Una joven desaparece sin dejar rastro en una noche lluviosa de julio. Algunos años más tarde, sus restos son descubiertos por tres niños al desenterrar un tesoro que ellos mismos escondieron en el bosque. La joven, Mille, fue vista por última vez en la lujosa fiesta celebrada por la familia y amigos de Jenny Brodal, para celebrar su 75 cumpleaños. La desaparición de Mille afecta a todos los que han tenido alguna relación con ella: los que la deseaban, los que la buscaron, los que le dieron la espalda cuando la encontraron llorando, los que la mataron, los que trataron de olvidarla. Poco a poco emerge una historia de amor, confusión y engaño, de vidas secretas y dolorosos apegos. La canción helada es la historia de lo que llevó a la desaparición de Mille y de lo ocurrido después. De cómo un malestar persistente sigue devorándolo todo a su alrededor. Linn Ullmann escribe acerca de la obsesión, los sueños y la traición, sobre la devoción y la imprudencia, sobre una gran soledad y el intento de reconciliación, sobre la fragilidad del amor y el deseo de expiación.

La novela más reciente de Linn Ullmann, hija del gran director Ingmar Bergman, y quizá la más autobiográfica de las publicadas hasta ahora. Es el invierno de 2005, y Erika sabe que dentro de poco verá al gran Isak Lövenstad, su padre, un hombre distante, de gran reputación y pocas palabras. El coche recorre las carreteras nevadas de la isla de Hammarsö, y la mujer sabe que en cualquier momento podría dar marcha atrás y suspender el viaje. Incluso intuye que eso sería lo mejor, pero avanza porque allí, en la casa donde pasó las vacaciones de su infancia, la esperan los recuerdos de un pasado que compartió con sus dos hermanas, y el fantasma de Ragnar, el compañero de juegos que había andado con ella los primeros pasos hacia el deseo, pero que en el verano de 1979 fue víctima de una tragedia de tintes inciertos y oscuros. Tensa en la escritura e intensa en las emociones, dura, honda y piadosa al mismo tiempo en la exploración de la vejez, <EM style='COLOR: #000000; FONT-STYLE: italic'>Retorno a la isla es la novela más autobiográfica de Linn Ullmann, que ve así confirmado su prestigio como una de las mejores narradoras europeas de nuestros días.

Audacious. Wildly ambitious. Prolific. All describe William T. Vollmann, author of the seven-volume nonfiction work and and “Seven Dreams” sequence of novels, which the hailed as “likely to become one of the masterpieces of the century.”

In , Vollmann presents a mesmerizing series of intertwined paired stories that compare and contrast the moral decisions made by various figures — some famous, some infamous, some unknown — associated with the warring authoritarian cultures of Germany and the USSR in the twentieth century. He conjures up two generals, one Russian and one German, who collaborate with the enemy for different reasons and with different results. Another pairing tells of two heroes — a female Russian partisan martyred at the beginning of World War II and a young German man who joins the SS in order to reveal its secrets and halt its crimes. Several stories concern the complex and elusive Soviet composer Dmitri Shostakovich and the Stalinist assaults against his work and life; also explored are the fates of artists and poets such as Käthe Kollwitz, Anna Akhmatova, and the documentary filmmaker Roman Karmen. is another high-wire act of fiction by a writer of prodigious talent.

From the acclaimed author of , and comes this fever dream of a novel about an alcoholic Vietnam veteran, Jimmy, who devotes his government check and his waking hours to the search for a beautiful and majestic street whore, a woman who may or may not exist save in Jimmy's rambling dreams. Gloria's image seems distilled from memory and fantasy and the fragments of whatever Jimmy can buy from the other whores: their sex, their stories-all the unavailing dreams of love and salvation among the drinkers and addicts who haunt San Francisco's Tenderloin District.

Butterfly Stories follows a dizzying cradle-to-grave hunt for love that takes the narrator from the comfortable confines of suburban America to the killing fields of Cambodia, where he falls in love with Vanna, a prostitute from Phnom Penh. Here, Vollmann's gritty style perfectly serves his examination of sex, violence, and corruption.

Supernaturally tinged stories from William T. Vollmann, author of the National Book Award winner

In this magnificent new work of fiction, his first in nine years, celebrated author William T. Vollmann offers a collection of ghost stories linked by themes of love, death, and the erotic.

A Bohemian farmer’s dead wife returns to him, and their love endures, but at a gruesome price. A geisha prolongs her life by turning into a cherry tree. A journalist, haunted by the half-forgotten killing of a Bosnian couple, watches their story, and his own wartime tragedy, slip away from him. A dying American romances the ghost of his high school sweetheart while a homeless salaryman in Tokyo animates paper cutouts of ancient heroes.

Are ghosts memories, fantasies, or monsters? Is there life in death? Vollmann has always operated in the shadowy borderland between categories, and these eerie tales, however far-flung their settings, all focus on the attempts of the living to avoid, control, or even seduce death. Vollmann’s stories will transport readers to a fantastical world where love and lust make anything possible.

Just weeks after multiple disasters struck Japan, National Book Award winner William T. Vollmann ventures into the nuclear hot zone, outfitted only with rubber kitchen gloves, a cloth facemask, and a capricious radiation detector. In this Byliner Original from the new digital publisher Byliner, Vollmann emerges with a haunting report on daily life in a now-ravaged Japan — a country he has known and loved for many years. And in the cities and towns hit hardest by the earthquake, tsunami, and radioactive contamination, Vollmann finds troubling omens of a future heading toward us all.

Since the publication of his first book in 1987, William T. Vollmann has established himself as one of the most fascinating and unconventional literary figures on the scene today. Named one of the twenty best writers under forty by the New Yorker in 1999, Vollmann received the best reviews of his career for The Royal Family, a searing fictional trip through a San Francisco underworld populated by prostitutes, drug addicts, and urban spiritual seekers. Part biblical allegory and part skewed postmodern crime novel, The Royal Family is a vivid and unforgettable work of fiction by one of today's most daring writers.