

We’d made a circuit of the block and were drawing even with her parents’ driveway.

She said, "Any more questions for me?"

"Not for now. I’m really sorry about Theresa."

Sandra kicked a stone off the sidewalk and onto her father’s lawn. "Save your sympathy for Teri. She’s the one who died Monday. Theresa I lost a long time ago."

She turned away from me and walked resignedly back up the path to the house.

* * *

"John! Christ, I haven’t seen you in, what, five years."

"More like seven, Ed."

I grew up in South Boston with Ed. He’d wanted to attend college and law school, but his steady girlfriend’s pregnancy intervened. Starting out as a night janitor in the South Boston courthouse, he slowly moved up the chain to an assistant clerk’s job. He’s active in court administration across the Commonwealth and knows everybody.

"What brings you back to God’s Little Acre?

Oh, shit," he said, striking himself on the forehead with the palm of his hand. "I forgot about Beth. I’m sorry."

"No need to be sorry. I’m here officially. Sort of."

Ed leaned over the counter and looked in every direction before saying, "What’s the trouble?"

"You know the killing over at the Barry?"

"Just what I read in the Herald. A hooker and her john, right?"

"Right. My gun was found at the scene, and I need some information I can’t look up for myself."

"Christ, John. A double murder, that’s pretty heavy stuff. How deep are you in this?"

"I didn’t do it. Somebody mugged me and took my gun to frame me."

"The paper just said something about ‘unidentified’ weapon." _

"Yeah, but it’s not the weapon I’m interested in. It’s the hooker."

"I don’t get it."

"I’m told she was in some legal trouble a while back."

"And that surprises you?"

"No, but I can’t go through the cops for the story."

"I don’t know, John. All that shit is tied up by the privacy statute. The records, I mean. She processed through here?"

"No. Salem District Court."

"Salem! Christ, John, the chief judge of the whole fucken system works outta Salem."

"Ed, you’ve shaken every hand ever stamped a paper in this state. All I need is some noncontroversial information about her."

“Like what?"

“One of the suspects is a lawyer from Marblehead who used to do a lot of criminal work. I want to see if she was involved in the case."

"Why—never mind. I don’t wanna know." Ed bothered his teeth with his tongue for a while. "I don’t know, John. How long ago was all this?"

"Eight years, give or take."

"Oh, John, all the stuff from that far back’d be on the micro." He made a rude noise. "Okay, I’ll give it a try. But I’m gonna have to bury this with some other kinda requests, and God save the sailor if anybody ever notices who was asking about her."

"I really appreciate it, Ed."

"Name?"

"Street name was Teri Angel. Real name, and probably the one Salem would have, is Papangelis, Theresa."

"Spel1 it for me."

I spelled it. "Age back then about nineteen. The lawyer’s name is Felicia Arnold."

"Gimme a couple days. I’ll call you."

"Thanks, Ed."

"Christ," he said walking away. "Guys lose their pensions like this."
 

SEVENTEEN
-♦-

La Flor was tucked between a mom-and-pop grocery and a dry cleaner’s on the lower end of Sommer Street. I parked two doors down from the cleaner’s and watched the front door of the restaurant for a while. Two construction workers in bandanas, boots, and nonmatching hard hats came out, chewing thoughtfully on toothpicks. Not seeing anybody else by 1:30, I got out of the Fiat and walked into the place. There were twenty small tables crammed into the bowling alley space that reminded me more of New York than Boston. The tables were draped in clean white cloths, a fresh-cut carnation in a clear glass vase centered on each. An elderly couple were finishing lunch near the window. She wore a plain print dress, he a fifties sharkskin suit. They were holding hands and toasting each other with small port glasses. Nino waved to me from the back of the room. He sat on one of three stools at a tiny bar, behind which a fat man was drying glasses with a towel. Immediately in front of Nino was a table for four with two women eating across from each other. One had a badly bleached ponytail draped across her near shoulder, the other long raven black hair. They both glanced up at me, the blonde following me with her eyes as I walked toward them, the other just returning to her plate.

Nino slid off the barstool. The women both looked about thirty. Given their working hours, they could have been anywhere from seventeen to forty. The blonde was tall, even sitting down, and heavily made up. The other slumped in her chair and wore no cosmetics at all. As I reached the table, the blonde smiled at me in a practiced way, the other paid no attention.

Nino said, "John Cuddy, I have the pleasure of giving you Maylene and Salomé."

The blonde said, "I’m Maylene, honey." She had a south of Kansas twang in her voice. "I show it, I shake it, and I share it."

Salome, out of the corner of her mouth, said, "Jesus."

Nino said, "You and me sit here and here, John. You know, boy, girl, boy, girl?"

I sat down, Maylene to my left, Salomé to my right.

"Has Nino told you why I wanted to talk with you?"

Maylene said, "Yeah. It’s about the Angel." She laid her hand over mine and gripped tight.

"God, I was terrified when I heard."

Salomé seemed awfully bored. Her attitude reminded me of the bare tolerance an experienced cop shows when paired with a rookie. I put Salome nearer forty, Maylene nearer seventeen.

Nino said, "Hey, John, you making some impression here. I think Maylene want to swallow you pride."

Maylene took her hand off mine and gently slapped Nino on the shoulder in that limp-wristed way some women use to show tenderness. Nino took it playfully. Salome broke off another piece of bread from the shallow basket in front of her and sopped some gravy
from her dish.

"Nino, I’d really like to talk with the women alone, okay?"

He shook his head, but he stood up. "You really think they tell you something they don’t tell me after you leave?"

"Who can say?"

Nino picked up his drink and said, "I order you the arroz con pollo and some white wine. The chicken and rice the spec-i-al-ity of the house." He looked from Salome to Maylene and back again. "You ladies tell this man anything he want to know."

Maylene said, "Yes, Nino." Salome finished her hunk of bread while Maylene struggled to lift her handbag onto the table. Made from natural cowhide, it had outlandish fringes, the kind of present Dale Evans might have bought Buttermilk for Mother’s Day.

Waiting till Nino resumed his seat at the bar, I decided to start with Maylene. I figured Salome would know more that would help me, but I doubted she’d talk until she’d become fed up with Maylene.

"How close were you to Teri Angel?"

Maylene frowned, as though that wasn’t the question for which she’d prepared an answer. "I wouldn’t say close. The Angel didn’t want anybody to be close, I don’t think."

"Why was that?"

Maylene took a pack of cigarettes from her bag. Her hands were big and rough, almost manly. "I don’t know. She really wouldn’t let any of the girls get to know her. Not like Salome and me."

Salome avoided laughing by taking a swig of wine.

"You ever meet anybody with her?"

"You mean like a date or something?"

"Yeah."

"No. Really, we don’t . . . didn’t see her that much. Just here and other places for lunch once in a while."

"Why is that?"

"Well, Nino sets us up through these hotel people he knows, so we’re mainly on with convention types in the afternoons and maybe some traveling executives like at night. We just do one-ons."

"One-ons?"

Salomé groaned and said, "She means one-on-ones. No parties or group gigs."

"Oh."

Maylene said, "That’s why we wouldn’t see her except at lunch here sometimes. We just weren’t together when we were working. We weren’t . . .aren’t even supposed to say hi to each other if we see a girl in the hotels or anything?

"Because of their security people?"

"Right."

The fat man came toward us, carrying my chicken dish and a half-carafe of wine. Given the timing, I was pretty sure La Flor didn’t exactly cook to order. I tried it. Not bad.

"Did you know any of her free-lance clients?"

Salome laughed. "You don’t know a hell of a lot about the life, do you?"

"No."

"Well, I got a client expecting my Dance of the Seven Veils in about an hour, and I gotta get painted and changed by then, so let me save you some time, okay?"

"Okay." I took more chicken.

"You’re in the life for a while, you got two choices. Get out, or get your own."

"Your own prostitutes?"

"No. Oh, that too, yeah. If you can stand dealing with pompom girls."

Maylene said, "Sal! You promised never to tell any--"

"So let’s say you don’t want to be Nino the Second. You gotta get your own book of clients. Free-lance, okay?"

"Got it," I said around my chewing.

"Now, you get the right book of clients, you can be pretty well set. Lots of these guys are just looking for somebody reliable, you know?" Salome cranked up her tempo, an enthusiastic broker describing a property with potential. "Somebody who’ll do the things for them that the wives won’t without gagging and bitching about it. They find a girl they like, they’re loyal like fucking football fans about it. They stick with the same girl for years. God, I know a girl has the same three lawyers for fifteen years. Fifteen fucking years. They all know each other, but nobody knows they’re all doing her except her. She covers all her overhead on those three guys alone, and that’s just twice a month each."

“So?"

Salome slowed down. "So, a girl gets a good freelance, she ain’t about to spread that information around to her competitors, follow?"

"I thought you said the free-lance clients were loyal?"

"Yeah, but they ain’t perfect. If they were, they wouldn’t be clients to start with."

"So you never saw her book?"

"What book?"

"Her book of free-lancers."

"Jesus. I didn’t mean she had a book. That’d be stupid."

"Because they call her, not the other way around. Besides, if you did have a book, you couldn’t carry it with you, because the cops’d grab it, and you couldn’t leave it at your place, because your pimp would read it."

I looked over at Nino. Maylene said quickly, "Oh, Nino wouldn’t do something like that."

Sal said, "Maylene, grow up or shut up."

I said, "Nino doesn’t mind you all branching out?"

"No." This time Salome glanced over at him and couldn’t quite hide a crinkle of genuine affection. "No, Nino’s good that way. Steers us the business, takes his cut but lets us keep the lion’s share. And, he doesn’t muscle in with the free-lancers. He understands how it is."

"Any of Teri’s clients go in for rough stuff?"

"No way. First of all, Teri had the looks, way too good to need the rough boys. Plus, you don’t keep that kind of action as a free-lance. You need your man around to keep them in line sometimes."

"So Teri didn’t talk with you about her free-lancers."

Maylene seemed eager to contribute. "Well, she did, sort of."

"How do you mean?"

"Well, she talked about her sources."

"Her sources?"

"Yeah, where she got the free-lances from. Like sometimes one client refers another to her. And then she had this lawyer who did a lot of divorce stuff, the lawyer would send the husbands to Teri for, well, kind of like that Masters and Jones stuff?"

Salome said, "Masters and Johnson."

Maylene said, "Yeah, them."

"Teri ever mention the lawyer’s name?"

"No, just that it was a girl. A woman lawyer, I mean. Teri never mentioned names or anything, but she’d talk about some of them like that."

"Like what?"

"Like give them made-up names, you know?"

"Like street names?"

"No, no. More like . . ."

Salome said, "Labels. Like ‘the Senator,' ‘the Wizard’—"

"He was like a computer genius, the Wizard—"

"—‘the Producer,' and like that."

I thought about sister Sandra mentioning Teri’s interest in the movies. "What did she mean by ‘the Producer’?"

Salome said, "Not the real thing. Not Hollywood, I mean. She just had some guy liked to look at himself getting done. He took movies of it."

"Movies of him and Teri together?"

"That’s what she said."

"Videocamera?"

Salome took a cigarette from Maylene’s pack and lit up. "How else you gonna make them?"

"Did Teri ever mention anything else about this Producer?"

Salome blew a cone of smoke sideways from her mouth and away from me. "No."

Maylene said, "But Sal—"

"She didn’t say anything else, Maylene."

"She did, though." Maylene turned to me and elaborately away from Salome’s glare. "The Producer was her candy man."

"Drugs."

"Right. As much as she wanted, although she never used a lot."

"She ever describe him?"

"Like what he looked like and all?"

"Yeah."

"No—yeah, wait, she did! She said he had these tattoos. Like of a tank or something."

No question we were talking about Marsh now. "Did she see this guy on a regular basis?"

"Yeah, sure."

"Same time and place each week?"

"Oh, I don’t know about that. She did say . . . Sal, when did we have lunch with her that last time?"

“I don’t remember."

"Sure you do. It was . . . no, no, it wasn’t here. It was down at the Market."

"Quincy Market?"

"Yeah, yeah. Right down by the water. And she said . . . no, no, it wasn’t lunch, it was brunch. Remember, Sal, we couldn’t get served our drinks cause it wasn’t twelve noon yet?"

"I don’t remember."

"Sure you do. We wanted Bloody Marys, and the waiter said we had to wait, and Teri joked about taking care of him if he’d take care of us, but you could see he was a fag so he didn’t think she was funny."

"What did she tell you?"

"About the Producer?"

"Yes."

"Just that she was going to do a screen test."

"Screen test?"

"Yeah, you know, like an audition, only for the movies. She thought the way she could get into the movies was to be in one of those porno things, and the Producer told her he knew somebody who did them. He was the candy man, so maybe he did, I don’t know."

"And he was going to introduce her to this real movie guy?"

"Yeah. Well, no. No, I think what she said was that the real movie guy would want a sample of what she could do." Maylene put her hand to her mouth and giggled. "I don’t mean that way, in person. I mean on him. How she’d look doing it."

"With one of the guys she free-lanced?"

"Yeah. Or one of the girls."

"One of you?"

"No, no. I mean one of her girl clients. Some of the lezzies, they really go for somebody as beautiful as the Angel. And even the straight ones, they like to try some new things, if you get me."

"So the Producer was going to arrange some kind of screen test for Teri."

"Right."

"When?"

Maylene frowned again, straining to remember. "I don’t think she said, but I think it was supposed to be real soon."

"Soon?"

"After we were talking. She said she’d seen the Producer like the night before."

"And when was that?"

“At the brunch, like I said."

"Yes, but when was the brunch?"

“When?" She looked at Salomé, then back to me. "On Sunday. When else do you have brunch?"

"You mean this past Sunday?"

"Yeah, yeah."

The day before she was killed.

