15
‘But you must be careful cycling now, in your condition,’ says Galya, handing a glass of tea to Anna. ‘Your sense of balance won’t be as good. I was delighted when I got your letter about the baby. Your mother would have been so happy.’
‘I know.’
‘It’s always been my dream to stay here all winter. I’m tired of the city,’ says Galya.
‘But isn’t it very lonely?’
‘No. There are a few of us old full-time dacha-dwellers, you know. We look after each other. At least, I hope we do! This is my first winter, so I’ll find out. There’ll be snow soon. My barometer’s dropped right down.’
‘It won’t snow today, surely?’
‘I don’t think so, but it’s on its way. Drink your tea, and then you must get going. Don’t worry about Kolya. He’ll be fine with me. He’s got his school books with him, hasn’t he?’
‘Yes,’ says Anna, smiling slightly as she recalls Kolya’s indignant disbelief when she’d told him that even at times like these, his exams still mattered.
‘I can help him with science and maths, although I daresay they do everything differently these days. It’ll be good to have a young man about the place, to chop the wood and keep the stove going. He seems like a worker.’ Kolya’s outside, digging over Galya’s potato patch so that the frosts can break up the earth. He’d volunteered, to Anna’s surprise. ‘He’ll earn his keep, that boy,’ says Galya with a smile.
‘I have to tell you, he doesn’t do that much at home.’
‘He will here,’ says Galya with easy certainty. ‘You know what they’re like.’ Galya had only one son, who died in the war. She and her husband divorced long ago. ‘I shall enjoy the company.’
‘I hope it won’t be for too long. As soon as all this is over –’
‘You don’t need to explain, Anna. Anyway, it’s best if you don’t. Kolya’s the son of one of my dearest friends, that’s all I need to know, and he’s going to stay here until his health improves. Country air, plenty of exercise … it’ll do him the world of good. And naturally you brought him to me, given that I’m a doctor and well qualified to keep a close eye on him.’
‘I don’t know how to thank you, Galya.’
The older woman bats this away with her hand. ‘Look after yourself. I’ll make sure Kolya’s all right. It might be a bit dull for him, but he can always do some work.’ She laughs. ‘He’ll pass all his exams with top marks.’
‘That’s not really Kolya. Oh dear, I hope he doesn’t miss the piano too much.’
‘It wasn’t you either, if I remember. You were always drawing when you were meant to be studying.’
‘I used to dread my mother reading my reports.’
‘My dear child, if your mother could see the way you’re living your life, she’d be so proud of you.’
Anna wipes her eyes with the back of her hand. ‘Anything makes me cry these days,’ she says apologetically.
‘It’s because you’re pregnant. I was the same. Especially anything sad to do with children.’
‘I must go. I need to get back before dark.’
On her way out, Anna slips an envelope on to the table. Galya isn’t well off, with only her pension, and Kolya eats so much. Now to say goodbye to him. She straightens her shoulders and lifts her head, ready to smile.
It won’t be dark for a while yet. She has just enough time to go to their own dacha, and bury the diaries and sketchbooks she’s brought with her. Neither Andrei nor Kolya knows about this. She sent Kolya out to the kiosk to buy some smoked sausage, asked Andrei to take down the rubbish, and then quickly dismantled the secret hiding place, cramming everything into her two saddlebags. She had nothing to wrap the papers in this time, but she remembered that there was an oilcloth on the table in the dacha. It would be a terrible waste, but it would do.
The dacha is dark and quiet. It looks as if it has taken up its own winter life, which has nothing to do with her. There is no feeling of welcome. All the leaves have fallen and the ground is covered with them, some rotting and some still fresh. There are a few leeks left in the vegetable plot, and she pulls them up. She will dig down here, and then replant them.
Anna fetches her spade. Slowly and carefully, she begins to dig, piling the earth beside the hole. It needs to be deep. The earth is heavy with autumn rain, and the top layer is already frosted. The spade slices down into it, but turning the earth is hard. There’s a gust of wind and a few last birch leaves scatter down, bright as coins. Surely the hole is deep enough now. She spreads out the oilcloth and opens her saddlebags. There are her father’s diaries. The ‘Marina notebook’ is on top, and then there are Anna’s sketchbooks and all the loose drawings. She’ll have to fold the drawings. Later on, if there’s ever a right time to recover them, she can get rid of the creases somehow.