* * *

After I was finished with Maylene and Salome, the fat man bowed to me graciously and said he hoped I’d enjoyed my meal. On my way to the door, Nino told me he’d meet me outside Teri Angel’s apartment house at 8:00. He gave me the address, a building down by the waterfront.

I climbed into the Fiat, drove across the MassPike interchange and into Back Bay. Heading downtown, I wended my way through the construction on Boylston Street and then quartered over past the New England School of Law and Tufts Medical and Dental complexes. The Barry Hotel stood a bit farther toward the Fort Point Channel and near South Station, railroads being the principal mode of transportation back when the Barry was Queen of the Hub.

* * *

"Hope there’re no hard feelings about yesterday?"

The little guy in the bellboy outfit had a sincere look I in his remaining eye, the patch on the other one tied on jauntily with black, woven cords. The man with the pop-bottle glasses was dozing behind the registration desk across the lobby.

"No hard feelings," I said, resting my elbow on the top of the wooden captain’s stand. "Thanks for not I identifying me as the bad guy."

"Hah," he said, unnecessarily shuffling some blank forms on the writing area in front of him. "You ain’t exactly the sort we cater to nowadays."

He moved his head around, sweeping quickly over the tattered carpet, worn upholstery, and sallow wallpaper. He made a clucking sound with his tongue against his teeth. "You also ain’t old enough to remember her in her glory, but this dowdy bitch was a hell of a hotel once."

I stuck out my hand. "John Cuddy."

"Name on my discharge papers is Norbert, Olin C. But everybody calls me Patch. Bet ya can’t guess why."

I laughed politely and let him go on.

"Lost the eye right near the end of things, when the Japs were trying to kill us and themselves with the kamikazes. Hit the ship, but we managed to save her. Didn’t have no medical attention for six hours, but the doc said six minutes wouldn’t have made any difference. Fire flash seared the lens part right off But I got no complaints, the VA takes care of me, and the disability pension plus this place pay me as much as I’ll ever need."

"How’d you come to be here?"

"The hotel, you mean?"

"Yeah."

"We was here on liberty once. Boston, I mean. First time I ever seen a real city, being from Indiana bottomland originally. Also, right here’s where I first got laid. Room seventeen-oh-four. Never will forget it. I thought about this place afterwards, while I was in the hospital. After I got out and all, I come here and they signed me on."

"Since the cops had you in for the show-up, I’m guessing you were on when Teri Angel was killed."

"Shit, son, I’m on pretty near every day."

"You remember her that night?"

"Nope. I knew which one she was, though. You ever see her?"

"Just a photo." '

"Well, she was a beauty, that one. Not just the body, she had the face, too. Didn’t look the same as the others somehow, like she didn’t have the same hardness to her or something."

A black woman in a blond wig and purple hot pants plowed past us, towing a fiftyish guy scratching his forehead to keep us from seeing his face clearly. They didn’t bother stopping at the registration desk.

Patch gave me a look that said, "See what I mean."

"The police told me that somebody here recognized Roy Marsh as one of Teri’s regular customers."

"That was me."

“You know her other regulars, too?"

"To be square with you, no, I can’t say for sure. You. see, I come on at three usually. I like my days off, go for walks, especially this time of year. So there could be a lot of guys—some women too, if you can believe it—who coulda been regulars and I’d never see ’em, or just see ’em coming or leaving and never with any particular girl."

"See any other regulars that night?"

"Of hers, you mean?"

"Yes."

"Nope."

"But you knew Marsh was one of hers for sure."

"Yeah. Well, I didn’t know his name till the cops told me. It ain’t exactly the sort of thing we wanta keep track of, get me?"

"You saw her with him?"

“Once. And I’d see him sometimes on days I knew she was entertaining?

"You the one who saw him with the suitcase?"

"Right. Both times."

"Both times?"

"Yeah. I saw him with it maybe six, eight months ago, then again on Monday night."

"Eight mouths ago?"

"Give or take."

That was way before any of the divorce stuff. "Any idea what was in the suitcase?"

Patch smiled knowingly. "Nope. And around here, you don’t ask."

"What are my chances of seeing the room?"

Patch crossed his arms, doing a slow-motion dance with his feet. "No chance at all. The cops are pretty good about not bothering us here. So when something happens, we cooperate like goddamn boy scouts. They say nobody goes in the room, nobody gets in."

"What does a room rent for here?"

"Ten bucks."

"An hour."

"Uh-huh."

"There another room like the one she died in?"

"Sure. Any of the oh-twos."

"The what?"

"The oh-twos. Like nine-oh-two, ten-oh-two, get it? She was killed in twelve-oh-two, and all of them are like identical above and below."

"How about I reserve eleven-oh-two upfront for a coupla hours, but use it only for about twenty minutes?"

“Alone?"

"No. You as my tour guide."

He smiled and said, "Elevator on the right. Watch your step, please."

* * *

"Anything different?"

Patch looked around 102. Swaybacked double bed, bureau that looked like the backstop at an archery range, a couple of faded prints on the wall, one in a frame with cracked glass. "Can’t swear about the prints, but the furniture is all like twelve-oh-two’s."

"In the same relative position in the room?"

“Yup."

I walked to the window. The sill was old-fashioned, beginning just above my knee, the glass rising nearly six feet high. Patch said, "That’s where he went out. Up a floor, of course."

The view was the South Station coupling yards, two locomotives desultorily warming up or cooling down. Must have been a damned impressive sight in the forties, though I doubted Marsh appreciated the historical perspective.

In addition to the entrance, there were two big doors off the room, one next to the bed, the other past the footboard. Each looked to be of solid wood with glass knobs.

I looked into the one at the footboard first. Just a hopper and a sink within the loosely tiled walls. "Only a half bath?"

"The oh-twos used to be suites. Then they broke ’em up. Didn’t put showers and all in most of them." I moved to the other door. Patch whisked it open for me. “The spacious walk-in closet."

Four feet by five. A horizontal bar at eye level, some wire hangers on it. An old baggage holder with two of three straps broken. I said, "This where they found Marsh’s wallet?"

"So they tell me. After he hit the ground, some guy off the street comes running in, saying there was somebody splattered all over the goddamn pavement. I run out after him. There’s a body all right. Kind of. Haven’t seen such a mess since the war. It looks to me like her regular ’cause of the short hair, but Kaghe’s the guy with the thick cheaters—he goes all to pieces, so he’s no good, and I gotta call the cops, then go out and make sure nobody fools around with what’s left of this guy Marsh until they get here."

"So you weren’t in a position to see who was leaving the hotel?"

“Son, like I told the cops, with the commotion from the sirens and all, you gotta understand, a lot of people in beds in this place ain’t planning to sleep over. The joint cleared out like one of them old-time cartoons of the rats leaving the ship, you know? Like in speeded-up motion?"

"Did you see the actual scene in twelve-oh-two?"

Patch sighed. "Yeah. After the cops got here and secured things in the street, I pointed up to the window. You could see it was broke ’cause of the way the lights from the yards across there didn’t shine off it. I brought one of them, the Guinness guy was with you yesterday morning, I brought him up to twelve-oh-two and let him in. He told me to stay outside, and I did, but I could see the girl, down by the bed there." Patch swung his index finger left to right from the bed up to the wall near the closet door. "So much blood and the way she was lying, you could tell she was dead."

I walked around the room one more time. It wasn’t telling me anything. I thanked Patch and left.
 

EIGHTEEN
-♦-

I got back to the condominium about 4:00 PM. My office answering service gave me the same two messages that my home tape machine had. Hanna Marsh and J.J. Braxley. I called Hanna first at the Swampscott number.

"Hello?"

"Hanna, this is John Cuddy, returning your call."

"Oh, thank you. Two men come here to see me."

"Who?"

"Two black men. They say that Roy was in business with them."

Here we go. "When was this‘?"

“This morning. Before lunch."

"What did they want?"

"They want something they said Roy had. They didn’t say the drugs, but I knew that was what they meant. I told them I knew nothing, I was not with Roy then or before even. The man with kind of funny hair just smiled. The other, he didn’t say nothing but he smelled so bad."

"Did they threaten you?"

"No. Well, no, they didn’t make to hit me or nothing. I looked through the window when they ring the bell, so I send Vickie upstairs where they can’t see her."

Out of sight wasn’t exactly out of mind. "What did they do?"

"Nothing I could tell the police or anybody. Just that they wanted the—the smiling one called it ‘the material’—the material back or else they would have to ‘pursue other alternations’ or something like that."

“Hanna, listen. If they’re willing to visit you in broad daylight, they’re not planning on doing anything just yet. They also probably expected you to call me, which means they’ll want to give me time to find the drugs for them."

"So you think Vickie and I are safe'?"

"For a while, anyway. Still, better keep Vickie around you a little closer than usual, okay?"

"Okay. John?"

"Yes?"

"I thank you for helping us, but please don’t get hurt again."

"Don’t worry. I’ll be careful."

I rang off and dialed the number J.J. had left. A crusty voice said, "Yeah?"

"Can I talk with J .J . Braxley?"

"Who want him?"

"The guy he called."

"J.J., he call lotsa folk."

It didn’t sound like Terdell, so I said, "Look, pal, tell you what. You tell J .J. that the guy he wanted to talk to spoke to you and you fucked it up. Or I can mention it to J.J. the next time I see him."

“You lookin’ to end up—"

"Because I’m pretty sure he’ll know it was you, since he really needs to talk to me and he left me this number to call, which means he probably knows that you’re always around to answer it."

Some hesitation, then barely civilly, "He got the number you at?"

"He’s got two of them. Let him guess which one’ll be good for fifteen more minutes."

"Hey, I don’t—"

I hung up on him. No more than five minutes later, the telephone rang.

"This is John Cuddy."

"Mon, you think you a pretty slick dude."

"Let’s just say I’m not too impressed by the quality of your staff."

"My staff, huh? My staff Terdell, he like to know exactly what happen last night."

"Hard to say. I was delirious."

"Terdell, he not too smart to start with. Last night didn’t improve things none."

"They can do wonders nowadays with learning disabilities."

"Oh, mon. Two quality players like you and me, we shouldn’t be all the time fighting. We got lots of things to talk about, be beneficent to both of us."

"I guess I wouldn’t have called last night so beneficent."

"My mistake. Don’t like to admit to such things generally, but I approach you all wrong. Didn’t realize your depth."

"Why don’t we cut the crap, all right'? I’ve got other calls to make."

“I expect you do at that. I want another meet, try a different approach this time."

"What about?"

"I tell you when I see you."

“You’re wasting my time, J .J."

"You pick the time and the place. And I guarantee it won’t be no waste."

"Okay. Half an hour. Bar on Boylston Street called J.C. Hillary’s."

"I be there."

"Better leave Terdell in the car. Unless you’ve had him hermetically sealed."

"You not exactly on Terdell’s kiss list, mon. I’d walk wide around him, I was you."

"Half an hour."

I hung up and debated with myself for all of ten seconds before punching Murphy’s office number.

"Lieutenant Murphy."

"Lieutenant, John Cuddy."

"Cuddy, I told you already. I can’t talk with you."

"Then talk with your buddy Sergeant Dawkins. Tell him I’m meeting Braxley at Braxley’s request at J .C. Hillary’s in thirty minutes."

"The one on Boylston?"

"Right."

"You got something going with Dawkins, why don’t you call him yourself`?"

"Because he didn’t dress like he hung around his office much. Besides, I think I’m going to want a council of war tomorrow with Holt, and I know where his office is."

"I’m not even gonna ask why the hell you don’t call Holt then."

"Be back to you tonight."

"I’ll be in Saint Croix by then."

Murphy hung up. I was glad to see him regaining his sense of humor.

* * *

J .J. came through the heavy front doors by himself. I was seated at the bar. He casually looked around, the place nearly empty at 4:30, as the convention facility across the street was under construction. He walked over to me and said, "How about we take us a table‘?"

I led him to a back corner. We sat and the waitress took his order for Chivas on the rocks while I sipped my screwdriver.

When she moved away, he said, “Smart. You picking a place this public and this confidential, all at the same time."

I raised my drink, turning the glass slowly in my hand. "I picked this place because they use fresh-squeezed orange juice in their cocktails."

Braxley gave me a barracuda grin. "You a little more than I bargain for, Cuddy."

"How do you mean?"

"I figure, mon so dumb he get whomped on the head and lose his piece, that mon be a little easier to push."

"I take it you finally buy my version of what happened?"

The waitress brought his drink. He worked his smile on her, but got nothing in return. He hooded his eyes, tossed off half the drink, then settled back.

"I don’t buy nothing. I already bought. Bought and paid for the stuff Marsh had on him."

"I think we already had this conversation."

"Oh no, mon. Not this conversation. Last night just an exhibition compared to what come."

"You make me too nervous, I might spill my drink on you."

"No, my friend. What come ain’t gonna come on you. I watch just now, coming over to the table here. You move pretty good for what Terdell whale upon you last night. You gotta hurt, nobody take that and not hurt, but you cover it. That mean you can take a lot more, and probably be real careful not to get suckered like we do last night. No, I was not thinking on you."

“Your visit to Hanna Marsh?"

Braxley looked pleased. “Thought she be calling about that."

"She doesn’t know where the drugs are. She had nothing to do with Marsh for a while before he died."

"I believe her."

"So?"

"So, I visiting not to see the woman so much as the house. Saw it once before, but that was in the night, time we paid Marsh himself a little visit."

"The one that put him in the hospital?"

"Marsh, he made of milk, mon. Can’t take the lickin’ like you."

"Didn’t you get a good look at it the time you and Terdell tossed it?"

"Just Terdell that time."

"Maybe if you got to the point?"

Braxley lapped a little more scotch. "Thought you be smart enough to see the point."

"I’ve always been disappointing that way."

"Maybe I better sharpen the matter up for you then." He put down the glass with a flourish. "I get the stuff from my supplier, I pay him. I give the stuff to Marsh, he don’t pay me. The word is out on the street. ‘J.J. get the sting,' ‘J.J. give the credit and get burned,' and like that. But the stuff, it ain’t on the street. That don’t ring true. Some people get ideas, think maybe I’m gone soft about things. Business things. Somebody work up the balls to try me, see if I push a little on the territory. Means I gotta push back. Inefficient. Waste my resources on fights I don’t want and can’t make pay."

Braxley affected a woeful look, playing to the second balcony. "Or maybe my supplier talk to one of these dudes, get the word that I’m loose with his shit, he think, ‘Fuck, J.J. slipping the knot, getting ready to bolt on me, gotta groom this new J .J., take his place? Then I push the new man, supplier say, ‘Fuck is this shit? What the hell J.J. doing?' Then the supplier, he ask himself, ‘How come the last load ain’t hit the street yet?' I don’t need those kinds of troubles, mon."

"Sounds like you got them. Through your own fault with Marsh."

The woeful look dissolved. “Sound that way to you? Well, let’s us see how this sound. I give Marsh the credit, he don’t pay up. He do that to a bank, what the bank do?"

I didn’t respond. Braxley reached for his drink and finished it decisively.

"Tell you what the bank do. The bank treat that like a family obligation, mon. The bank go take his house and toss his family on the street. Well, you talking to a bank now, the First National Bank of Braxley. Terdell I and me visit the missus this morning, polite as can be. We wearing hats, they woulda been in our hands. We give her notice this morning, but I spell it out for you. I get back my shit, or we take the house to cover it."

"You ever hear of duress?"

Braxley started to laugh, then cut it off." ‘Duress,' huh? That woman own that house now, she can do whatever she want with it. Like she can put it on the market for maybe twenty thousand less than it worth, and sell it like in a few weeks, and she get plenty on it, mon, plenty enough to cover her husband’s debt. And she gonna wanna do it, too. Know why?"

I still didn’t say anything.

"Sure you know why. You just don’t wanna hear the words in the air. You a sensitive son of a bitch. Well, maybe you better brace yourself, ’cause here they come, ready or not. She gonna wanna do that for me because I like be holding her little child in excrow. The daughter she so careful not to let us see this morning. You know what excrow mean?"

"The expression is ‘escrow,' Braxley, and I know what it means."

He sat back, even more pleased with himself. "You got the benefit of a fine stateside education, my friend. I just a poor immigrant, but I catch on fast. This here an open society, anything possible for a mon who willing. You believe it."

I believed it.

* * *

I waited in the bar for half an hour after J .J. left. Then I looped around the blocks the long way and drifted toward my building from the river side. No whiff of Terdell or sign of anyone else. I went inside and upstairs.

I called the Christideses’ home number.

"Who is this?"

It sounded like one of Eleni’s cousins, so I said, "My name is John Cuddy. Eleni wanted to see me yesterday."

I heard some muffled talk in Greek, then the voice came back to me with "Wait, wait, she come." I waited.

“John?"

"Yes, Eleni. Is everything all right?"

"Yes, fine, fine. You want Chris?"

"Please."

"He not here, John."

"I really need to speak with him. Do you know when he’ll be back?"

"He gone to a meeting two hours already. Can he call you back?"

"Yes. I’ll be home."

"I tell him."

I thanked her, pushed down the button, and called Murphy again.

"Murphy."

"Lieutenant, it’s me, Cuddy."

"Hold on. Holt’s right here."

"Lieutenant, wait—"

“Cuddy, this is Holt. Just what the hell you think you’re pulling here?"

"Lieutenant, I’d like a meeting with you and Dawkins tomorrow."

"You fucken asshole. Where do you—"

"In the morning, if possible. Your office would be fine."

"How about I send a cruiser right now?"

"How about I call Senator Kennedy and tell him how you’re violating my civil rights?"

“What rights?"

"You want to send a cruiser, line. You want me to tell the papers and TV in a few days how you and yours were responsible for botching a double murder and getting a child hurt on top of it, go ahead."

"What child? The fuck are you talking about?"

"I’ll explain it tomorrow. How about ten A.M.?"

The gnashing of teeth. "You be here. If we are, too, we’ll hear what you have to say."

I put the receiver down and turned on the news. I sat through sports, weather, and Tom Brokaw. Then I went downstairs, backed the car out of the space, and drove to the waterfront.

* * *

Most of the residential housing on the harbor consists of condominium flats in redeemed warehouses. The warehouses themselves sit on wharves, huge stone and beam intrusions into the water and from another century. Before Boston’s renaissance fifteen years ago, the wharves were abandoned, and only the intrepid would wade through the muddy moats the filled land around them had become. Ten thousand cash at a tax title auction would have snagged you a whole structure. Now, the same money would just about cover two years of property assessment on a single two-bedroom unit.

I slowly drove by the address Nino gave me. Teri’s place was in one of the newly constructed towers, rising floors above even the elevated, six-laned Central Artery that still separates the docks from the commercial downtown. As I pulled over to come back around, I saw Nino get out of his parked Olds across the street and incline his head toward the building entrance. Five minutes later, I found a parking space and joined him.

He nodded approvingly. "Punc-tu-al-ity, man. At lunch and tonight, too. Important quality for professional men like you and me."

Nino was wearing brown suit pants with cuffs and Hush Puppies shoes, but it was the top half of his outfit that caught the eye. Blue dress shirt, pencil-width leather tie, and a starched white coat with "Dr. Rodriguez" stitched over the chest pocket. The ear-pieces of a stethoscope protruded from a side pocket.

"Career change?"

"You like the getup? Shit, man, this here a condo building. Half the units owned by fucken docs as tax shelters, you know it? I walk in like this, we blend in. Rent-a-cop figure, ‘Big-time médico, too fucken cheap to have some agency show the place to a new tenant.' C’mon."

Nino pulled the door open for me, then moved in quickly and got ahead of me, marching along in that self-absorbed way you see in hospital corridors. The guard said, "Evening, doctor."

* * *

Nino half saluted but never broke stride. I shrugged at the guard and whispered, "Famous surgeon."

The guard winked to show no offense taken.

Nino eased the door closed, pushing the police bar back into the slot on the floor.

I said, "That was easy."

"The cops, they don’t post no round-the-clock shit for a dead hooker, man. Besides, she killed someplace else."

The room was a large L-shaped studio, sleeping alcove off to the right, bathroom and kitchenette to the left. Sweeping view of boat moorings and airport runways through the picture windows, a small telescope set up near the glass.

Nino walked toward the telescope, saying over his shoulder, "Do you thing, man. Just don’t break nothing, okay?"

I started with the alcove. Cherrywood four-poster bed, frilly comforter, the collar of a flannel shirt just visible under one of the pillows. On cold nights, Teri probably slept in it. Beth used to do that all the time. Matching nightstands flanked the headboard. On one of them sat a telephone and a tape machine identical to the one in my apartment. An "O" glowed in the message portal. I pushed the side button which releases the lid. Both outgoing and incoming tapes were still there. I moved the lever to "Answer Play," the device immediately rewinding the short distance with no noise. That meant the "O" wasn’t kidding, buddy, there really were no messages. The machine automatically clicked to "Play" anyway, nothing but silence coming from the speaker. Stupid to think the cops hadn’t already tried it.

"Hey, man, come look at this!"

I went into the living room portion, Nino bending over the telescope and adjusting some knob near his squinting eye. "This little mother is powerful. Planes, luggage carts, shit, I can see right into the terminals almost."

"Teri ever mention anything about the telescope?"

"Not to me. But she was weird that way. She give me the key to this place ’cause she trust me and somebody gotta have it, case she get the slam and all."

I thought about what Sandra had asked me. I’d gotten the impression that Teri had told her about the apartment and given her a key. Would Teri have given keys to both of them?

I went back into the sleeping area and toward the other nightstand. A Harlequin romance facedown, marking her place the hard way, binding nearly broken through. An ashtray, some kind of nail strengthener, china cup with coins and subway tokens in it. "Nino, did Teri drive a car?"

“No. She knew how, but she didn’t want to keep one in the city. She need one, she borrow mine or see the Hertz counter."

On the walls, a couple of Natalie Wood publicity stills, framed professionally. Below them, a bureau with an overload of cosmetic enhancers, most of which I couldn’t identify without reading the fine print.

On either side of the cosmetics, two photos in stand-up Plexiglas functioned almost like bookends.

One was a staged pose of a young, dark couple dressed in the style of the early sixties. They stood behind two little girls sitting on a piano bench, party dresses, white socks, shiny black shoes with straps, and ankles crossed. The younger Sandra and Theresa, Sandra’s smile shy, Theresa’s bold. The other photo was a yearbook shot of Sandra, smile still shy, features unformed like the first sense I’d had of her outside the house in Epton. No yearbook photo of Theresa.

I opened each drawer in tum. The police would already have searched pretty thoroughly, so I just poked and peered a little. Mostly different kinds of strappie and tube tops with short shorts. Lingerie ranging from the erotic to the ridiculous. Some regular clothes too, though. Sweaters, polo shirts, Reebok sports shorts.

Behind me I heard, "Ooh, foxy lady, keep that light on! Hey man, you wanna catch some of this?"

I guessed he’d swung away from the airport. "No thanks."

"You missing academy award shit here, man. Ow, yes, yes."

I came into the living room area. Sectional furniture, nice rug, three-tiered coffee table of brass and glass. "Teri decorate herself?"

"She pick—oh, mama, I didn’t know it could bend that way!—she like picked it out, but the landlord, he pay the freight."

"You know him?"

"No, just some dentist, pillar of his com-mun-i-ty somewhere in the suburbs. He rented the place to her himself. I think maybe she let him stick something in her mouth beside the little round mirror, you know it?"

I opened the sliding door to a wall-length closet. Lots of flash and sparkle, but also a tweed suit, a nun’s habit, and a nurse’s uniform. "Pretty varied wardrobe."

"Some of the johns, man, they like the ladies to dress up, fantasyland."

I thought about her coming home, hanging up an outfit after spending the day and most of the night with Nino’s clients and her free-lances. I shook my head and walked into the bathroom. Typical modern job, clean and impersonal. "You have any idea where she kept her paperwork?"

"Paperwork?"

"Yeah. Bills, checkbooks, that kind of thing."

"The Angel, man, she was cash-and-carry. Fucken cops got all the papers she have, and probably stuffed in their wallets."

I came back into the living room area. "She must have had light bills, phone bills.

Nino ignored me and began futzing with the lens again. I walked over to a sectional corner piece and sat down.

Nino said, "You just about done here?"

When I didn’t answer him, he looked up. "Man?"

"I was just thinking."

"About what?"

"Teri, this apartment. Seems kind of an empty place to call home, and even this she paid for in kind."

Nino’s face contorted for just a moment, then resolved. " ‘In kind.' You mean by hooking, right?"

"That’s what I meant."

"Look, let me tell you one thing, okay? The Angel, she never hook in here, not even for the dentist. She do him, she do him out in the ’burbs, his last appointment for the day. She keep this place outta the fucken life, man. This the best place she ever live, but it still like her tunnel."

"Her tunnel?"

"Yeah. Like in the Nam. The fucken dinks, man, they knew those tunnels were safe. We could chase ’em around all we wanted on top, ’cause we own the air. But they get too pressed, they just drop down a hole and they knew we couldn’t get ’em."

He shook his fist at the picture window. "You think living space cost a lot down here, with the harbor and the marketplace and all? Shit, nothing cost more than those tunnels, man. They sweat and they dig and they got little bugs eating them and they die to make them tunnels and make ’em safe, and space was a pre-mi-um item. Most of the fuckers didn’t have a change of fucken clothes, man, but they bring what they had into the tunnel."

Nino gulped and talked faster. "Times you go into a tunnel, and you don’t hear nothing but you own heart beating, you know it’s a cold fucken hole, but you can’t take the chance. So you go slow, and maybe you find where they sleep and their shit. Their personal shit, I mean. And it’s like maybe one book in dink writing, and a piece of junk jewelry, and a picture. A photo like of their family, all blur ’cause the camera cheap. And all dirty and cracked and mildewed, too, ’cause the tunnel do that to everything. And you hold this fucken photo in you hand, and you sit there like a fucken dummy with you light on it, like you was in a museum staring at the Mona Lisa or something. And you know that fucken dink weigh less than most dogs we got over here and eat a fuck of a lot worse and the only thing that dink fight for is the tunnel you in and the memory he got someplace of the family in that photo that probably got all shot to shit before you even in-country. And you know that dink just like you, man, only he ain’t going home after no three hundred sixty-five days. And you hold that fucken photo, and you start to cry. You cry like you was a little baby and mama’s tits all dried up, because you hate the little fuckers so much but you see why you ain’t gonna beat ’em, not up on top where we trying to fight ’em."

Nino looked hard at me, a look I hadn’t seen since I climbed gratefully on the plane that took me back to The World. "Well, this here was Teri’s tunnel, man. This was where she hide from the rest of us. And now you gone through her shit and know all about her. And now you gonna find the motherfucken turd who did her, and you gonna tell me, and then I square things all ’round."

He passed his hand over his eyes once, like a jogger wiping off sweat. "I gotta take a piss," he said, hurrying by me into the bathroom and closing the door.

He was in there maybe a minute, water running, when I heard the voice from the alcove. I jumped up, then went on in.

The answering machine, which I’d left running on Play when Nino had called me from the telescope. The tape had almost reached its end. I hit Stop, turned down the volume, and pressed Review. I listened to the tape rewind for only five seconds, when what was recorded had passed. Then I replayed it.

The beginning of the message was gone, probably erased automatically by the recording of messages after it. The only part left was "noon, because I really should like to, uh, see you. Please call, but at the office here. Uh, thanks so much." The incoming tape reached its end, and I turned off the machine.