Place them all right in the middle of the oilcloth. Fold it over once, and then the other way. Tuck the corners right over, and fold again.
When she has made her parcel, Anna gets out a ball of string and ties the bundle securely, wrapping the string over and over so that it won’t come apart. It still doesn’t seem enough. The rain will seep in, and then the frost. What else can she do to protect everything?
She gets up, goes inside the dacha and starts searching, but there is so little there. She opens cupboards and peers into drawers. Nothing that’s any good.
She’ll try the shed where they keep their tools. An axe, a fork, a hoe, a rake, several buckets, rows of plant pots. Labels. And there, thrust into the darkest corner behind the ladder, she sees a pile of old sacks.
Perhaps she could hide the oilcloth parcel under the sacks. It would be dry there. Surely no one will go through the contents of the shed.
Anna bends down and lifts a sack. She gives a cry, and stumbles back, hitting her head on the rake that hangs from the wall. Pin-like squeaks come from a nest in the sacking. Ratlings, naked and squirming. My God, the mother will be somewhere about. A rat with young will fly at your throat. Anna backs towards the light of the shed’s doorway. As soon as she’s out she slams the door and bolts it. There’s no using the sacks, then. She’ll have to clear out the nest and the adult rats as soon as possible. She can borrow a dog from the farm. But not now. She knows she ought to kill the ratlings but can’t bring herself to do it.
The oilcloth will have to be enough. Anna crouches and reaches down into the hole, gripping the parcel of notebooks, sketchbooks and drawings. She doesn’t want to throw them down there. She ought to have fetched one of the sacks to kneel on. Never mind, she can brush the dirt off. Anna kneels. The thickening of her body keeps taking her by surprise. She feels clumsy and unlike herself. Never mind. There, the parcel lies flat at the bottom of the hole. She presses it down as if putting it to bed.
Now to cover it. And quick, it’s getting late. She keeps glancing behind her, although there’s no one there. She can’t understand why she feels so frightened. She stands, and picks up her spade. The handle is cold and heavy, and she is very tired. Hurriedly, she shovels the earth back into the hole, stamps it down and spreads the last few spadefuls carefully over the surrounding area so that the site of the hole is concealed. Smooth it all down a bit. Good. And now for the leeks.
One by one, she eases them back into the earth, and then presses down the soil around them. It still looks darker and fresher than the surrounding plot. She stares down at it for a moment, dissatisfied, then goes across to the little grove of young lilac and birch, and gathers up an armful of fallen leaves. Returning, she scatters leaves all over the disturbed soil. There, that looks more natural. If Galya’s right, and there’s snow in the next day or so, everything will be hidden.
Her father’s words are buried, just as he was buried. If they rot too, there’ll be nothing. But I can’t think of that now. I must get home.
Suddenly she remembers. It was like this the last time she came here alone and frightened. The dacha was deserted. She kept glancing round then too, because the Germans were coming. She knew how close they were but it didn’t stop her. She went on heaving onions and potatoes out of the earth, so that she could take them back to the city. What she couldn’t take with her she smashed into the soil, so that the Germans would never be nourished by them.
It had been a risk, but it had paid off.
She shakes her head to rid it of the memory. Trying not to look as if she’s in a hurry, she puts away the spade – propping it just inside the door of the dacha, because she doesn’t want to open that shed again – and buckles her saddlebags back on to her bike. Galya’s right, it’s much colder. The sky has changed. It is heavy and yellow with a weight of coming snow. Anna pauses, staring intently at the clouds, judging the wind, which has suddenly got up and is chasing the last leaves. It’s all right, she’ll get home before the snow falls. She wheels her bike down the path, and looks back one last time. A plot of earth, covered in leaves. She has scuffed out all her footprints. The leeks look as if they’ve been growing there all the time, forgotten, their leaves already dark with frost.
As soon as she reaches the track she gets on her bike and starts to pedal away, much faster than she should, over the bumpy ground. She looks neither to right nor left, but straight ahead. She doesn’t look back.