I walked into the living area near the telescope. If the architect had put in bay windows, I would have been able to look northward, maybe all the way to Swampscott.

* * *

"Guess I went a little loco, man."

We were in the elevator riding down, and Nino hadn’t spoken since he’d come out of the bathroom.

"Don’t worry about it."

He took a deep breath, let it out.

We got off at the lobby level and moved past the guard, who stood with his hands behind his back. He smiled officiously at us.

Outside, Nino said, "You need anything else from me?"

"I don’t think so."

He made no effort to walk away. "Man, you been straight with me, I be straight with you."

I thought about the tape, but said, "Go on."

"Staking out you place, I see J .J. and Terdell messing around the cans. Then I spot their tail."

"Tail?"

"Sur-veil-lance. I think about telling you last night, but I want to sleep on it, turn it around a little first. The tail was you classic unmarked sedan. I see it pull in and park while J.J. and Terdell getting ready for you. I was already there, so the tail didn’t make me."

"Who was it?"

"Two guys, I didn’t try to see closer than that. But one thing sure, they good. Terdell and J.J. grab you, the tail wait till they away to turn on and come out. They follow you, I follow them out to the construction yard."

I considered it. Nino said, "You got to know what I’m thinking."

"Cops."

"That’s right. And that mean they see you get snatched and don’t feel like doing nothing about it."

"That mean they see me getting beat up, too?"

"Don’t think so. I do a little recon before I go into the pipes. The tail just wait outside the construction yard, lights off, like they only care about where J.J .’s car go next and not so much about you."

"Thanks, Nino." I

"Yeah, well, I gotta go. Got a major chest-cutting at the Beth Israel, don’t you fucken know."

Dr. Rodriguez turned and walked away, pulling out his stethoscope and twirling it like a foot patrolman with a whistle.
 

TWENTY
-♦-

I dialed my answering service from a booth on Broadway. No messages. I tried Chris and drew Eleni, who told me Chris was out but due back after 2:00. I told her it was important that I speak with him and that I would be there at 2:00 sharp. She apologized for his not calling me back the previous evening, but didn’t give me any reasons.

I hung up, called Felicia Arnold’s office, and waited through receptionist and secretary for her soft, breathy hello. —

"Ms. Arnold, John Cuddy."

"I recognized your voice. And please call me Felicia."

"I was hoping I could see you today. Around noon?"

"I believe I can work you in."

"At your office."

"If you insist."

"Ms.--Felicia, please."

"All right. Eleven-thirty?"

“Thank you. See you then."

I got in the Fiat and took Route 1A through Revere, past the Wonderland dog track and the Suffolk Downs horse track. The road breaks over Lynn Beach, then curves north through Swampscott. I found the building again easily, feeling confident that old Bryce would be faithfully manning his computer terminal.

* * *

“Oh, Mr .... uh, Curry, isn’t it?"

He looked insecure, uneasy that I’d walked in on him while his fingers were fondling the keyboard.

"Close. Cuddy, John Cuddy."

"Oh, yes, sorry. Names . . ."

“I’m the one who’s sorry, Mr. Stansfield, breaking in on you again like this. But I have a few
more questions that I thought you might help me with."

"Please, uh, sit down."

"The last time I saw you, I remember your mentioning that Roy Marsh came to work here about the time your uncle died."

"That’s right. Well, uh, just after, of course."

"While you were going through your divorce."

"Right."

“Who was your attorney?"

"My . . . uh, for the divorce, you mean?"

"For the divorce."

"I don’t quite, uh, see how that’s . . ."

"Any of my business?"

“Wel1, y—no, no. I realize, uh, the police have to look into everything, but . . ."

"I’m not a cop, Mr. Stansfield."

“But you said—"

"Only that I was investigating Marsh’s death. And I am."

He looked confused. "The police, they, uh, asked me whether I, whether the firm ever hired any Boston private . . . you’re, uh, the one they think killed him. Killed Roy!"

"They may have said that, but they don’t believe it."

"Well, then, why, uh, should I answer any more of your questions?"

“Because I know about you and Teri Angel."

He was about to say something, but the sound of her name froze his mouth around a syllable like a stop-action photograph.

"Your voice, Mr. Stansfield. Your voice is on her telephone tape machine."

"But, it’s been over . . . uh, that is—"

"I haven’t told the police."

"You haven’t?"

"No. And I hope I won’t have to."

He pinched the bridge of his nose. "I don’t, uh, understand. I’m sorry."

"One step at a time. Who was your divorce lawyer?"

He tried to focus. "Felicia. Felicia Arnold."

"And through her you met Teri."

"That’s correct. My wife and I hadn’t . . . uh, for a long time, I was . . . uh, unable."

"And Felicia suggested you see Teri."

"Yes. I didn’t know at the time . . . I, uh, know this must sound awfully naive of me, but . . . I, uh, actually thought she was just a sort of . . ."

"Therapist?"

"Yes. I mean, you could tell just hearing her, uh, speak a few sentences that she wasn’t educated very formally, but she had a way of listening, of bringing out, uh, things that troubled me. I even tried to pay her the first time by check. And I haven’t, uh, hadn’t seen her in over a year."

"There’s one thing I haven’t been able to figure out, Mr. Stansfield. How did Marsh meet Teri?"

"She called here once, to cancel an, uh, appointment I’d made with her, and I was at the post office, so Roy took the call and, uh, asked me who ‘Teri’ was, so I finally told him after he already guessed."

"He threaten to expose you and her if you didn’t set something up for him?"

"Yes. Uh, no, not exactly. I think I, uh, just let him talk to her the next time, over the telephone when she, uh, called here."

And the cops, looking at Teri’s or the office phone bills, would just assume it was Teri or Marsh calling the other all along. "Go on."

"Go on? Well, uh, there’s not that much more to say."

"I’m afraid there is. What about the drugs?"

"I called, uh, is it Detective Guinness?"

"Yes."

"I called him when those two, uh, Negroes came to see me."

"J.J. and Terdell."

"I don’t know their, uh, names, but I was terrified of them. They came to see me and asked where the, uh . . ."

" ‘Material’?"

"Yes, where the ‘material’ was. I, uh, they were quite polite, really, but here, in Swampscott . . . uh, anyway, I told them I didn’t have any idea what they were, uh, talking about, and, uh, they left. I immediately called our department here, and, uh, they said to call Boston and speak with Detective Guinness."

"And you told Guinness about it? J.J , and Terdell, I mean."

“Yes."

"I want a look at the files on your insureds."

"I, uh."

"All the ones that Roy-boy brought into the firm."

“That’s not—"

“Which may save me having to tell the police about you and Teri, and them verifying it with—"

"All right, Mr. Cuddy. All right. I, uh, scare quite easily enough. You can stop there."

The look on his face made me sorry I’d played so cute toward the end. He turned away from me and toward the keyboard, tapping, pausing, and tapping again. "Can you scroll?"

I stood and moved behind him. "Why don’t you do it. I don’t want to mess anything up, and I’m sure you’d be faster than I would."

He straightened and steadied a little bit at my compliment. "Here come the A’s."

Over his shoulder, I watched the screen for twenty minutes. A lot of people buying a lot of arcane coverages. A few names you’d recognize from the newspaper, mainly the sports, business, and government sections. Both my lawyers were telling the truth. Felicia was a big customer, Chris didn’t appear at all.

* * *

She unfolded sinuously from her desk chair. Someone once told me that grace is the movement of weight in balance. It suited her perfectly.

She said, "I wondered if our last discussion would have put you off?"

I closed the door behind me and took her outstretched hand, getting close enough to notice she was wearing a little more perfume than usual. Not crass or cloying, just a faint enhancement. When the fish doesn’t bite, sweeten the bait.

I let go of her hand a trifle sooner than she would have and dropped into the client chair without answering her question. She stayed standing and looked down at me.

"You know, you really are an intriguing man."

"Thanks."

"No, truly. I’ve seen more than most, and you really are here because of what you’re working on, not because you want some action. This Marsh matter is the cause of, not the excuse for, your continuing interest in me."

"That’s right."

She poured herself back into the chair. "I find that exciting, you know? Not being the central figure for a change."

"I have a few--"

"Let’s go to bed, you and I."

I stopped, she arched an eyebrow and smiled. "I’d regret it," I said.

"That depends on whether you say yes or no."

I didn’t respond; she went on. "You see, if you say yes, the earliest you can regret it is tomorrow morning."

"You’re probably overestimating me."

“Whereas, if you say no, you’ll begin regretting it immediately."

“Sounds like I get depressed either way."

The eyebrow came down, the smile slid into a disgusted frown, and she said, "I’m not sure I will have time to see you today after all."

"What if it’s talk to me or talk to the cops?"

She laughed, regaining ground. "Please, don’t threaten me about the killings. I’m a lawyer, remember? We invented threats."

"Actually, I wasn’t thinking so much about the killings as about the hookers and the drugs."

She finished the laugh, but smoothly, as if it hadn’t died in her throat. She leaned back with a "Boy, I’ve got you now" look. The best trial lawyer from my days at Empire used to say that was the look he’d put on when the opposition had just harpooned him in front of the jury.

"The hookers, you say?"

“Yeah, like Teri Angel in Boston."

"The poor girl killed with Marsh?"

"That’s her."

"Are you suggesting I knew her?"

"Uh, yes, I’m afraid, uh, I am."

Felicia’s face indicated she didn’t like my imitation. Not even a little.

I said, "Marsh met Teri through Stansfield, and Stansfield met Teri through you."

"I don’t know what you’re talking about."

"The vagaries of memory. I’m sure the probate court appearance docket and Teri’s phone bills will refresh yours when the time comes. We could probably even find some folks at the Barry who could prove you knew her socially, too, but for now, let’s try the drugs. Remember them?"

Her eyes were glittering, but the voice was still steady. “I thought the police hadn’t found the drugs Marsh was supposed to have had with him."

"Let’s say they haven’t. Let’s also say that the stuff hasn’t shown up on the street."

"It would be hard to tell if it had, you know. One package of it is pretty much the same as another."

"According to my sources, this package is distinctive and it isn’t being pushed."

"And therefore?"

"And therefore, we find ourselves in something of an illogical situation."

"How so?"

"Somebody mugs me, uses my gun to rip off Marsh and kill Teri Angel, yet the drugs aren’t being marketed."

She looked at me. I said, "Any ideas?"

"No."

"Oh, Ms. Arnold. Not very lawyerly of you. One thought certainly comes to my mind."

She just kept looking. I said, "How about a little home consumption?"

"l don’t know what you’re talking about."

"Well, let me spin it out a bit. Marsh is a distributor for Braxley Cocaine Incorporated, okay? Old Roy has the perfect cover for visiting a lot of people each week. So to make him look plausible, his customers buy bushels of insurance, coverage they don’t need and never claim on. That means they pay a premium to the insurance company over and above the cost of the junk, but hell, that’s a small price to avoid the inconvenience of driving into the seedier areas of our metropolitan area to score a few lines. Marsh makes out on both ends of the deal, the drug margin and his insurance commissions. But Roy is a greedy kind of guy, angry at a nickel because it isn’t a dime, you know?"

"Picturesque, but a trifle tedious."

"We’ll cut to the punch line, then. You turn out to be one of his insurance customers. You don’t strike me as a heavy user, but Paulie-boy’s so stoked he’s got to wear shades to brush his teeth. Maybe the drug connection is your way of keeping pocket stallions like him in the stable."

"You contemptible—"

"Then something goes wrong, and maybe Marsh starts thinking what I’m thinking."

"Do you realize the potential liability you’re incurring?"

"I’m judgment-proof. Prove what you want, there’s no pot of gold at the end of this rainbow. Anyway, Marsh starts thinking that a blue-chip lawyer like you might pay to protect her license from embarrassing probes about drugs and hookers."

"And so Marsh starts blackmailing me?"

"It would explain how a schmuck like Roy could get a lawyer like you for his divorce case. It would also explain how you might know when Marsh saw Teri Angel at the Barry."

"l’m really disappointed in you, Cuddy. Even though I’m an established attorney, you just subconsciously assume that since I’m a woman, too, I’d either have to accept whatever Marsh tried to pull or set up the clumsy frame you claim you’re in with the police. Well, look around you. I’ve worked a lot of years to build up what I’ve got here, and I’m not about to give it away." She hit a button on her phone and barked "Paul!" into it.

The door to the adjoining office flew open and Troller burst into the room. He was wearing suit pants, a long-sleeved oxford shirt, sleeves rolled up, and a handsome regimental tie. He grinned at me and started bouncing on the balls of his feet and shaking out his shoulders.

"I think Paul’s been looking forward to this, Cuddy."

American-trained boxers have two major strengths. They are used to dishing out punishment until the other guy falls, so you have a tough time coming back against them once they get in the first licks. They’re used to taking punishment, too. In Saigon, I remember seeing a good MP stunned to find that a nightstick to the collarbone wouldn’t stop a welterweight with a few drinks in him.

Boxers have a weakness, too, however. They tend to think they’re invincible in close. Even wearing a tie. I gambled Paulie’s first punch would be a feint. He jabbed with his left at my eye, then pulled it short, instead driving a good right up and into my body. I caved, keeping my elbows and hands tight to protect the ribs and face. He followed with a left to the body, stepping forward to really bury it. I folded so that most of his force was spent in the air, leaving him near enough for me to grab his tie. I yanked the shorter end down with my right hand, my left forcing the knot high and hard into his throat. His face bulged, both his hands scrabbling to the front of his collar. I let go of the knot, clamping both my hands on the insides of his wrists and pulling his hands apart to benediction width. I had a feeling my grip would outlast his air. Arnold probably couldn’t tell what I’d done, but as Paul and I danced around, she could see that he wasn’t getting the best of it. She let it go on for a while, Paul’s face and motions growing more grotesque by the moment. He started to buckle at the knees, and she said sharply. "Enough, Cuddy, enough!"

I let him go, and he wobbled down, enough consciousness left to allow him to loosen his own tie. He wrenched in fitful breaths, an asthmatic at a flower show.

She said, "That wasn’t pretty."

"Neither is what Braxley’ll do to Hanna and Vickie if he doesn’t get his drugs back. I don’t want them hurt anymore from all this, but I can’t guard their house twenty-four hours a day. That leaves me with Braxley’s drugs as the lesser of two evils, Ms. Arnold, and if you can help out with that, you’d best do it soon."

Troller wheezed out some words. "Chris . . . tides . . . is her lawyer . . . Go talk to the . . . bastard."

"I wouldn’t be bad-mouthing your alibi, Paulie-boy."

Arnold said, "What do you mean?"

"Christides told me he saw the Great White Hope there at some lawyer dinner up here while I was being slugged down in Boston."

Troller pulled himself into a chair. “He’s lying."

I turned to look at him. "What?"

Troller worked his head around on his neck and swallowed like a kid taking castor oil. "The dinner . . . got wrecked. Fire alarm . . . Barely had drinks before. . . everybody had to get out . . . Christides didn’t come back in for dinner."

"What time was this?"

"What?"

"When the fire alarm went off?"

"Don’t know. . . The president. . . started some long-winded welcome . . . maybe six-fifteen, six-thirty."

Arnold said, "What difference does that make, Cuddy? You told me you were hit a little after five."

I looked from one to the other. "I don’t know."
 

TWENTY-0NE
-♦-

By the time I walked to my car, the adrenaline from dealing with Troller was fading, hunger rapidly replacing it. I settled for a touristy place on the harbor and had a mediocre burger with great french fries and two frosty drafts.

I pulled up at the curb in front of Chris’s house at 1:45. His old Pontiac was parked at an angle in the double driveway, almost a warning to potential clients not to bother knocking on the office door. I pushed into the reception area.

Cousin Fotis nearly drew down on me, reluctantly bringing an empty hand out from under his jacket and newspaper. He said, “Office closed today."

"Chris is expecting me."

He was trying to decide what to make of that when Nikos appeared in the connecting doorway to the house proper. The new arrival muttered something in Greek.

Fotis said to me, "Eleni say to wait here. He come."

I sat down, and Nikos disappeared into the house. I watched my friend read his paper for about five minutes before Chris nervously bustled through the doorway and headed straight for his inner office.

"Jeez, I’m sorry about not getting back to you, John, but I been swamped here."

I swung my head slowly, taking in the empty office.

"I can see it."

Chris didn’t react to the sarcasm. "So, what’s up?"

"You heard from Hanna recently?"

"Hanna?"

"Yeah, Hanna Marsh. Remember, the widow of the guy I’m supposed to have killed?"

"C’mon, John, don’t start foaming at the mouth, huh? I told you, I been up to my—"

“Look, Chris, cut the shit, okay? I’ve been kind of up to my ears in this, too. We’ve got a major problem."

He moved his lips around a little, then said, “This guy Braxley?"

"This guy Braxley."

"Christ, John, he caught up with me yesterday."

"He did?"

"Yeah, coming out of court. I park in the lot around the corner, two bucks cheaper, you know? Anyway, this guy Braxley and some other one smells like a rendering plant grab me, nobody else around, nobody’s ever around when you need them. They say Marsh had these drugs on him and now they’re gone and what did I think was going to happen to the guy who’s got them. They scared the shit out of me."

"Chris, they beat the shit out of me. And now they’re threatening Hanna and Vickie. And you know what? I can’t even get Hanna’s lawyer to return my phone calls."

"John, I said I was sorry about that. Eleni . . ."

I lowered my voice. "Eleni?"

"It’s the MS, the sclerosis, you know? She has the good days and the bad. Lately, it’s been mostly bad."

I thought she’d sounded fine on the telephone each time, but I said, "All right. We’ve all been under a lot of pressure here. But it’s up to you and me to cover Hanna."

"You and me? What about the police?"

"The Boston cops are after bigger fish than Braxley. They’ve got reason to want him on the street for a while, not away in a cell somewhere. They’re playing down the killings until they make the bigger score."

"Jeez, I never . . . what about Swampscott?"

"You know anybody there?"

"On the force, you mean?"

"On the force, in the politics, in the PTA, for God’s sake. Anybody who might care what Braxley would do to Hanna and Vickie."

Chris flinched. "Nobody, John. I don’t really deal in those kinda circles much, you know?"

"Terrific."

"How . . . how long before this Braxley stops talking and starts doing other things?"

"I don’t know. He’s thrown scares into a lot of people, but as far as I know, I’m the only one he’s roughed up. My guess is that he’s going to give me a little more time to try to solve things for him, but I’d hate to bet on it."

"I don’t know what to tell you, John. The system, it don’t deal too well with crud like this Braxley."

"Or Marsh."

"Right, right. Or him too. It works pretty good ninety, ninety-five percent of the time. But something like this.

"What about the courts?"

"Aw, John, what courts? The probate court, the family court, there’s no more husband so there’s no more divorce. Sure as hell no jurisdiction over some drug dealer from the city. Plus, like you say, he hasn’t really done anything criminal yet."

"He broke into Marsh’s house, ransacked it."

"Which probably wasn’t reported over there by anybody, right? Not the nurse, not Hanna, nobody."

"So where does that leave us?"

"I don’t know. We can’t get him locked up for what he’s thinking, you know."

"He said he was going to force Hanna to sell the house to cover the drugs if he didn’t get them back."

"Look, John. He tells her that, she decides to sell, she sells, she gives him the money, what am I supposed to do, huh?"

"Oh, Chris, for chrissake, that’s duress. There’s got to be something you can do."

"John, John. I gotta admit, it sounds bad to a layman like you, but she’d have to resist the sale, and then she risks Vickie getting hurt. Or she goes through with the sale and won’t give him the money. Guys like this Braxley, they got long memories, John. And even longer arms, get me?"

"Meaning he waits till the heat’s off, then settles things."

“Right. Even if she sells and skips, guy like Braxley’s got contacts lotsa places. One of them sooner or later gets to her."

"Unless the cops make their big move first."

"Which you say they ain’t about to do. Think about it, John. The cops are willing to let two killings go by for a while, must be something big enough to carry another couple for the ride."

Which was what I’d told Holt and Dawkins myself. I wriggled in the uncomfortable old wooden chair.

"John, I don’t wanna seem rude or nothin’, but I really gotta-"

"Chris, you said you saw Paul Troller at the lawyer’s dinner the night I got hit."

He frowned at me. "That’s right, I did. What’s that got to do with this here?"

"Troller says there was a fire. Or at least an alarm pulled. The dinner got screwed up."

"So?"

"So why didn’t you tell me that?"

Chris shook his head, then dipped his face once into his hands, like a bucket into a well. "Jeez, John, I don’t know what’s the matter with you. You brought up this Troller like he coulda been the one to sap you, right?"

"That’s right."

"Okay, so I saw him before we sat down for the dinner when it couldn’t have been him that hit you. Five, five-fifteen, something, right?"

"Right."

"Okay, so I don’t see what the hell difference it makes whether he stayed for the dinner or not. I just didn’t think to mention it to you."

"He says he did stay. He says you didn’t."

"I can’t tell you whether he stayed or not, because personally I couldn’t give a shit. But he’s right as fucken rain about me not staying. Jeez, the only thing goes on longer than the speeches at that kinda thing is the Arctic winter, you know?"

"So where did you go?"

"Here. Home. I was worried about Eleni, remember?"

"Why?"

Chris started to turn bright red and rose out of his chair. "Why? Why, you stupid shit, because you were playing Charles fucken Bronson with Marsh in his shower, that’s why! Remember that? Remember why I fucken asked you as a favor, as a friend, to bodyguard at a simple little divorce conference that turns into fucken Armageddon? The guy scared me, John, you happy you got me to say that again? He scared me, and now this Braxley fucken terrifies me, and I’m getting . . ." He suddenly seemed to just run out of steam, dumping his body back into the seat. "John, why don’t you get the fuck out of here, okay? Leave me alone, just leave me with my problems for a . . .while."

I got up and walked past Fotis, who was grinning behind his paper just about enough to set me off.

* * *

I headed the car back toward 128 South. I had some questions for Hanna that I couldn’t ask over the telephone, but I wanted to think things through first. I got onto Route l and sat for nearly an hour with four hundred other cars before the state police permitted us, one at a time, to crawl around a jack-knifed double-trailered tank truck that was oozing God knows what into a ditch on the side of the road. I stopped at the office, paid some bills, and perfunctorily worked on two other matters I’d been pursuing. I reconsidered a call I’d been mulling in the traffic jam, then dialed it anyway.

"Nancy Meagher."

“Nancy, it’s John. John Cuddy."

She laughed. "You think I know so many Johns I can’t place your voice?"

I thought back to how similarly Felicia Arnold responded in our telephone conversation. Maybe it’s the law school training.

"John, are you still there?"

"Yes, sorry. Nance, I need the answers to a few questions about attorney licensing."

“John, if it’s about the Marsh case, you know I can’t talk."

"I know. It’s more general than that. Say a lawyer was caught doing drugs, cocaine. What would happen?"

"Caught? You mean by the police?"

"Or an informer. Somebody who goes to the cops or the bar authorities with ironclad evidence that the lawyer was buying substantial amounts."

"Well, putting aside the criminal proceedings, the Board of Bar Overseers would probably start an investigation through its lawyer staff, with a hearing and all before the board."

"What then?"

"Then, if the evidence is persuasive, the board seeks sanctions, with a single justice of the Supreme Judicial Court eventually ruling on what was to happen as a penalty. Of course, sometimes I think the board just lets the criminal side run its course, and then nails the lawyer involved pretty quickly if a guilty verdict comes down. It saves double effort that way."

"Would the substantial buying of cocaine be grounds for disbarment?"

"Oh, I would think so. Usually it’s more white-collar stuff, like tax evasion or real estate fraud, but I’ve never researched it. Why?"

"Last question. Would they also boot a lawyer who referred divorce clients to prostitutes for ‘sex therapy'?"

"John, have you been drinking?"

"On the level."

"God, John, I don’t know. The prosecutor in me says yes, but the way things are today, maybe not. A neutral lawyer could probably think of at least a couple of reasons why that should be handled a little quieter."

"Thanks. Look, I want to see you again, but with all of this . . ."

"I’ve waited this long, John. But pretty soon I’m going to need more from you."

We hung up. I called the number Nino had given me. A woman who might have been Salomé, the tougher, older one at lunch, answered and then put Nino on. He was pleased to hear my voice and was still very interested in receiving any "mer-chan-dise" I might uncover.

I Next I called Braxley and asked him if the "material" had hit the street yet. He said no. He also said he hoped I was making progress on the material, because he had heard that the real estate market was rising, making the near future a "very excellent" time to sell.

I put the receiver back in its cradle and rotated my chair to look out over the Common. Whoever kills Marsh and Teri takes the drugs, but doesn’t try to sell I them. Because the killer is using them personally, like Felicia. Or because the killer wanted Marsh, or Teri, I or both, dead and didn’t give a damn about the drugs, like Hanna. But why does anybody go to the trouble of framing me first?

I got up, locked up, and drove home. Nobody was waiting for me anywhere. I had a pizza delivered, washed it down with my last three Molson Goldens, and went to sleep at 10:00 PM.
 

TWENTY-TWO
-♦-

I drove past the Swampscott house twice, but saw no sign of Braxley or Terdell for half a mile in either direction. Assuming they weren’t anchored offshore in a Boston whaler, I backed into her driveway alongside the apparently fixed Escort and got out of my car. I rang the bell, then knocked just as Hanna opened the door. She had a towel in her hand.

"John."

"Hanna, I wonder if I could talk with you for a while?"

"Oh, of course, of course. Come in."
 
She led me into the living room. It now looked straightened, restored. Hanna said, "I remember you don’t like the coffee, but could we sit in the kitchen? I’m doing the laundry, and Vickie is in the yard with Rocky. I want to keep the eye on her. Like you said?"

"The kitchen would be fine."

I sat on a stool, Hanna folding linens from a plastic basket and turned three-quarters away from me so she could see the child through the window. Vickie had a furry beanbag of some kind on a piece of cord, and would swing it out toward a low hanging bush, then work it back to herself like a fly-caster after trout. The quarry was the kitten, who would pounce on the bag from beneath the bush, tussle with it wildly, then bound back under cover to await the next toss.

I said, "She looks happy."

Hanna smiled. "She is. To be home, with her new kitty. And I am happy."

"To be home?"

The smile turned wistful. “To be home, and to be free of Roy, that too, I think." She creased a pillow-case precisely, like a marine furling the colors at sunset.

"Hanna—"

"I bury him yesterday."

"I’m sorry?"

"Roy. I bury him yesterday."

I couldn’t read any emotion at all from her. "How did Vickie take it?"

"I did not have Vickie there. They tell me it is cheaper to do the cremation, but I tell them, no, I want him buried. I tell the BMW man, ‘Come get your car, I make no more payments on it.' He was mad, so was the boat man, I call and say, ‘Come, take back your boat, no more payments on that either."' She shook her head. "They both say they sue me, but I need the money so I can bury Roy. And I bury him so I can go back if things ever get bad again, go back and stand at his grave and remember what bad really is."

I waited till I was sure she was finished. Then I said, "Have you seen Braxley again? Or heard from him?"

"No."

"Hanna, I met with the police. And with Chris." I summarized for her what I’d learned from each. She listened, politely but still without emotion.

"Was that different from what you expect them to say?"

"No."

She shrugged. "So I wait, right? For the drugs to be found or Braxley to come see me again."

When I didn’t answer, she said, softly, "It doesn’t matter. It is still better than Roy."

"Hanna, I’m at a dead end looking for the drugs. You told me the last time that you didn’t really know anything about them, and I believe you. But if you can think of anything that would help, I’d appreciate it."

She gestured with a dish towel. "When I come back here, I pull the things together that the drug people pull apart. I don’t know Roy’s life since I leave him so well, but the only things I can see gone that I remember are a suitcase and the video things."

"When you say video things, you mean the camera
and the case for it?"

"Yes, the case he carry the drugs in. And the stand thing."

"The tripod?"

“Yes. Tripod."

I thought back to Maylene’s comment at lunch about Teri’s supposed screen test. "Did Roy take the camera and tripod out of the house much?"

Hanna dropped her eyes. “Sometimes."

"What for?"

She blushed. “You need to know this?"

"Hanna, I don’t know what I need to know."

She abandoned the laundry and hugged herself as though she were chilly, staring out at Vickie and away from me. "Roy, he like to . . . use the camera when we . . . in our bedroom. He set up the tripod thing and the camera and then . . . take the pictures of us . . . of him more, doing the things to me. He put all the lights on and buy some kind of film you don’t need special lights for. Then he . . . take the pictures and watch them on the TV." She cleared her throat. “Enough?"

I wished it were. “One more question?"

She nodded without turning to me.

"You said he used to take the video things out of the house. Do you know why?"

Hanna ground her teeth, but spoke evenly. "When he thought I wasn’t doing . . . it right, he would yell at me, hit me. Then he wouldn’t want me for . . . till the marks go away. So he take the things and go see the girl."

"The girl who was killed."

"Yes. He tell me he going to see her, then he go with the things, go to her, then he come back with them, the pictures, and he . . . put them on the TV and make me watch, watch him and her to make me do better for him."

I couldn’t think of anything else to say except “I’m sorry."

She waved a hand at me, the tears beginning to flow.

I got up and left her.

* * *

I drove west to Route 1, then took it north to I-95. I swung off onto 495 and then exited at Tullbury, stopping at the first public phone I saw. There was only one “Leo Kelley" with an "ey" in the book. I dialed, heard Sheilah’s voice answer, and hung up. Ten minutes later, I was outside her father’s place, his red Buick gleaming in the driveway.

The house was a mini-Victorian. A disproportionate wraparound porch held heavy, old-fashioned wicker furniture. The white paint on the chairs was bright and fresh, but the cushions were dirty and flat. I pictured Leo thinking that he had kept up his side of the maintenance but his dead wife had failed in her attention to the needlework. I knocked on the screen door and heard two voices say “I’ll get it." Sheilah arrived first, stopping short when she saw me and causing her father to bump into her from behind.

"Christ, Sheilah, what the hell did—" Leo Kelley became aware of me and changed to "Not you again!"

Sheilah said, "What do you want this time?"

"Goddamn it, it don’t matter what he wants. This is my town, and I’m gonna call Tommy down to the station and get—"

"Dad, please? Okay?"

"I don’t know what you—"

"Dad!"

"Awright, fine. Fine! I wash my hands of it. You wanna act like a two-year-old, fine. Go off with this guy now. Or the jig drug pusher. I don’t care. Just keep ’em out of my house and out of my life, okay?" He stomped back into the house somewhere.

She looked at me. "Well?"

"Your father didn’t say anything about the porch."

She tried to make up her mind, then unlatched the screen door and came out. She was wearing jeans a size too large for fashion and a nondescript short-sleeved shirt that was poorly cut. She plunked herself down in one of the chairs and crossed her legs, foot jiggling nervously. I sat on the railing.

"Ms. Kelley, have you seen Braxley or his friends?"

“No, and I don’t want to, either. Which is why I’m talking to you."

Her logic escaped me. "I want to ask you some questions about Roy Marsh and his video equipment."

A little blood drained from her face. "Go ahead."

"You and I talked at the house in Swampscott after it was searched. You said the only thing you noticed missing was the videocamera and its case."

"Uh-huh."

"Was the tripod gone, too?"

She worked her mouth, but just said, "Yes."

"After I left, did you notice anything else missing?"

"No."

"How about Roy’s suitcase?"

"No. I mean, I don’t know. He had a bunch of them, I didn’t really pay any attention, you know?"

"So one of the suitcases could have been missing too?"

"Yeah, could have been. I was upset, you saw me."

“You said the last time you saw Roy was Sunday night into Monday morning, about one A.M., right?"

"When I got home from work."

"Before the house was ransacked."

"Before . . . yeah, of course before. They didn’t search the place till . . ."

"Till after Roy was dead?"

"Yeah." She recrossed her legs, still twitching the dangling foot.

"You also said you spent the day, Monday, doing errands and so forth, since it was your day off. You didn’t see Roy at all."

"Right, right. He was up and gone before I was. Like I told you."

"And then you came here, to your Dad’s for dinner."

She chafed. "Right. Look, I’ve got to be in to work by three-thirty and I got a lot of things to do first, so if--"

"Roy had the camera rolling when you and he made love, didn’t he?"

She jerked, like a dog on a short leash.

I said, "The video equipment. Roy had it set up in the bedroom of the house in Swampscott so he could tape you and him together."

She remembered to breathe, but she had to try hard to get everything else started again. "You didn’t . . .you didn’t look at the tapes . . ."

"No, Ms. Kelley. I didn’t and I wouldn’t. Hopefully, nobody else will either. Provided you confirm some things."

She looked absent now, away from it all. "Things."
 
"The video equipment, the camera and tripod and all, it was gone Monday morning when you woke up, right?"

"No."

"No?"

She shook her head to make me understand. "No, no. It was . . . it was gone when I got home from the errands. I went upstairs to take a shower and saw it was gone. We’d . . . he’d had it set up on Sunday morning in the bedroom and it was gone. I just thought . . ."

"That Roy had gone to see Teri Angel again?"

"Whatever her name was."

"According to one of Teri’s friends, Roy was with Teri on Saturday night. He was with you Sunday morning and night, then back again with Teri on Monday night?"

She lifted a hand, covering her eyes. "Look, Roy liked . . . he had a lot of sexual energy. And demands."

“When you saw Roy on Sunday night, he asked you to stay at the house in Swampscott on Monday, didn’t he?"

Sheilah didn’t answer.

"He asked you to be there so he could have an alibi, like on Friday afternoon with the cat."

"You don’t understand . . . what I was going through. I loved him, and I didn’t want to believe what you said to me at the hospital, about him doing that to her cat and threatening his wife and the girl. So I asked him, and he . . . he hit me, telling me if I really loved him, I’d trust him on something that bad. That’s when I knew for sure he’d hurt the cat. When he told me I should be trusting him."

"Then he asked you again to cover for him Monday night?"

“Yes, but he didn’t say why and I wasn’t about to ask him after the ‘trust’ thing, so I told him I’d be there and then I couldn’t, just couldn’t, I mean, what if it was going to be his wife this time, or the little girl? So I called my dad and came up here, then kept trying to call Roy, and not getting any answer, then I got worried and I drove back down there and the phone rang, the police . . ."

She seemed to stall and glide to a stop. She didn’t cry, she just sat there, elbow on crossed knee, face buried in upturned palm.

"Ms. Kelley?"

She stayed put.

"Ms. Kelley?"

No reaction at all. I got up, thinking at least I’d have to be facing only one more woman Roy Marsh had wrecked.

* * *

Stopping at a greasy spoon that looked like a failed Dairy Queen, I ordered lunch. I also ran over what I had.

Sheilah Kelley’s admission about the camera and tripod being gone before Marsh was killed made everything else come together. I’d been assuming all along that whoever mugged me also murdered Roy and Teri, and no one fit as the framer. That was because only one person had the nerve and the attitude to set me up. Roy himself.

Marsh has a bad day Friday, Hanna demanding the house, me visiting him in the shower. Not exactly a choirboy, he still doesn’t dare target Hanna or Vickie, especially after the cat episode. So he decides the best way to come out ahead is to blackmail Felicia, who wasn’t able to head Hanna off on the house. But Felicia’s too smart to be tied into the drug buying in a traceable way, so he needs concrete evidence of something else unworthy. From Stanslield, Marsh knows Felicia refers clients to Teri. Maybe not grounds for disbarment, but enough leverage to pry the price of the house from Felicia. Then on Saturday night, Teri says something that makes Roy realize that Felicia is also one of Teri’s crossover freelancers and that Felicia’s next due to see her on Monday night. That gives Roy all of Sunday and Monday to plan.

Roy comes to Boston to mug me for the gun and have me as a fall guy if something goes wrong at the Barry. But then old Roy somehow botches the camera/gun confrontation with Felicia and Teri. Felicia grabs the video stuff and the drugs and takes off, leaving me center stage in Roy’s bungled frame.

It all made sense if I could prove Felicia knew Teri. Stansfield and probably other divorce clients would do, even if Patch might not recognize Felicia as one of Teri’s regulars. And Felicia had a very deep pocket, plenty enough to pay off J.J. and get Hanna off the hook.

Feeling optimistic for the first time in four days, I finished my meatball sub and soggy potato chips. Then I used the outside booth to call my answering service. There was a message from Ed, my friend at the South Boston courthouse. Now that I had Stansfield tying Felicia to Teri, I really didn’t need Ed’s help anymore. However, he must have jumped through hoops to get the information for me that quickly, so I called him back.

"Clerk’s Office."

"Ed?"

"Ed? No, I think . . . just a second." The voice yelled off the line. "Hey, Charley? Charley! Hey, you seen Ed? Yeah, that’s what I thought." He came back to me, conversationally. "Yeah, it’s like I thought. Ed’s covering the second session, might be there all—hold it, he’s coming through the door now. Hey, Ed?"

There was a clunking noise, then, "Hello."

"Ed, John Cuddy."

"Ah, oh, yes, Lieutenant, that file just came in. Hold on, will you?"

"Thanks, Ed."

About twenty seconds passed. "Lieutenant?"

"Right here."

"Yeah, I got this so quick ’cause I knew you really needed it. We don’t have no Federal fucking Express on these, you know?"

"How does dinner at Arnheins strike you?"

"That should just about cover the postage, all right. I got your ‘Papangelis, Theresa A.' right in front of me here. Now, what do you want?"

“Charge and date?"

"Soliciting, November of seventy-eight. Knocked down to a disorderly, she agreed to facts sufficient."

"Meaning the lawyer basically got her off on the soliciting charge in exchange for her admitting there were facts sufficient to find her guilty of disorderly conduct?"

"That’s how I’d read it. Anything else?"

"Yeah, who’ve they got as her lawyer?"

"Oh, right. Just a second . . . Yeah, here it is."

Ed told me, and the sky began to fall.
 

TWENTY-THREE
-♦-

The Pontiac looked more rusted, the converted garage more shoddy. I opened the door without knocking, but there was no cousin in the waiting area. Chris sat at the secretary’s desk, efficiently hunting and pecking at a form in the typewriter and looking up in embarrassment when he saw it was me.

"Jeez, John, this temp service, I gotta change—"

"l know, Chris."

"About the temp place?"

"No. About Marsh, Teri, everything?

His eyes went out of focus. Standing shakily, he said, "Maybe we better . . . the office."

* * *

I didn’t have to ask him to start at the beginning. "It was the MS, John, swear to God it was. Don’t let nobody kid you, you can’t fight something like that. Before, Eleni and I were doing okay, hell, I was doing better than okay in the office by the courthouse there. Then the MS hit her, and it all, I don’t know, just dribbled away. The money, the clients, her and me."

"You represented Teri back in 1978, a long time before the MS."

"Huh? Oh, yeah, I did, but I didn’t start . . . start going to see her then., That was just how I met her, doing a courtesy thing for somebody up where she lived. Just like I got involved with that fucking Marsh, helping somebody out."

"When did you first start seeing Teri?"

"Maybe a year ago. I had this closing in Boston, at three. The lawyers down there, they think everybody’s in a big-time firm, you know? They schedule everything figuring that the guy on the other side’s just gonna catch the five-ten for Wellesley. Or maybe is gonna go back to his State Street office and put in another five hours before calling it a day. You come in like I have to, though, that Route One’s a nightmare anywhere from four to seven going north out of the city. So I finished up with the closing at like four-fifteen and walked over to the Parker House. Have a few drinks, wait out the traffic, you know?"

"I know. And Teri was there?"

"Yeah. Oh, not hooking or anything, the Parker House’d never stand for that. No, she was just having a drink at the bar, and some salesman with a garment bag under his stool was kind of hitting on her, and she sees me and drops him to come over and say hi."

Chris took a deep breath. "Christ, John, you shoulda seen her. Beautiful, like somebody’s dream of what a woman should look like. The legs, not like . . .anyway, we started talking and drinking and I lost track of the time, and next thing I know we’re in the Barry, and then all I know is that I feel like a man. For the first time in years, I feel like a fucking god."

“You kept on seeing her after that?"

"Yeah. Once, maybe twice a month. Always down there."

"Even at that, must have gotten kind of expensive."

"Oh, no. She wouldn’t . . . look, I didn’t have any stars in my eyes or nothing. I knew what she was doing for a living. But since I had helped that once, when she didn’t know her way around, she . . . she saw me for free. Her pimp didn’t care what she did free-lance, and Teri knew about Eleni, the MS and all."

"That night. I’ve got a pretty good idea what happened, but I’d like to hear it from you."

Chris tilted forward in the chair, working his hands like a man lathering with washroom liquid soap. "I went to the bar association social, but with things not going so good for me, professionally speaking, I figured the cocktail time would be a better chance for getting some business than the dinner itself. You know, happy hour, you can move around, work the room a little, but at dinner, you’re stuck with whoever’s next to you or across the table. So, I was going to duck out after the drinks anyway, the fire alarm thing just gave me the perfect excuse for leaving."

"You were planning to meet Teri that night?"

"Yeah, she even called me here, which she never did, called me from somewheres, insistent-like that I be there and on time. That she wanted to . . . wanted to try something different. So I got there all right, on time."

"You knew the room number?"

"Teri had some kind of arrangement with the hotel. I never asked, nobody there knew me from Adam and I wanted to keep it that way. But she was always in the same room, with the good view."

"What happened?"

"I knocked, she opened up, she was wearing . . . one of those teddy things, you know? All lace and black and see-through. Usually, we’d have a drink, talk a little first. This time, she wants me to come right over to the bed, maybe five feet from the closet there. The Barry, it’s so old, they still got real closets you can walk into, and the door’s open maybe three inches. Well, she’s got some kind of Walkman thing she wants me to put on. I think it’s screwy, but she’d said she wanted to try something different, so I went along. It was like piano and lute or something, just continuous instrumental shit."

"To cover any background noise you might have heard."

Chris looked down. "That hit me later. Anyway, she puts these earphones on me, has me hold the little tape thing, and she undresses me. Slowly, kissing me and rubbing against me, everywhere, with everything. Then she . . . she takes me into her mouth, and goes wild on me. Jeez, John, all the other times with her, she never did anything that made me feel like that. I was saying things, I don’t know what I was saying, but every time I’d go to turn, or try to touch her, she’d nudge me back, sort of sideways to the closet."

"For the camera angle."

Chris just continued. "As I’m . . . getting ready to finish, the closet door bangs open and there’s Marsh, dressed in nothing but skivvies and some kinda doctors’ gloves. I can see a camera on a tripod thing behind him, and he’s smiling and holding a gun on me. I thought I was gonna shit."

"What happened then?"

"Teri jumps up and starts screaming at him. Something like, ‘What the fuck’s wrong with you? You’re fucking up my screen test.' He’s moving around the bed toward the window, kind of getting away from her but also kind of . . . I know this sounds weird, John, but kind of like he was trying to look at everything from a different angle, like he was trying to figure out if he shoulda had the camera somewheres else."

"Go on."

"Well, I didn’t know what to think. I mean, my brain’s just about dead. Then he waves the gun at me and says to get down on the floor, at the foot of the bed. On all fours, like . . . like some kind of animal. So I do, trying to figure out what I’m supposed to do, what the fuck is going on."

“What’s Teri doing all this time?"
 
"She’s still screaming at him. He yells back. ‘This fuckhead wants my house. Well, he ain’t gonna get it. What he’s gonna get is sorry he ever tried to fuck with me. How do you suppose his wife will like your debut?' That’s the word he used, too, ‘debut,' like he’d thought all this through and planned out his speech."

"What did Teri say to that?"

"She went crazy. She said something like, ‘You bastard! You didn’t say nothing about that. You just said we needed an ordinary guy for the porn people.' Marsh says to her, ‘You stupid cunt, you’d believe rain ain’t wet.' "

"Then what?"

"Then . . . " Chris dropped his head till all that kept his jaw from his chest were the chins underneath. "Then she said, ‘Well, you ain’t doing this with me,' all defiant-like, then she stomped up and across the bed, and made to go in the closet, like after the camera. And Marsh, that, that . . . pig says, ‘Even better,' and shoots her. I mean, he just points and
shoots, no warning or nothing."

Chris paused, and I thought about Holt, playing me along. Marsh was wearing the gloves to avoid leaving fingerprints and to fool a later paraffin test on his hands. Which means that since Marsh fired the gun with the gloves on, there would have been evidence of that on the gloves themselves. Which Holt conveniently neglected to tell me.

Chris said, "You sure you want to hear all of this?"

“Yes."

He closed his eyes, but continued. "I go crazy, I mean, I’m already down on all fours, and he’s treating me like shit and just shot the girl and probably’s gonna shoot me. So I come up in a three-point stance, John, like back on the team, and I go at him, pumping like the coach said, all with the legs, not the head, the legs. I’m watching his stomach, so I can hit him solid, I don’t see his face, but I pop him good and hard and I hear the gun go off again but I don’t feel nothing and then I realize glass is breaking and I look up and he’s . . . he’s not there anymore." Chris shook his head vigorously, as though groggy after an impact.

"The window’s broken and he’s gone."

"You left the gun there, Chris. My gun."

He opened his eyes and raised his hand. "John, I swear to God, I didn’t know that. He didn’t say nothing about it. And, anyway, I thought it went out the window with him."

"What did you do next?"

"I went over to Teri, to see if she was . . . but she was dead. Jeez, John, I could see her brains, like they were leaking .... In the closet, he’s got the camera, some clothes, and a suitcase. All I was thinking is, ‘He’s got me on tape,' but I don’t know nothing about those cameras, so I just yanked out the suitcase and opened it up. He had some kinda camera case in there, but it was closed and I didn’t care, I just wanted to get out. I pulled his clothes off the hanger, hers too, I think, and I stuffed the clothes, the camera, and everything in the suitcase. I think I must have busted the legs on the tripod just to make it lit. I closed up the suitcase and threw my clothes on and got the hell out. I heard the elevator moving, so I used the stairs, but by the time I’d gone down maybe five flights I was breathing so hard I was afraid I’d pass out, so I went back into the hall on whatever floor it was and took the elevator back down to the lobby. Nobody was in it by then, I guess everybody was out and around the corner, gawking at the body. I just walked out and kept walking till I got to my car."

"What did you do with the suitcase‘?"

“I put it in the trunk and started driving, driving home, I mean. When I got partway, I realized I’d have to get rid of it, so I stopped at Revere Beach, the stretch with the wicked riptide. I ran out onto the sand with the thing and waited for two big beauties to roll in together, in the moonlight you could see them real clear. Then I heaved it as far as I could. It rode out but it floated at first. Jeez, John, I never fucking thought of that, it was so heavy, with the camera and all. But then it sank, lower and lower as it washed out, till I couldn’t see it anymore, even with the moon. Then I went back to the car and drove home."

"Chris, you’re the lawyer, but it seems to me that what happened in the room was self-defense. Why did you pack and run like that?"

"John, jeez, look at things the way they are, willya? I’m with a prostitute, and she gets shot, and I send the guy through the window. You think they’re gonna believe me?"

“Maybe."

"So okay, so even if they do, the truth’s worse than a good lie. I lose my ticket, John. The Overseers have to pull my license, which is the only thing I got going for me. Also, the truth is that I’m everything that Eleni hates the most, the Greek husband who whores around, the difference being that she didn’t just let herself go or something, she’s sick and crippled in a way she can’t control."

I stood up. "Chris, like I said, you’re the lawyer. There are a lot of people screwed up in this, including me. You and I both know what you’ve got to do."

Chris brought the heels of his hands to his cheeks, then started rubbing under the eyes. “Right," he said quietly.

* * *

I drove toward Boston, finding it harder and harder to accept what Chris had told me. I parked the car behind the condo and walked the two blocks to Daisy Buchanan’s, a popular sports bar on the corner of Fairfield and Newbury. I got there just early enough to get a seat, and I knew the bartenders who were on. They had some good new stories I hadn’t heard, and the screwdrivers felt healthy as they raced one another down my throat and jostled in my stomach.

At some point, I had to wave for another drink, surprising because they’re usually so attentive, the best in the city. I remember telling them that, that they were the best in the city. One asked me if I was walking or driving, and I sort of said walking. He said even so, just one more. I finished the drink, then had the pleasure of being escorted gently through the crowd of postcollege jocks and those who wished they were. They spared me the bouncer, telling me to be sure to come again. Place treats you with respect like that, of course you’re going to come again.

I ricocheted off three trees and a lamppost covering the roughly two hundred yards back to the condo. Anybody messing with me would have been one sorry fella, yessir. I got the keys out of the pocket on the third try and into the lock on the fourth, doing a little better upstairs at the apartment door. I kicked it shut, made it to the bedroom, and passed out across the mattress.
 

TWENTY -FOUR
-♦-

I woke up Saturday morning, but just barely. The clock part of the radio said 11:40, meaning I must have slept through an hour’s worth of alarm earlier. The head pounded, and my insides had that airy, rafting sensation you get from drinking on an empty stomach. I had no energy for running, so I toasted a couple of English muffins and drank a quart of ice water to rehydrate my system.

I showered, shaved, and dressed in clean sweatclothes, then went down to the car, started up, and drove to the Jamaicaway and around the trout pond. When I was with Empire, I did a lot of driving, and I found it could clear the head and focus the thinking. After five miles, my thinking was focused all right, but not helpfully.

My talk with Chris solved the killings, but Hanna and Vickie were left hanging in the breeze. Felicia had the money to buy off J.J ., but Chris sure didn’t and was on his way to definite disgrace and probable imprisonment. J.J. wouldn’t understand why his drugs were backstroking to Portugal, and the cops weren’t interested in restraining him.

I jammed on the brakes just in time to avoid a guy in a utility truck cutting into my lane. I hit the horn, and he threw me the finger as he turned, without any other signal, into a construction project. As I resumed speed, I watched him jounce over the rutted dirt driveway past some huge circular pipe sections that looked awfully familiar. I got my bearings and realized it was the same place J.J. and Terdell had taken me on Tuesday night.

That’s when I got the idea. An idea that grew like Topsy.

* * *

It took me a while to measure time and distance by car. I ran each twice, then got back to the condo by 3:00. I dialed two numbers and got slightly different versions of "He’s not here, you wanna leave a message?" I emphasized how important it was for each party to be available to hear from me at 8:00 PM. I hung up and removed the phone jack from the wall to frustrate any premature return calls. Raiding the fridge, I ate all the absorptive foods I had. Then I nicked the nearly empty bottle of scotch from my landlord’s liquor cabinet. I don’t drink the stuff anymore, but it has a very recognizable smell. I carried the bottle down to the car.

* * *

The first place I hit was a foundering blue-collar bar in Chelsea, the city just above Boston that those in favor of the manifest destiny of gentrification now call the "Near North Shore." I had three screwdrivers, listening to the owner describe the trouble he was having with his stepson. When I asked how bad he was, the owner said, "Let me put it this way: he’s the kinda kid, you saw his face on the side of a milk carton, you wouldn’t feel so bad." I convinced him that it was the lawyers’ fault, helping kids avoid juvenile detention and making them think they can get away with murder.

Next stop was a glitzy joint along the water in Revere, where a porky bartender with slicked-back hair and no sideburns told me I couldn’t get in after six dressed the way I was. I explained to him that it was because of the lawyers, especially the young ones, pushing their noses into good old neighborhoods that had stood on their own for six generations. He agreed, treating me to one drink but then telling me I sounded like I’d already had enough for one afternoon. I thanked him for the drink if not the advice, and left. The third place was a sticky-floored dive in Lynn, a city that’s suffered so much arson that it’s probably burned down three times over in the last ten years. The old woman working the wipe cloth said the flames nearly got her place twice, and she couldn’t get no insurance and what the hell was she gonna do if they did torch it, anyway? I pointed out to her how the lawyers had manipulated it all, padding claims and sucking off what good people sweat their lives to get. She joined me in splitting half a bottle of Old Boston vodka on the rocks; I was able to dollop most of my share onto the floor when she wasn’t looking. Exaggerating my departure, I gave her a kiss on the cheek that made her cackle. She said that I’d better watch for the cops if I was driving.

I edged another two miles north and parked on the beach at Nahant for two hours, watching an elderly couple and three kids, maybe grandchildren, move at the different paces of age along the waterline, stooping and whooping over shells and driftwood. I started up again, skipping Swampscott and driving straight into Marblehead. I stopped at a pay phone at 7:55 and made both my calls. Each man was in and eager to hear from me. I sounded as drunk as I could, giving the second one directions just opposite of those I gave the first. I told one good luck and the other to fuck off I made a third call, too, but when I heard the voice I wanted, I just hung up.

I spent the next hour as obviously as possible in a neighborhood bar on a street three blocks from the harbor. I grossed out two nice women just because I found out they were legal secretaries. The bartender and a waiter had no trouble hustling me out the door, though I did threaten them with immediate and costly legal action.

I got back to the car and climbed in the driver’s side. Reaching under the seat, I retrieved the scotch. I swished a bit like mouthwash around the teeth and tongue and sprinkled the rest on the sweatshirt. I tossed the bottle into an ash can and took a couple of deep breaths. Then I walked to Felicia Arnold’s house.

She answered the door with the same "Yes?" as she had the phone. I leered at her and told her she was beautiful. She scowled, and I asked if that wimp Troller was there. I asked rather loudly, and that brought Paulie-boy at a trot. He told me to shove off I asked him if he thought he was man enough to make me.

Paulie let fly, and for the next three minutes or so, he probably felt he was beating me to death.
 

TWENTY-FIVE
-♦-

For a while there, I thought I was going to have trouble with the Marblehead police. Not because of Felicia or Paul, who magnanimously told the two uniforms who responded to the scene that they didn’t care to press charges. Not even for drunk driving, since the cops hadn’t found me near my car. No, the problem was that the younger officer wanted to take me to the hospital. For observation and tests. Like a blood test, which would reveal my suspiciously low alcohol level. Fortunately, however, the older and cooler head prevailed, saying he’d "seen more guys beat up than Carter had Little Liver Pills, and this guy’s just got his pride hurt, is all."

I contritely gave the older cop Murphy’s name and office number in Boston to call to vouch for me. They drove me to their station and let me flop for the night in the holding cell, complete with sea breeze. It was nearly 6:00 A.M. Sunday, with a whole new shift on, when Holt and Guinness showed up.

* * *

"You know, Lieutenant, I’ve always wondered. Does every department order its interrogation rooms from the same catalog?"

Holt’s eyelids had to stretch to climb down over his eyes, they were that bloodshot. Guinness made grumbling noises behind a huge Styrofoam cup of coffee in the corner. He hadn’t offered me any.

Holt said, "For a guy who got the shit kicked out of him last night, you’re pretty fucken chipper."

"I had it coming, Lieutenant. I got drunk, then got I angry at the wrong guy."

"’Tender at the bar here, we already talked to him. He says you only had two drinks tops at his place."

I shook my head. "If that was all I had, I would have been all right. But I started at like four, down in Chelsea somewhere."

“Chelsea."

"Right. Guinness there knows where it is, right, Guinness? That’s as far north as you’ve ever been, you told me." '

Guinness just stared at me.

Holt said, "Where in Chelsea?"

I described the place, then took him through the rest of the odyssey, but vaguely, skipping around a little, then backing and filling.

Holt let out a breath. Guinness muttered,

"Bullshit."

I said, "What’s the problem?"

Holt said, "Your friends J.J. and Terdell."

I closed my eyes and said quietly, "Not Hanna and Vickie?"

Holt waited till I opened my eyes again. "No. J .J. and Terdell themselves."

"Dead?"

Guinness said, "You expect us to believe this is news to you?"

Holt silenced him with a look. "Cuddy, somebody set something up last night. We like you for it."

"Set up what?"

"The construction project where they worked you over. Somebody hit J.J. and Terdell there last night."

“How could you know where it was they worked me over?"

Guinness said, "Lieutenant. I gotta leave. I stay, I’m gonna clock him."

Holt said, "Go."

When the door closed, I said, "Where’s Dawkins?"

"What’s it to you?"

"Nothing. I just figured he’d be in on this with you."

"Maybe we couldn’t reach him."

"I thought he was shadowing J.J. I thought that’s how you all knew that J.J. had taken me to the construction site in the first place."

Holt didn’t say anything.

I said, "Well, it’s probably just Saturday night. Dawkins, I mean. You know, him having the weekend off and all."

After a few seconds, Holt said, "You gonna stick to this pub-crawling story?"

"It’s no story, Lieutenant."

"I already got your gun, Cuddy, remember? Now I’m going after your investigator’s license."

"On what ground? You know I didn’t kill Marsh or Teri Angel. You’re also gonna find out that I spent the afternoon intoxicating myself and the evening embarrassing myself. So now two pieces of shit turn up dead in some dirt pile that’s not even in your jurisdiction. If I remember right, back from when we were discussing protection for Hanna and Vickie, you’re real concerned about the limits of your jurisdiction."

Holt put both of his hands flat on the table and heaved himself up from the chair. "You get away with this, it’s only gonna be because you didn’t do it in Boston, get me?"

"Can I get out of here, at least?"

Holt said, "If the Marblehead cops don’t want you, I sure as hell don’t."

He opened the door and turned back to me. "You look like shit. I hope you’re gonna clean up before the wake."

"Thanks, Lieutenant, but I’m afraid they’re going to have to send J.J. and Terdell to the great beyond without me."

Holt looked at me kind of funny, then said, "You don’t know, do you?"

"Know what?"

He gave me a smile, a heartless, hard smile. “Your friend, Christides the lawyer. He got up yesterday morning and ate his gun for breakfast."

* * *

I knocked on the front door of the house instead of the garage. Fotis answered. He didn’t want to let me in, especially the way I looked. I made him understand that I thought Eleni would want to talk with me. He told me to wait and closed the door. He came back a minute later and told me to come in.

She was in the kitchen, sipping coffee, both hands around the cup. When she saw my condition, the tic in her eye cranked into high gear. Putting down the cup, she said something quickly to her cousin in Greek, and he left us.

"John, my God, your face and—"

"I’m all right, Eleni. Just a little light."

She seemed to relax. "You heard."

"The police told me. Eleni, I'm so sorry . . ."

She dismissed that tack with a flick of her hand. "No, John, you do not be sorry. What happen here had to happen."

"I don’t understand."

"He told me. After you leave Friday night. He finally come to me and told me. About the Marsh animal, about the drugs, about the . . . whore."

"Eleni, Chris was—"

“No! I do not want to talk about what he was. You I know, you a good man to help Hanna and the child, but that Marsh, he was a bad man. I could tell the first time I see him, and I tell you when I see you. But Chris does not kill Marsh because of what Marsh did, because of the pig he was. No, Chris kills Marsh because he was scared."

"I think you’re being too hard on yourself. And on him. Chris was a good man."

"A good man does not visit the whores! I was a wife to Chris as long as I could. The . . . sickness takes me, John. Chris know what I know, that the days, there are not so many left. Still, he goes to the whore, like all the men in Greece I leave to come here."

"Eleni—"

"Chris was weak! Too weak to help the woman and child, too weak to be faithful to his wife, too weak even to do the right thing."

"What do you mean?"

“After you leave, and he tell me all the things, he lie awake, he cannot sleep, he say he will never sleep again. He say he will go crazy when the other lawyers find out what he did and take away his practice. He say he will go crazy in prison. He see the right thing, in front of him, and still he is too weak."

"I don’t follow you."

"The suicide, John. The suicide, the right thing, and he too weak even to do that. He so weak, in the end I have to help him."

I just stared down at her.

She said, "You a man with honor, John. You know what I mean."

God help me, I was afraid I did.
 

TWENTY-SIX
-♦-

When you’ve been around death too much, I think you try hard to watch for encouraging signs of life. As I came over the Tobin Bridge, a dozen pleasure boats were making their way through the locks on the Charles River and out to the harbor. Winding along Storrow Drive, I paralleled couples strolling, kids playing, joggers striding. Even a few wind-skaters sailed by, twisting and dodging around the slower walkers and runners.

The day was brightening as much as I’d let it when I reached the condo’s parking space. Along the street, an attractive woman was loading a picnic cooler into her hatchback, while a man holding his child’s hand was stopped by a pair of nuns, traditionally hooded and graciously accepting the money he dropped into their woven basket. That struck the only jarring note; you’d think the church would have gotten its share at Mass in the morning.

I started walking around the building, but not fast enough. I could hear the nuns coming up behind me as I got to my front steps. One said, “Sir?"

I turned around and looked from the basket into Salome’s not quite angelic face. Nino glared at me from under the other hood, a .357 magnum with a three-inch barrel pointing out from where rosary ' beads should dangle.

Nino said, "Inside. Now."

* * *

"You give me a reason."

I said, "To shoot or not to shoot?"

Nino didn’t answer. He stood in the center of my living room, headdress on the table but gun in his hand. His eyes could have pinned me to the couch. I heard Salome at the refrigerator. She poked her head around the comer of the kitchen doorway, saying, "All you got is this Killian’s shit?"

“Sorry."

She opened two, brought one in for Nino. She took a sip and a chair. Nino held the bottle by the neck and I downed half of it.

He wiped his mouth and said, "I wanna hear just what the fuck you think you doing, man."

"You might want to sit down. It’s going to take a while."

"Maybe you don’t got a while. Talk."

I brought him up to date, quickly, since he already knew most of it.

"So Marsh use my Angel to set up the Greek lawyer."

"That’s right."

Salome said, "Fucken shithead."

"And you can’t get J.J. to take the heat off the wife and kid."

"Uh-huh."

His voice rose. "So you fucken call me, and then call J.J., and tell both of us that his snow in one of those fucken pipes at the project."

"Yes."

"You motherfucken cocksucker! You set me up to get wasted, man."

"Not the way it worked 0ut."

"Worked out? I start in that tunnel at the end you and me came out, just like you tell me to, and fucken Terdell, he coming from the other side, where him and J.J. have you before I save you cojones. I’m coming up on meeting him somewhere in the middle, and if it ain’t for the fucken stink rolling ahead of him maybe five yards he waste me."

"I can’t believe it was that close."

Nino slung the beer bottle at me in a whippy, underhanded way that made it carom off my collar-bone and smash against the wall over my head, the red liquid staining as it ran down and along the woodwork. I rubbed the bone and didn’t say anything about my security deposit.

"I gotta dive down when Terdell see me. He already have out this cannon, he start yelling my name. ‘Nino, you fucken little shit, you was the one, you was the one,' and like that. Well, he get the two shots off, I don’t even get the chance to say nothing, if I did I couIdn’t hear it ’cause the fucken noise from the shots like to break my ears open. Then J.J. coming up behind him, at the next junction in the tunnel. J.J. start spraying this Uzi all the fuck over, and maybe three slugs hit Terdell in the back. Fuck, Terdell not there, taking up so much of the tunnel, some of J.J.’s shots find me, you know it? So I low crawl to Terdell to get his piece, and somehow he stinking worse than when he was alive, musta had ten pounds of soul food shit coming out his ass when the muscles let go. J.J. not too good with the Uzi in real life, probably bought it and took it out somewheres, learn how to shoot it but never seen no real combat with it, don’t conserve his ammo."

"You caught him reloading?"

"Fucken A. He didn’t even have the other load out, I bring up Terdell’s piece, put one square in J.J.’s chest, man, he like explode. He tumble back, I wait on him, then check him out. Ter-mi-nat-ed, man."

I moved my head toward the gun pointing at me.

"That’s not Terdell’s?"

Nino looked disappointed. "What you think, I got shit for brains? You think I carry away a piece that killed somebody?"

"What did you do with it?"

"I wipe it some, then put it back in Terdell’s hand, press his fingers around it."

I thought for a second. “Which hand?"

Nino shook his head. "His shooting hand. Madron!"

I said, "You didn’t shoot your own gun in there?"

"Never got it out."

"Then the cops probably don’t have the physical evidence to say anybody else was involved."

"The best I could do was leave it like maybe they had a business dis-a-gree-ment and did each other."

"With each other’s weapons."

"I didn’t know how much time I have, ’cause I didn’t know if the cops still tailing J.J., ’cause I didn’t know that you was inviting J.J., too."

"The main cop involved in the surveillance is a sergeant named Dawkins. He told me he was off this weekend."

"How come you didn’t tell me, huh?"

"Somebody else was probably on. But you figure nobody saw you?"

Nino just said, "You fucken set me up, man. I saved you fucken life that night, and you fucken set me up."

“Put yourself in my position. You see any other way for me to get J.J. off the widow and the child?"

"You ‘position,' huh? Back in the Nam, I had a lieutenant, fucken butter bar new guy, try to use me and my buddy to sucker some NVA one night. My buddy come back in a green bag, man. The butter bar got his ass reamed by a grenade somebody leave lying around."

"You told me you were the best, Nino, remember? King of the tunnel rats. I set it up, sure, but I set it up so I thought you’d take care of J.J. and Terdell no sweat."

"So you so thoughtful for me, I shouldn’t just blow you away now?"

"No, you shouldn’t."

"I still ain’t heard no reason, man."

"In the Angel’s apartment. You said you wanted the guy who killed her."

"You tell me Marsh kill her, and he’s dead."

"Yeah, but J.J. was the real reason she was dead. You think Marsh would set up a crazy frame like he was working if he wasn’t crazy himself from the drugs?"

Nino looked at me. “So I kill J.J., it’s like me getting the guy who did the Angel, huh?"

"Right."

"Right, shit. If you right on that, then I oughta kill you now, ’cause without you rousting Marsh, he never get your gun or try to set you up or even fucken know you."

"Even without me in it, Hanna would have demanded the house, and Marsh would have tried to set up Chris through the Angel, just with another gun."

Nino seemed to think it over. "What if all that shit ain’t enough reason?"

"Then try this. When you were driving me back Tuesday night, you said you figured you were better off me owing you a favor."

"So?"

"So now you’re twice as well off as before. Now I owe you two favors, and you got an innocent woman and her daughter off J.J.’s hook."

Nino looked over to Salome. I couldn’t see her, but I heard her habit rustle as though she was gesturing. Nino swung back to me and hitched at his robe near the crotch. "You got a set, man. You real lucky you draw a softhearted kind like me, you know it?"

I told him I knew it, and I meant it.

* * *

What’s the occasion?

I fanned the long-stemmed roses in front of her headstone and straightened back up. I told her about confronting Chris, setting up Nino, and seeing Eleni.

Are you going to do anything about what Eleni told you?

"Like what? How much longer has she got? Besides, my credibility with the police is a little strained right now."

Not to mention you ’re feeling responsible.

"I don’t. At least I don’t now. When Holt told me, I thought, ‘Jesus, it was me, me seeing Chris on Friday pushed him over the edge.' But not now."

I didn’t mean so much that in particular. I mean in general, that it was you leaning on Marsh that started everything in motion.

"Nino already reminded me."

But you’re wrong, you know?

"About what?"

About you starting everything. Marsh was a louse and Chris was weak, but you didn ’t make Hanna marry one or Eleni marry the other.

"Spouse-lock."

What?

I gave her Felicia Arnold’s explanation.

Sounds like that could fit a lot of peoples situations.

I didn’t say anything.

John, don 't you think its time?

"I don’t know."

Yes you do.

* * *

“Can I come up?"

She was wearing a loose-fitting Emack and Bolio Ice Cream tee shirt, white tennis shorts, and sandals. She took in my face. "Sure you weren’t looking for the first-aid station?"

I followed her up the stairs and into her apartment. She motioned toward the couch and plopped herself on a throw pillow.

"Nancy—"

"No, I want to get this straight, okay? So you listen for a change. I don’t want to hear what you’ve been doing. I don’t care what you think your reasons were. I just want a decision from you, a decision about us and about what you want us to be."

I looked down at her. The widely spaced bluer-than-blue eyes, the upturned nose, the freckles sprinkled from one cheekbone to the other.

"I’ve decided."

Always the lawyer, she kept her face neutral. "What is it, then?"

I reached for her hand and inclined my head toward the bedroom. "Let’s," I said.

And so we did.